Old Javanese, or Kawi, is the literary language of Hindu and Buddhist Java from the ninth century, in which the Javanese Ramayana and the kakawin court poetry were composed. It remains a ritual and literary register in Bali, where priests still recite Old Javanese texts.
Facts
Origins
Language FamilyMalayo-Polynesian, within Austronesian, carrying a very large layer of Sanskrit vocabulary taken in along with Indian religion and literature. 2 Place of OriginOld Javanese, also called Kawi, originated on the island of Java in what is now Indonesia, the literary language of the Hindu-Buddhist courts there from roughly the ninth to the fifteenth centuries CE. 1 Practice
Liturgical and Scriptural RoleLiterary language of Hindu-Buddhist Java, the language of the kakawin court epics 1 Geography
Modern AreaNo longer spoken on Java itself, which is now predominantly Muslim, but its literary and ritual use continues on the island of Bali, Indonesia, where Kawi texts remain part of Balinese Hindu temple and literary tradition. 1 Identity
Native ScriptKawi script, a Brahmic-derived script also ancestral to the Balinese and Old Sundanese scripts 1 Attestation
Era of AttestationOld Javanese is attested from the ninth century CE, with the Sukabumi inscription of 804 CE among its earliest dated records, continuing in literary use into the fifteenth century. 2 Learn More
Kakawin Java
Old Javanese, often called Kawi, the language of poets, is the literary language of Hindu and Buddhist Java. It appears in inscriptions from the early ninth century and matured into one of Asia's great court literatures, saturated with Sanskrit learning yet fully Javanese in structure. Nearly half its recorded vocabulary is Sanskrit borrowed, and its poets worked Sanskrit metres into the kakawin, the long court poem. The oldest surviving major work, the Kakawin Ramayana, from around the ninth to tenth century, retells the Ramayana with a sophistication that made it the model for a millennium.
The courts of Kediri, Singhasari and Majapahit produced the classics that followed, the Arjunawiwaha of Mpu Kanwa, the Bharatayuddha on the great Mahabharata war, the Sutasoma of Mpu Tantular, a Buddhist epic from which Indonesia later took its national motto, unity in diversity, and prose renderings of the Indian epics and puranas. Composition was itself a religious act. Kakawin poets open with a manggala invoking the deity of beauty into the poem, treating the finished work as a temple of language in which the god may dwell, an aesthetic theology that scholars of Java have called the religion of beauty.
A Ritual Register in Bali
When Islam became dominant on Java in the sixteenth century, the Hindu Buddhist literary tradition did not vanish but shifted east, above all to Bali, which became the ark of Old Javanese literature. Balinese scribes copied and recopied the kakawin and prose classics onto lontar palm leaf manuscripts, and Balinese Hinduism absorbed Old Javanese as a liturgical and learned register beside Sanskrit and high Balinese. Pedanda priests recite mantras and hymns whose language is Old Javanese and Sanskrit, kakawin singing societies, sekaa mabasan, meet to chant the old poems and translate them line by line into Balinese, an activity that is both literary study and devotion, and passages of the epics are performed at temple festivals, tooth filing ceremonies and cremations, where the Bharatayuddha and Arjunawiwaha accompany the great rites of passage.
The wayang shadow theatre keeps Kawi in the mouths of its puppet heroes, with the dalang shifting between Kawi for the noble characters and Balinese or Javanese for the clowns who translate. On Java itself the school of Yogyakarta and Surakarta court poets preserved a Kawi flavoured literary Javanese, and modern Indonesian universities teach Old Javanese as the classical language of the archipelago's civilization.
Cross-Tradition Connections
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