Odu & Divination Signs
Eji Ogbe
Ifa Odu
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Eji Ogbe is the first of the sixteen principal odu (Odu Meji) of Ifa divination, the senior tier of a wider system of two hundred and fifty six odu in total. Odu Meji, the twinned or doubled figures, are the sixteen where the opele chain or the counted ikin palm nuts produce the same four marks in both columns; where the two columns differ instead, the resulting figure belongs to the two hundred and forty minor odu. Eji Ogbe's own figure is drawn as two identical columns of four single marks each, all eight marks single, the notation recorded in William Bascom's 1969 study of the system; it is the exact opposite of Oyeku Meji at position two, whose eight marks are all double. Eji Ogbe opens the sequence most widely published from Bascom's and Wande Abimbola's academic work, an order the babalawo learn and recite from memory, though Yoruba oral tradition also holds that Ofun, also called Orangun and placed last in that published order, was the eldest of the sixteen in the account of their descent to earth; Eji Ogbe's first position reflects the order of arrival rather than a claim to be the mythologically eldest. Like each of the sixteen, Eji Ogbe heads its own body of orally transmitted verses (ese Ifa) drawn on by a babalawo or iyanifa when interpreting a divination cast. A separate sixteen sign system built on counted cowrie shells rather than the opele chain or ikin nuts, used in the Cuban Diloggun tradition, shares several of the same names under different spellings but follows its own count based order. Ifa is a living, initiatory tradition; the atlas describes its structure and does not instruct practice or reproduce what the babalawo and iyanifa initiations transmit.
Facts
Structure
Stroke PatternTwo identical columns of four single marks each (I-I-I-I / I-I-I-I in Bascom's single and double mark notation); all eight marks single, the exact opposite of Oyeku Meji, whose eight marks are all double. 1 Divination SystemIfa (babalawo opele-chain and ikin palm-nut divination) 1 Identity
Position1 of 16 principal odu (Odu Meji) 1 Learn More
The Figure That Opens the Order
An Ifa cast produces a figure of eight marks set out as two columns of four, each position holding either a single or a double stroke. A column of four such positions admits sixteen patterns, and when the two columns match, the result is one of the sixteen principal odu that the tradition treats as the parents of its whole corpus. Eji Ogbe stands first in that sequence as it is most commonly published. It is also the one principal figure whose name does not end in Meji: eji already carries the sense of two, so the doubling is spoken at the front of the name rather than appended to it, and some sources write it Ogbe Meji for consistency with its fifteen neighbours.
The sixteen principal figures are not, on their own, the working vocabulary of a consultation. Pairing any of the sixteen with any of the sixteen yields two hundred fifty six figures in all, the sixteen matched ones and the two hundred forty in which the columns differ, and it is at that level that the corpus is organised. Each of the two hundred fifty six heads a body of orally transmitted verses, the ese, which a diviner recites and applies.
Eji Ogbe holds first place by rank rather than by frequency. The apparatus does not favour it; its standing is a feature of how the tradition orders and teaches its figures. Published sequences agree on Eji Ogbe at the head far more consistently than they agree about the middle and lower reaches of the order.
What Eji Ogbe says when it falls, the verses attached to it and the work a diviner prescribes on seeing it, belongs to initiated practice and is not reproduced here.
Bascom's Survey and What It Recorded
The best known scholarly account of Ifa in English is William Bascom's Ifa Divination: Communication between Gods and Men in West Africa, published by Indiana University Press in 1969. It is a long book, most of its bulk given over to Yoruba texts with facing English translation, and it was assembled from fieldwork with practising diviners rather than from any single written source, because no single written source existed to work from. Bascom also treated the ordering of the figures as a question worth a separate study, apart from the monograph.
Two things follow for a reference page. The first is that what reached print is a sample: particular diviners, in particular places, at particular dates, recorded by a researcher who chose what to ask for and what to include. It is not a canon, and a verse absent from Bascom is not a verse absent from Ifa. The second is that the printed verse is the most portable part of the tradition and the least complete part of it. Knowing which verse applies to the person sitting in front of you, and what follows from it, is taught rather than published.
Eji Ogbe appears throughout that literature by virtue of its position at the head of the order, and its prominence in the published record reflects the prominence the tradition itself gives it.
The atlas records the shape of the corpus and the state of its documentation. The verses, the readings and the prescriptions given in consultation are held and conferred by initiated practitioners, and are not set out here.
Cross-Tradition Connections
Contained In
One of the sixteen principal Odu Meji.
Disciplines That Use This
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