The Serpent and the Rainbow (1988 Film), Screen Works
Standing
Concerns Scholarly Reception
Currently States Roger Ebert, reviewing the film on release, credited Wes Craven with treating Haitian Vodou more seriously as a religion and cultural force than most horror films manage, which he said typically use Vodou as a mere gimmick, and praised the film's visual realism from location shooting.
A 2026 documentary, Black Zombie, examined in POV Magazine by Courtney Small, situates this film instead inside a century long Hollywood pattern of using Haitian Vodou as horror material, running back through the 1932 film White Zombie. The piece reports the documentary's account that Wade Davis, whose own fieldwork the film adapted, chose not to speak out publicly against how his research had been reshaped, framing that silence as financially convenient. Davis himself was present on set from early in filming and, along with lead actor Bill Pullman and director Wes Craven, is reported to have wanted a more serious film than the one that resulted, so the record holds a scholar who objected privately, a director who wanted more seriousness, a contemporary critic who found some, and a later documentary that found a familiar pattern instead.
Source Small, "The Roots of Black Zombie," POV Magazine, 2026, Courtney Small