Divinity Atlas

Sacred Correspondences
Dreamspell Kins

Blue Monkey (Seal 11)

Also Known As Blue Monkey

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Origin 1987 to 1990

MODERN INVENTION. Blue Monkey is the eleventh of the 20 Solar Seals in the MODERN Dreamspell system devised by Jose Arguelles (1987), not a traditional Maya day sign in its Dreamspell form. Its keywords are Magic, Play and Illusion; its action is to play, its power is magic, and its essence is illusion. It corresponds loosely to the Maya day Chuen.

Facts
Origins
Origin Period
1987 to 1990 1Tradition: Dreamspell (José Argüelles, 1987)
Origin Period
Announced by Jose Arguelles around the Harmonic Convergence of August 1987 and published in its fully worked out Dreamspell form by 1990, a modern New Age construction rather than a traditional Maya day count. 1
Place of Origin
The United States. The system was announced around the Harmonic Convergence of August 1987 and published in worked-out form in 1990. 1Tradition: Dreamspell (José Argüelles, 1987)
Creator / Originator
Jose Arguelles (1939-2011), the American art historian and New Age author who devised the system and promoted it through The Mayan Factor and the Harmonic Convergence of 1987. 1Tradition: Dreamspell (José Argüelles, 1987)
Origin of the Name
Blue Monkey is Arguelles substitution of 1987. The Maya day it stands in for is Chuen in Yucatec, B'atz' among the daykeepers of highland Guatemala, and the seal name is not a translation of either. 1Tradition: Dreamspell (José Argüelles, 1987)
Language
English 1
Contested Use
Contested or Appropriated Modern Use
Maya organisations and daykeepers in Guatemala have objected publicly to this system being taught and sold as Maya tradition, because it displaces the 260-day count their own communities keep. That count is still kept, and it is not this one. 1
Status
Standing as a Comparative Category
Used, but its validity as a comparative category is disputed 1Tradition: Dreamspell (José Argüelles, 1987)
Learn More
Blue Monkey in the Dreamspell Scheme

Blue Monkey is the eleventh Solar Seal, blue and of the west in Arguelles's rotation. Its stated triad is magic as its power, playing as its action and illusion as its essence, and it is read in Dreamspell practice for humour, spontaneity, trickery and the recognition that appearances deceive. It stands sixth in the second wavespell. Like White Dog it keeps the Maya animal name, and like White Dog it repurposes it.

In the Dreamspell tradition, Blue Monkey, Solar Seal 11, is described as governing magic, play and skilled artistry, built from the borrowed imagery of the Tzolk'in day sign Chuen. Blue Monkey belongs to the Dreamspell's Blue colour family, alongside Blue Night, Blue Hand, Blue Eagle and Blue Storm, a colour grouping original to Arguelles and absent from the traditional Tzolk'in's own black-coded directional set at this position. Its Dreamspell wavespell is the eleventh of twenty. As with the other nineteen seals, Blue Monkey's gloss of magic and play is Arguelles's own construction, and it should not be mistaken for a translation of what Chuen, or its K'iche' counterpart B'atz', means within the living daykeeping tradition still practised in highland Guatemala, where the same day carries associations with craft, weaving and the ceremonial opening of the 260-day count itself.

Chuen, the Day Sign Behind It

The corresponding Maya day is Chuwen, the monkey, and in the Maya record the monkey is not primarily a trickster but a patron of the arts: the howler monkey scribes and artisans, Hun Batz and Hun Chuen of the Popol Vuh, are the elder half-brothers of the Hero Twins, turned into monkeys for their arrogance, and they become the gods of writing, painting, sculpture and music. Classic-period vase painting shows monkey scribes at work with brush and codex, and the day is accordingly associated with craft and with the making of things. The Dreamspell reading of play, magic and illusion has picked up the monkey's reputation from a general and largely non-Maya stock of trickster imagery; the Maya association is with skilled work.

Chuen is the eleventh of the twenty authentic Tzolk'in day signs, its imagery the monkey, linked in Maya art to skilled craft, weaving and artistic work; the living K'iche' daykeeping tradition knows the corresponding day as B'atz', meaning thread or monkey, which opens the 260-day count in the K'iche' calendar's own conventional starting sequence. In the directional scheme, Chuen belongs to the west and the colour black. Arguelles's Solar Seal 11, Blue Monkey, borrows Chuen's monkey and craft imagery directly, though it makes no reference to B'atz''s distinct standing as the K'iche' tradition's own starting sign.

Cross-Tradition Connections

Attributed To

Devised by Jose and Lloydine Arguelles in 1990 as part of the Dreamspell calendar. The specific artwork for each Kin is gated to the Arguelleses and the Foundation for the Law of Time.

Source The Mayan Factor: Path Beyond TechnologyJose Arguelles

Derived From

Chuen, Tzolkin Day Signs

Why this is disputed. Jose Arguelles presented Blue Monkey (Solar Seal 11) of his 1980s Dreamspell system as a rediscovery of the Maya day sign Chuen. Maya daykeepers who have kept the traditional 260 day count continuously reject that equivalence, since the Dreamspell count runs on a fixed Gregorian cycle out of step with the living, unbroken count, and Arguelles's own name, image and meaning for Blue Monkey are his invention layered onto Chuen rather than a transmission of its traditional meaning.

Disciplines That Use This

The Dreamspell kins, a modern system that departs from the classical Tzolkin count.

Source Maya Hieroglyphic Writing: An IntroductionJ. Eric S. Thompson

Originates in Language

Sources
1. The 2012 Phenomenon: New Age Appropriation of an Ancient Mayan Calendar
Robert K. Sitler, University of California Press (Nova Religio 9:3, pp. 24-38), 2006on contemporary Maya and the 2012 phenomenon
Dreamspell: The Journey of Timeship Earth 2013
Jose Arguelles, Chelsea Pacific, 1990
An Illustrated Dictionary of the Gods and Symbols of Ancient Mexico and the Maya
Mary Miller and Karl Taube, Thames and Hudson, 1993s.v. monkey scribes, Hun Batz and Hun ChuenView the Source
The Mayan Factor: Path Beyond Technology
Jose Arguelles, Bear and Company, 1987View the Source
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