Divinity Atlas

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Joan of Arc

Saints

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The Maid of Orleans (1412-1431), a peasant girl who, guided by voices she attributed to Saints Michael, Catherine, and Margaret, led French armies to victory in the Hundred Years War. Captured, tried, and burned as a heretic at nineteen, she was later rehabilitated and canonized, becoming a patroness of France and of soldiers.

Facts
Life
Lifespan or Floruit
1412 to 1431 1
Place of Activity
Orleans, Reims and the Loire campaign 1
Manner of Death
Executed 1
Burned at Rouen in 1431 after a trial for heresy. The sentence was annulled in 1456
Identity
Gender
Female 1
Origins
Place of Origin
Domremy in Lorraine 1
Attestation
Historicity
Historically attested 1
Canonization
Formally canonized 1Tradition: Christianity
Veneration
Feast Day
Her feast day is 30 May in the Roman Catholic calendar, the anniversary of her execution at Rouen in 1431. 1
Patronage
Declared a patroness of France in 1922, two years after her canonization, and venerated as a patroness of soldiers. 2
History
Historical Note
She was tried and burned at the stake by an English-aligned ecclesiastical court at Rouen in 1431 on charges including heresy and cross-dressing, a verdict a papal inquisitorial court posthumously annulled in 1456 after a lengthy retrial. 1
Position Profile
Key Text
She testified at her 1431 trial that voices she attributed to Saint Michael, Saint Catherine and Saint Margaret had instructed her from childhood to help the dauphin Charles reclaim his kingdom from English occupation, testimony a retrial annulled as coerced twenty five years after her execution. 1
Learn More
Condemned as a Heretic, Canonized as a Saint

Joan of Arc is one of the few figures the Church first burned and later made a saint, and the reversal is the heart of her story. A peasant girl from Domremy, she reported hearing the voices of Saints Michael, Catherine, and Margaret directing her to drive the English from France and see the dauphin crowned. Against every expectation she was given troops, relieved the siege of Orleans in 1429, and stood beside Charles VII at his coronation at Reims, a run of successes that turned the Hundred Years' War.

Captured by the Burgundians and sold to the English, she was tried by a pro-English ecclesiastical court on charges of heresy and witchcraft, the decisive count being her wearing of men's clothing and her claim of direct divine guidance over the Church's authority. She was burned at Rouen in 1431, aged about nineteen. A retrial ordered by the papacy in 1456 annulled the verdict; she was beatified in 1909 and canonized in 1920. The same voices that a court called demonic the Church later recognized as holy, a case study in how heresy and sanctity can be verdicts on the identical life.

Two Trials, Five Centuries Apart

Joan of Arc was formally judged twice, by two different courts reaching opposite conclusions, and the gap between them shows plainly how much her case turned on politics rather than settled fact. The 1431 trial that condemned her as a heretic and led to her burning at the stake was conducted at Rouen under English and Burgundian political control, by clergy working within an occupied territory with every institutional incentive to discredit the woman who had turned the military tide toward the French crown. Roughly twenty five years later, with the political situation reversed and Charles VII secure on the French throne, a nullification trial authorized by Pope Callixtus III examined the original proceedings and annulled the verdict in 1456, finding the original trial procedurally corrupt and its judgment void.

Even this rehabilitation did not immediately produce sainthood: canonization did not come until 1920, nearly five hundred years after her death, following a long process of beatification and renewed French national interest in her memory, particularly around the First World War. The distance between a heretic's execution and a canonized saint, with a formal legal reversal roughly halfway between the two, is a documented sequence of institutional verdicts rather than a gradual popular change of heart, and each verdict reflected the interests of whoever controlled the court that issued it.

Cross-Tradition Connections

Associated With

This source names Joan of Arc directly: "open-access collection API record for "Joan of Arc," an oil on canvas painting by Jules Bastien-Lepage, 1879."

This source names Joan of Arc directly: "Pernoud and Marie-Veronique Clin's Joan of Arc: Her Story, published by St Martin's Press in 1998, is a scholarly biography by a historian, Pernoud, who devoted much of her career to editing and..."

Source Joan of Arc: Her StoryRegine Pernoud and Marie-Veronique Clin

Belongs to Tradition

Source Encyclopedia of ReligionMircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.)

Depicted In

The Met's own title for this painting names the subject outright, "Joan of Arc," a direct identification rather than a bare thematic tag.

Sources
1. The Oxford Dictionary of the Christian Church, 3rd revised edition
F. L. Cross and E. A. Livingstone (eds.), Oxford University Press, 2005Joan of ArcView the Source
2. Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005View the Source
Joan of Arc, accession 89.21.1 (Metropolitan Museum of Art)
Metropolitan Museum of ArtDepicted In: Joan of Arc (Metropolitan Museum of Art, 89.21.1), accession 89.21.1View the Source
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