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Sacred Correspondences
Myths & Sacred Narratives

Pangu's Creation of the World

Creation Myths

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A relatively late-recorded Chinese cosmogony in which the giant Pangu forms inside a primordial egg-shaped chaos, splits it apart to separate sky from earth, and stands growing between them for eighteen thousand years to keep them apart. On his death his body becomes the features of the world, his breath the wind, his eyes the sun and moon, and his blood the rivers.

Facts
History
Historical Note
Pangu is a comparatively late addition to Chinese cosmogony, first recorded in the third century CE Sanwu Liji, centuries after many other elements of Chinese mythology are attested, which has led some scholars to suspect southern non Han origins for the figure. 1
Historical Note
Some versions specify that Pangu grew at a rate of ten feet a day for eighteen thousand years, exactly matching the sky's own daily rise, a numerical precision later commentators read as underscoring the story's cosmological, almost mathematical, sense of proportion between the giant's growth and the widening gap he holds open. 1
Historical Note
The same account credits Pangu's limbs and torso with becoming the mountains at the four cardinal points and the center, his sweat with becoming rain and dew, and his hair and beard with becoming the stars, extending the body-to-cosmos transformation described in his death far beyond the eyes, breath and blood alone. 1
Meaning
Central Motif
A primordial body dies and becomes the features of the world 1
Text
Source Text
Sanwu Liji (3rd century CE, via Yiwen Leiju) 1
Scholarship and Forensics
Scholarly Note
One version recorded in the same early sources holds that the parasites living on Pangu's body became the first human beings, a variant creation-of-humanity detail distinct from and sometimes told alongside Nuwa's separate molding of humans from clay. 1
Scholarly Note
The motif of a primordial giant's death producing the features of the world closely parallels the Norse Ymir and the Vedic Purusha, a resemblance comparative mythologists have long used to argue for a shared archaic Eurasian cosmogonic pattern. 1
Controversy
Point in Dispute
Scholars disagree on how old the myth actually is beneath its late written record: some read the core motif of heaven and earth being pried apart as reaching back to a much earlier oral tradition, possibly connected to non-Han origin stories from southern China, while others see Xu Zheng and other early Daoist writers as having substantially shaped the myth into its familiar form. 1
Sources
Primary Source
The two earliest surviving textual fragments of the myth both come from the third century CE writer Xu Zheng: the cosmic egg splitting apart is recorded in his Sanwu Liji, and Pangu's death transforming into the features of the world is recorded separately in his Wuyun Linianji, known only through later quotation. 1
Learn More
The Egg of Chaos

Before heaven and earth existed, the third-century CE text Sanwu Liji relates, the universe was an amorphous chaos shaped like a great egg, in which the giant Pangu formed and slept undisturbed for eighteen thousand years. When he finally woke inside the darkness, Pangu split the egg open with a great axe he held; the light, pure elements suspended within it, the yang, rose slowly upward to become the sky, while the heavy, turbid elements, the yin, sank to become the earth. Fearing that sky and earth might drift back together and return the world to chaos, Pangu placed himself standing between them, his feet on the earth and his head supporting the sky, and pushed the two further apart.

As sky and earth continued to separate over the following eighteen thousand years, Pangu grew with them, adding ten feet to his height each day, so that by the time the two were finally fixed at a safe distance from one another, he had grown to an immense size, holding the entire structure of the world in the space of his own body until the separation was permanent and stable and his labor was finally complete.

The attribution of this account to the third-century compiler Xu Zheng means it survives only as a fragment quoted in a later encyclopedic work, the Yiwen Leiju, rather than as a complete original text, which is typical of how much early Chinese cosmogonic material has come down to modern readers in pieces rather than whole. Some strands of the wider tradition give the egg itself a color, black outside and yellow within, likening its shape and division to a chicken's egg, imagery scholars have connected to divination and cosmological diagrams that treat the egg as a compact model of the ordered universe still folded shut.

A Body Become World

Exhausted by the eighteen-thousand-year labor of holding heaven and earth apart, Pangu finally died, and his body's transformation completes the world's creation. His breath became the wind and the clouds, his voice the rolling thunder, his left eye the sun and his right eye the moon. His four limbs and torso became the four cardinal directions and the mountains that anchor them, his blood the rivers that run through the land, and his muscles and veins the roads and fertile fields that people would later till. His hair and beard scattered to become the stars strung across the night sky, his skin and the fine hairs on his body became the grasses and trees, his teeth and bones the metals and rock, and his marrow became precious jade and stone.

In some versions of the story, the parasites living on Pangu's body, warmed and nourished by the wind, are transformed into the first human beings, though this detail is recorded later and less consistently than the rest of the transformation. The Pangu cosmogony is notably later in written record than most other major world creation stories, first appearing centuries after texts like the Daodejing had already discussed cosmic origins in more abstract terms, and some scholars have proposed it may show influence transmitted along trade routes from South or Central Asia, a question that remains unsettled.

Cross-Tradition Connections

Associated With

Han Chinese, Cultures

Pangu's separation of heaven and earth is the best known Chinese cosmogony.

Source Sources of Chinese Tradition, Volume 1Wm. Theodore de Bary and Irene Bloom (eds)
Pangu, Deities
Source Chinese Mythology: An IntroductionAnne Birrell
Pangu, Deities

The giant Pangu forms inside the primordial egg and separates sky from earth.

Source Chinese Mythology: An IntroductionAnne Birrell

Belongs to Tradition

Originated In

China, Regions
Source Chinese Mythology: An IntroductionAnne Birrell
Sources
1. Chinese Mythology: An Introduction
Anne Birrell, Johns Hopkins University Press, 1993View the Source
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