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Jason

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Leader of the Argonauts and the hero of the voyage to Colchis for the Golden Fleece, the oldest of the Greek quest narratives and the one that carries the largest supporting cast, since almost every hero of the generation before the Trojan war is placed on the ship. He is a hero of a distinctly unheroic kind: he wins the fleece because Medea, a priestess of Hecate and a granddaughter of the Sun, gives him the means, and he is finally destroyed by the consequences of abandoning her. His story is the vehicle for one of the most disturbing figures in Greek literature, and he is the smaller half of it.

Facts
Identity
Symbol
Greek tradition marks him by the Golden Fleece he recovers from Colchis with the help of the sorceress Medea and the crew of the Argo, the ship built for the voyage under the guidance of the goddess Athena. 1
Canonical Reference
The fullest surviving account of his voyage is Apollonius of Rhodes' Hellenistic epic the Argonautica. Earlier fragments of the story appear in Pindar's Pythian 4. 1
Gender
Male 1
Attestation
Historicity
Legendary: known from narrative tradition, not the historical record 1
A hero of Greek legend; the Argonautic story is referred to by Homer as already familiar and is probably older than the Trojan material
Life
Office Held
Leader of the Argonauts on the quest for the Golden Fleece. 1
Manner of Death
Died by accident or misadventure 1
Manner of Death Detail
Killed by a beam falling from the decaying hull of the Argo, in the version the tradition preferred 1
Practice
Lineage
Ancient sources name him son of Aeson, the rightful king of Iolcus, whose throne was usurped by his half brother Pelias, the uncle who later sent the young Jason on the quest for the Golden Fleece, a mission sources suggest was meant to remove a rival heir. 1
Attributions
Mythic Association
Led the Argonauts aboard the ship Argo on a quest for the Golden Fleece, aided by the sorceress Medea whom he later betrayed, a betrayal that later tragedians, particularly Euripides, made the basis for one of Greek drama's most enduring accounts of revenge. 1
Origins
Place of Origin
Iolcus in Thessaly 1
Origin of the Name
His name is generally read as meaning healer, connected to the same Greek root that gives the word for medicine, an etymology later writers linked to the centaur Chiron's own role in raising and educating him after his father's throne was usurped. 1
Position Profile
Key Text
The fullest ancient account is Apollonius of Rhodes's epic the Argonautica; Euripides's tragedy Medea dramatizes the story's aftermath. 1
Learn More
The Argo, and a Crew of Everybody

Jason is sent for the Golden Fleece by a usurping uncle who expects the errand to kill him. He has a ship built, the Argo, and assembles a crew that reads like a catalogue of the previous generation of heroes: Heracles for a while, Orpheus to keep the rowing in time and to out-sing the Sirens, Castor and Pollux, Atalanta in some versions, and a long list of names whose local traditions the poets were tying together.

The voyage is a sequence of set pieces, and the geography is a map of the edge of the known world as it looked to early Greek sailors of the Black Sea: clashing rocks that crush ships between them, a blind seer tormented by Harpies, a king with a savage boxing habit, women who have killed all their men. It is the oldest of the Greek quest narratives and probably older than the Trojan material, and Homer refers to it as a story his audience already knows.

At Colchis, at the far eastern end of the sea, the king sets three impossible tasks. Jason performs all three and none of them by his own resources: Medea, the king's daughter, a priestess of Hecate and granddaughter of the Sun, gives him a drug against fire, tells him how to defeat the sown men, and finally puts the sleepless serpent to sleep herself.

The Hero Who Is the Smaller Half of His Own Story

Nothing Jason achieves is achieved by Jason. The fleece is won by Medea, the escape is managed by Medea, and the usurping uncle at home is disposed of by Medea, who persuades his daughters that they can rejuvenate their father by cutting him up and boiling him. Ancient audiences noticed. He is a hero whose defining characteristic is that he is helped, and the tradition is unusually unkind to him about it.

The ending is the reason the story survives. Established at Corinth, he sets Medea aside to marry a local princess, on the argument that the match is good for their children. In Euripides' version she kills the princess, kills her own two sons to leave him with nothing, and departs in a chariot sent by her grandfather the Sun, above him, safe, while he is left in the street. Whether Euripides invented the murder of the children or found it in local tradition is argued; either way it is the version that took.

Jason dies obscurely, killed by a beam falling from the rotting hull of the Argo while sitting under it. The Greeks liked that ending for him. A man who won everything through an oath he then broke is finished off by the wreck of the thing that carried him, and the poets did not have to add a word of judgement.

Cross-Tradition Connections

Associated With

Chiron is named tutor to Jason as well as to Achilles and Asclepius. The learned centaur is set apart from the tribe rather than typical of it.

Source Greek ReligionWalter Burkert
Source The Oxford Classical Dictionary, 4th editionSimon Hornblower, Antony Spawforth and Esther Eidinow (eds.)

This source names Jason directly: "before her act of vengeance against Jason."

This source names Jason directly: "The record's own tag list names Jason directly, alongside Athena, Men, Male Nudes and Women, and the museum's own caption, verified through two independently read secondary records in agreement..."

The quest's leader.

Source The Oxford Classical Dictionary, 4th editionSimon Hornblower, Antony Spawforth and Esther Eidinow (eds.)

Belongs to Tradition

Depicted In

The Metropolitan Museum's own tag list names Jason directly, and its own caption, verified through two independently read secondary records in agreement, narrates Jason reaching for the Golden Fleece with Athena beside him.

Married To

Medea, Figures
Source Greek ReligionWalter Burkert
Sources
1. The Oxford Classical Dictionary, 4th edition
Simon Hornblower, Antony Spawforth and Esther Eidinow (eds.), Oxford University Press, 2012View the Source
Terracotta column-krater, Orchard Painter, accession 34.11.7 (Metropolitan Museum of Art)
Metropolitan Museum of ArtDepicted In: Terracotta Column-Krater, Attributed to the Orchard Painter (Metropolitan Museum of Art, 34.11.7), accession 34.11.7View the Source
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