Divinity Atlas

Sacred Correspondences
Figures

Mahabali

Also Known As Maveli (Malayalam) The name in Kerala, where the festival of his return is kept. · Bali (Sanskrit) The bare form. Not the island, and not Vali the monkey king of the Ramayana. · Bali Chakravarti (Sanskrit)
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Mahabali, usually called Maveli in Kerala, is the asura king whose reign is remembered as a golden age in which there was no falsehood, no theft, no caste distinction and no want. His virtue and his power grew so great that the gods appealed to Vishnu, who came as Vamana, a dwarf brahmin, and asked for as much ground as he could cover in three strides. Bali granted it against his guru warning, and Vamana grew to cover earth and sky in two, whereupon Bali offered his own head for the third. He was pressed down to the underworld but granted one visit home each year, and that visit is Onam, the harvest festival of Kerala, which is kept as the return of a beloved king rather than as the defeat of a demon.

Facts
Attributions
Mythic Association
The generous asura king from whom Vishnu, as the dwarf Vamana, asks three paces of ground and then covers the worlds with two 1
Tradition
The story of Vamana's three strides is counted among the ten major avatars of Vishnu, the fifth or Vamana avatar, and stands as the tradition's central account of divine humility triumphing over even a righteous king's pride. 2
Identity
Gender
Male 1
Status
Status Within the Tradition
Kerala folk memory keeps Mahabali as a symbol of ideal, egalitarian rule whose annual return is celebrated rather than mourned, a popular reading that sits in some tension with the Puranic text's own framing of the story as Vishnu's necessary humbling of an overreaching asura king. 1
History
Historical Note
Kerala keeps Onam as the yearly return of Mahabali to see how his people fare. 1
Attestation
Historicity
Legendary: known from narrative tradition, not the historical record 1
Traditions Revering This Figure
Hinduism 1
Life
Office Held
As king his reign is remembered as a golden age in which there was no falsehood, no theft, no caste distinction and no want. 2
Position Profile
Key Text
The Bhagavata Purana 1
Learn More
Three Strides, and the Guru Who Tried to Stop Them

The three strides are older than Bali. In the Rigveda, Vishnu is the god who paces out the worlds in three steps, and the third step is set somewhere no one can follow; there is no dwarf, no asura king and no deception in those hymns. The story of a king who gives away the ground under his own feet is attached to that image later, in the Brahmanas and then fully in the Puranas, and Vamana, the dwarf, becomes the fifth avatar of Vishnu.

The Puranic version turns on a legal formality. Bali is holding a sacrifice at which he has undertaken to refuse no request. Vamana asks only for three paces of ground. Shukra, the guru of the asuras, sees exactly what is happening and tells Bali not to grant it. Bali answers that a king who has promised cannot take the promise back because the beneficiary turns out to be dangerous, which is the whole moral position the story exists to state. Shukra then tries to block the ritual water that would seal the gift by entering the spout of the vessel, and is pierced by a blade of darbha grass, losing an eye.

Bali pours the water. Vamana grows, covers earth with one stride and sky with the second, and asks where the third is to go. Bali offers his head. He is pressed down into the netherworld Patala, and in most tellings is granted rule there and the promise of a future office as Indra. The defeat is a promotion, delivered as a punishment, for a virtue nobody disputes.

Onam, the Ten Days a King Comes Home

Onam runs for ten days in the Malayalam month of Chingam, from the asterism Atham to Thiruvonam, and it is kept across Kerala by Hindus, Christians and Muslims alike, which is unusual for a festival with a Puranic story behind it. The reason is that Onam is also the harvest, and the observance is domestic before it is temple based.

The house is prepared for a guest. A pookkalam, a circular carpet of flower petals, is laid in the courtyard on the first day and enlarged each day until Thiruvonam. Small conical clay figures called Thrikkakara Appan are set up and worshipped in the home, named for the temple at Thrikkakara near Kochi that tradition identifies as Bali's seat. The Onasadya, a vegetarian feast of many dishes served on a plantain leaf in a fixed order, is eaten on the last day. Elsewhere there are the boat races of the backwaters, the Athachamayam procession at Tripunithura, tiger dances, swings hung for children, and new clothes given within families.

The framing matters as much as the customs. Onam is not kept as the anniversary of a demon's defeat but as the day a loved king is allowed home to see whether his people are still well and still honest, which is why the greeting and the songs speak of a time when all were equal and there was no deceit. Some modern readings in Kerala press that further and treat Bali as a native ruler displaced by an incoming order, a reading the festival's own affection for him makes easy to argue and hard to settle.

Cross-Tradition Connections

Associated With

Onam is kept in Kerala as the yearly return of the king to his people.

This source names Bali directly: "the shadow puppet theatre of Java and Bali, in which a single dalang manipulates flat, intricately pierced leather puppets against a backlit cotton screen, narrating and voicing every character..."

Source Wayang (Wikipedia)Wikipedia contributors

Belongs to Tradition

Hinduism, Religions

Opposes

Vamana, Deities

Vamana, the dwarf, asks three strides and takes the world in two.

Sources
1. Encyclopedia of Hinduism
Denise Cush, Catherine Robinson and Michael York (eds.), Routledge, 2008View the Source
2. Bhagavata Purana
The Rigveda: The Earliest Religious Poetry of India
Stephanie W. Jamison and Joel P. Brereton, Oxford University Press, 2014View the Source
Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005View the Source
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