Divinity Atlas

Sacred Correspondences
Myths & Sacred Narratives

Amaterasu and the Heavenly Rock Cave

Cosmic Event Myths

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Recorded in Japan's oldest chronicles, the Kojiki and the Nihon Shoki, this myth explains the daily return of sunlight. Outraged by her brother Susanoo's violence, the sun goddess Amaterasu seals herself inside the heavenly rock cave, plunging the world into darkness, until the goddess Ame-no-Uzume's wild dance and the other gods' laughter lure her to look out and see her own reflection, at which point she is drawn from the cave and the entrance sealed behind her.

Facts
History
Historical Note
Before Ame no Uzume's dance, the gods hang a shimenawa rope of straw across the cave mouth to bar Amaterasu's return, and gather a sacred mirror and curved jewels on the branches of a sakaki tree, objects the imperial regalia tradition later identifies with two of Japan's three sacred treasures. 1
Historical Note
Before the rock cave episode, Susanoo's earlier misdeeds against Amaterasu include breaking down the ridges between her rice paddies and defecating in her sacred hall during a harvest ritual, provocations both chronicles record as building toward the horse flaying outrage that finally drives her into hiding. 1
Historical Note
Both chronicles agree that Susanoo's violence, flaying a horse and throwing it into Amaterasu's weaving hall, causing a weaver's death, precipitates her withdrawal, but they differ on details of the trigger and its aftermath, consistent with the compilers drawing on separate oral strands rather than a single fixed text. 1
Meaning
Central Motif
Sun goddess hidden and lured back by laughter and a mirror 1
Text
Source Text
Kojiki (712 CE) 2
Scholarship and Forensics
Scholarly Note
Scholars read the episode's motif of a mirror used to lure the sun goddess out as connected to the sacred mirror, the Yata no Kagami, one of the three imperial regalia of Japan, said to be a copy of the very mirror used in the episode. 1
Scholarly Note
Some historians of astronomy have proposed the episode preserves a folk memory of an actual early solar eclipse, though the reading remains speculative and is not the mainstream view among mythologists. 1
Controversy
Point in Dispute
The Kojiki (712 CE) and the Nihon Shoki (720 CE) tell the rock cave episode similarly in outline but differ in framing: the Kojiki gives Amaterasu a central, sustained role among the heavenly deities, while the Nihon Shoki organizes its early chapters around paired yin and yang deities and records several alternate versions of the same events side by side, treating Amaterasu's episode as one variant account among others. 1
Sources
Primary Source
The Kojiki was compiled from the recitation of Hieda no Are by the courtier O no Yasumaro, commissioned under Emperor Tenmu and presented to Empress Genmei in 712 CE, the oldest surviving chronicle to record the episode. 2
Learn More
Susanoo's Outrages and the Retreat Into Darkness

Susanoo, the storm god, is given rule of the sea by his father Izanagi but instead weeps and rages that he wishes to join his dead mother Izanami in the underworld, and before leaving heaven to face judgment for his conduct, he goes to take leave of his sister, the sun goddess Amaterasu. Suspicious of his intentions, Amaterasu meets him armed, and the two undertake a contest of creation, each producing deities from objects belonging to the other, a contest Susanoo claims to have won, and whose result emboldens him to a spree of destructive behavior in heaven that follows.

He breaks down the ridges between Amaterasu's rice paddies, fills her irrigation channels, and, most seriously, flays a piebald colt and hurls its body through the roof of the hall where Amaterasu's weaving maidens are at work, killing one of them in the shock. Grieved, frightened, and finally outraged past endurance, Amaterasu withdraws into the heavenly rock cave, Ama-no-Iwato, and seals its entrance with a great boulder. With the sun goddess hidden, the world and the high plain of heaven alike are plunged into permanent night, and disorder spreads among the gods, described in the texts as a chaos of countless malevolent spirits swarming like summer flies.

Ame-no-Uzume's Dance and the Return of Light

The assembled gods gather in council before the cave to devise a way to lure Amaterasu back out. They gather roosters to crow as if at dawn, and the smith god forges a great mirror while jewelers craft strings of curved beads, which are hung together on a sacred sakaki tree set up before the cave's entrance. The goddess Ame-no-Uzume then overturns a wooden tub, begins stamping and dancing on it, and, working herself into a trance, exposes her breasts and genitals, provoking the assembled gods into a roar of laughter so loud it shakes the heavens.

Hearing the laughter and unable to imagine its cause while she alone hides the sun, Amaterasu opens the boulder a crack to ask why the gods are rejoicing in her absence. She is told they rejoice because a deity more radiant than herself has appeared, and shown her own reflection in the mirror hung on the tree, she leans further out to look more closely, at which point the god Ame-no-Tajikarao, hidden beside the entrance, seizes her hand and pulls her fully out, while another god immediately stretches a rope across the cave mouth behind her so she cannot retreat. Light returns to the world, and Susanoo, judged guilty of the offenses that caused the crisis, is banished from heaven and descends to earth, where later stories tell of his own heroism killing the eight-headed serpent Yamata-no-Orochi.

Cross-Tradition Connections

Associated With

Amaterasu, Deities
Source The Kojiki: Records of Ancient MattersBasil Hall Chamberlain
Ame-no-Uzume, Deities
Source The Kojiki: Records of Ancient MattersBasil Hall Chamberlain
Susanoo, Deities
Source The Kojiki: Records of Ancient MattersBasil Hall Chamberlain

Belongs to Tradition

Shinto, Religions

Originated In

Japan, Regions
Source The Kojiki: Records of Ancient MattersBasil Hall Chamberlain

Related To

Kagura ensembles pairing the tsuzumi with flute and drums most famously reenact the story of Amaterasu being coaxed out of hiding.

Source Shinto: The Kami WaySokyo Ono with William P. Woodard
Sources
1. Nihongi: Chronicles of Japan from the Earliest Times to A.D. 697
W. G. Aston (translator), Kegan Paul, 1896View the Source
2. The Kojiki: Records of Ancient Matters
Basil Hall Chamberlain, Asiatic Society of Japan / Internet Sacred Text Archive, 1919View the Source
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