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Twenty Six Consonants of the Ethiopian Fidel, Each Written in Seven Vowel Orders

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Twenty Six Consonants of the Ethiopian Fidel, Each Written in Seven Vowel Orders

This article records tradition as it has been passed down and reported. Its sources are not yet part of the atlas's verified catalogue.

Ge'ez Letters gathers the twenty six base consonants of the classical Ethiopian fidel, the chart of signs the Ethiopian and Eritrean churches still chant scripture from, each one written in seven vowel orders rather than as a bare consonant alone.

Ge'ez is an abugida, not a consonant only abjad like its Semitic relatives: a fourth century vocalisation, in the era of Aksum, gave every consonant sign seven modified shapes carrying the language's seven vowels, so a Ge'ez text is fully readable without a separate reading tradition to supply vowels the way unpointed Hebrew or Arabic needs one. The twenty six letters by seven orders make one hundred and eighty two syllable signs, and children are taught the whole grid by reciting each row through its seven vowels in turn, the way Hoy's own row runs ha hu hi ha he he ho. Unlike every other old Semitic script the fidel runs left to right, a change that arrived alongside the vocalisation.

Four pairs of letters, hoy with hawt and harm, alf with ayn, sawt with sat, and saday with sappa, have merged in the living reading tradition and are all sounded alike, kept apart in spelling only because the classical text is fixed. Ge'ez also holds a set of ejective consonants, qaf, tayt, payt and saday among them, a feature it shares with the Cushitic languages of the same linguistic area. The script carries a scriptural canon broader than any other Christian tradition's, preserving Enoch and Jubilees complete where no other language does, and remains the daily liturgical script of the Ethiopian and Eritrean Orthodox Tewahedo churches and of Ethiopia's Beta Israel community.

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Source Encyclopedia of ReligionMircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.)
Sources
Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005View the Source
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