Angelic Choirs
Virtues
Dionysian Choirs
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Origin 480 to 530 CE
The Virtues are the fifth choir of angels, the shining ones who work miracles and bestow grace and courage. They are said to govern the movements of the heavens and the elements and to strengthen the faithful in endurance. They belong to the second, middle triad. In the Kabbalistic correspondence used here they are aligned with Tiphareth, the sphere of Beauty.
Facts
Origins
Origin Period480 to 530 CE 1Tradition: Pseudo-Dionysius, The Celestial Hierarchy Origin Period Origin PeriodNamed in Ephesians 1:21 and 1 Peter 3:22 (dynameis) before Dionysius, organized into the second rank of the second triad in The Celestial Hierarchy, dated by modern scholarship to the late fifth or early sixth century CE and traditionally, but wrongly, attributed to Dionysius the Areopagite (hence Pseudo-Dionysius). 1 Place of OriginWritten in Greek, most probably in Syria, around the year 500. 2 Origin of the NameEnglish Bibles usually render dynameis as powers, exousiai as authorities 3 Origin of the Name Origin of the NameSo Virtues and Powers do not map cleanly onto any English scripture wording 3 Origin of the NameVirtues comes through the Latin virtutes 3 Status
Standing as a Comparative CategoryA standard analytic category in the study of religion 2 What is superseded is the authorship, not the scheme Attestation
Meaning in the Attesting SourceA vigorous capacity for receiving the divine illuminations 1Tradition: Pseudo-Dionysius, The Celestial Hierarchy Meaning in the Attesting SourceGlossed as a courageous and unflinching virility 1Tradition: Pseudo-Dionysius, The Celestial Hierarchy Meaning in the Attesting SourceRenders the Greek dynameis 1Tradition: Pseudo-Dionysius, The Celestial Hierarchy Debunked
Attributed Author / CompilerRenaissance scholars established that the ascription could not be genuine: the place of origin recorded elsewhere on this page places the work's actual composition in Greek, in Syria, around the year 500, some four centuries after Dionysius the Areopagite would have lived. Bernard McGinn's The Foundations of Mysticism: Origins to the Fifth Century (Crossroad, 1991) treats the ascription's rejection as settled since the Renaissance. 2 Attributed Author / CompilerThe Celestial Hierarchy, which sets out the ninefold order of angels including this choir, circulated under the name of Dionysius the Areopagite, the Athenian convert of Paul named at Acts 17:34. Bernard McGinn's The Foundations of Mysticism: Origins to the Fifth Century (Crossroad, 1991) traces how this ascription gave the work the standing of a companion of the apostles. 2 Attributed Author / CompilerThe true author's identity has never been recovered. Bernard McGinn's The Foundations of Mysticism: Origins to the Fifth Century (Crossroad, 1991) is among the scholarship that refers to him only as Pseudo-Dionysius, a name that records the unmasking of the Areopagite ascription rather than identifying who he actually was. 2 Attributions
SephirahTiphereth, in the table of the ten orders in Agrippa's Three Books of Occult Philosophy 4Tradition: Agrippa Sourced to the subject's own accountAgrippa's table of the ten orders was collated directly for this entry. It runs Kether to the Seraphim, Chokmah to the Cherubim, Binah to the Thrones, Chesed to the Dominions, Geburah to the Powers, Tiphereth to the Virtues, Netzach to the Principalities, Hod to the Archangels and Yesod to the Angels, and gives Malkuth not to a choir but to the blessed souls. The arrangement this collection carries elsewhere in its own structure runs one place lower, from Chokmah down to Malkuth, and matches neither Agrippa nor the Golden Dawn table. Whose arrangement that is has never been recorded, which is what the open question below asks. Rival Systems
A Rival System's AttributionSourced to the subject's own accountAgrippa, Three Books of Occult Philosophy: Virtues is the order of Tiphareth, which is the sephirah recorded here. Agrippa gives its Hebrew name as Malachim. This is the one Dionysian choir on which his table and this collection agree. 4Tradition: Agrippa, Three Books of Occult Philosophy A Rival System's AttributionGregory the Great's independent scheme (Homiliae in Evangelia 34) moves Virtues out of the middle triad and pairs it with Archangels and Angels in the lowest rank, a genuinely different placement from Dionysius's second-triad reading; this is the single largest divergence between the two orderings. 1 A Rival System's AttributionSourced to the subject's own accountHermetic Order of the Golden Dawn: the choir of Tiphareth is Melekim. The order's ten choirs are the Hebrew orders throughout, and Virtues does not appear among them. 5Tradition: Hermetic Order of the Golden Dawn Learn More
A Choir of the Celestial Hierarchy
Virtues is one of the nine choirs, or orders, of angels described in The Celestial Hierarchy, a treatise written around the late fifth or early sixth century by the anonymous Christian author known as Pseudo-Dionysius the Areopagite. That work arranges the angels in three triads: the highest of Seraphim, Cherubim and Thrones; the middle of Dominions, Virtues and Powers; and the lowest of Principalities, Archangels and Angels. The scheme drew together the various ranks named in scripture, the seraphim of Isaiah, the cherubim of Genesis and Ezekiel, and the thrones, dominions, principalities and powers listed in the Pauline epistles, into a single ordered hierarchy that became standard in medieval Christian theology and was carried further by Thomas Aquinas and by Dante. This entry describes Virtues as a figure of that documented theological and literary tradition.
Virtues renders a different Greek term from the one behind Dominions or Powers: Paul's dynameis, "powers" in a more literal sense, appears in Ephesians 1:21 among the ranks Christ is exalted above, and the Vulgate's Latin choice, virtutes, gave English its somewhat misleading "Virtues," a translation more suggestive of moral excellence than of the raw might the Greek intends. Aquinas assigns this choir responsibility for miracles and for the extraordinary graces granted to the world, distinguishing its office sharply from the disciplinary work he gives to Powers immediately below it.
The Kabbalistic Correspondence
In this collection Virtues is also correlated with a sephirah of the Tree of Life, here Tiphareth ("Beauty"). Mapping the angelic choirs onto the ten sephiroth of Kabbalah is not part of the original Dionysian scheme; it is a later development of Christian Kabbalah, given its now-familiar form by the Hermetic Order of the Golden Dawn, which paired each sephirah with a divine name, an archangel and an angelic choir. The correspondence is presented here as a documented feature of that esoteric system, distinct from the Christian theology of Pseudo-Dionysius and from the Jewish sources of the Tree of Life, and not as the doctrine of any single tradition.
Virtues is the one point at which this collection's shifted table and the classic Agrippa-attributed sequential table agree: both place it at Tiphareth, Beauty, though for different structural reasons, the shift introduced by seating Chaioth ha-Qadesh at Kether happening to cancel out exactly by the fifth choir. The Golden Dawn's own wholly Hebrew table gives Tiphareth instead to a host it calls Malachim, "Kings," dropping the name Virtues along with the rest of the Dionysian Latin vocabulary its ten-part Hebrew scheme otherwise avoids entirely.
Cross-Tradition Connections
Sources
1. The Celestial Hierarchy
2. The Foundations of Mysticism: Origins to the Fifth Century
Bernard McGinn, Crossroad, 1991on the reception of the Dionysian corpus in Latin theology
3. The Holy Bible
Anonymous (multiple authors), Robert Barker, 1611Colossians 1:16; Ephesians 1:21View the Source 4. Three Books of Occult Philosophy
5. The Golden Dawn: The Original Account of the Teachings, Rites, and Ceremonies of the Hermetic Order of the Golden Dawn, 6th edition
Israel Regardie, Llewellyn, 1989Second Knowledge Lecture: the sephiroth with their divine names, archangels and choirs of angelsView the Source A Dictionary of Angels, Including the Fallen Angels
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