Divinity Atlas

Sacred Correspondences
Ogham Fews

Gort

GORT
Aicme Muine

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Origin 1948

Gort is the twelfth letter of ogham, giving the sound G, in the third family Aicme Muine. Its name means a field or enclosed garden, and it is associated in the tree-lists with the ivy; the word-oghams call it greenest of pastures and sweeter than grasses. Ivy grows in persistent, spiralling coils, clinging and climbing and returning green through winter, and so gathers associations of tenacious growth, the winding search, and the interwoven path. In the modern divinatory use of ogham, a twentieth-century reconstruction (Graves, 1948) rather than an ancient oracle, Gort is read for persistent, spiralling growth, the labyrinthine journey of self-development, and a tenacity that binds and endures on the long and winding way toward the goal.

Facts
Origins
Origin Period
1948 1Tradition: Modern tree-lore and tree calendar (Robert Graves, The White Goddess)
Origin Period
300 to 600 CE 1Tradition: Ogham inscriptions on stone
Origin Period
600 to 1000 CE 1Tradition: Medieval Irish manuscript tradition (In Lebor Ogaim and Auraicept na n-Eces)
Origin Period
Gort is attested in inscriptional ogham from the fourth to the sixth century, in the medieval Irish manuscript tradition through the tenth century, and, in the tree identification many readers now know it by, only from Robert Graves's The White Goddess in 1948, centuries after the alphabet's original use. 1
Place of Origin
A smaller group in Wales, Scotland, the Isle of Man and south-west Britain 1
Place of Origin
Ireland, with the great majority of inscriptions in Kerry, Cork and Waterford 1
Origin of the Name
The letter name is recorded in the medieval Ogam Tract. The tree identification carried here (Ivy) is a gloss supplied by the medieval scholiasts, not part of the name: McManus shows that only about a third of the twenty names are securely tree words, the rest being ordinary nouns of other sense, or words fitted to trees because a tree alphabet was the scheme the glossators had settled on. 1
Language
Old Irish 1
Identity
Associated Letter
1
Tree Name
Ivy 1
Aicme
Aicme Muine 1
Reading Keys
Keywords
Growth, the labyrinth 1
Attestation
Meaning in the Attesting Source
sating of multitudes 1Tradition: Briatharogam Con Culainn
Meaning in the Attesting Source
suitable place for cows 1Tradition: Briatharogam Maic ind Oc
Meaning in the Attesting Source
sweetest grass 1Tradition: Briatharogam Morainn mac Moin
Learn More
The Ogham Letter Gort

Gort is a letter of ogham, the earliest form of writing in the Irish language, cut as sets of strokes across a central line. It stands for the sound G and belongs to the third (Aicme Muine) of the four aicme, the groups of five into which the twenty principal letters are divided.

Letter, tree and later meaning

Ogham is a genuine antiquity: some four hundred inscriptions survive, most on standing stones in Ireland and western Britain, cut between roughly the fourth and sixth centuries. Each letter also bears a name, and medieval Irish scholars glossed many of those names with trees and with word-kennings; Gort is linked to the ivy, from which its letter-name derives.

The divinatory use of ogham, here the sense of growth and the labyrinth, is not attested in the early inscriptions. The reading of ogham as an oracle, and much of the elaborate tree-lore attached to it, belongs to the medieval glossary tradition and, above all, to the modern neo-druidic revival of the twentieth century. It is presented here as that later tradition, laid over a script whose first purpose was to record names in stone.

Cutting Gort: Two Oblique Strokes

A letter of the third ogham family is cut across the line at an angle rather than beside it.

How the letter is formed

Gort is the second letter of the third family, Aicme Muine, and is cut as two strokes crossing the line obliquely, parallel to one another.

Cutting an oblique stroke on stone

The oblique strokes of the third family are the most demanding to cut cleanly on an arris, because each has to be carried across the edge and down both faces of the stone at a consistent angle. On many surviving stones the third family shows more variation in execution than the first two, and badly weathered examples can be difficult to distinguish from the fourth family, whose strokes cross the line square. The distinction between an angled and a perpendicular crossing is the only thing separating ten of the twenty letters from ten others.

The sound

Gort carries the value G. It appears in the surviving orthodox inscriptions, a corpus of a few hundred stones consisting almost entirely of personal names in the genitive case, cut in Ireland and in Irish-settled parts of Britain and dated on linguistic grounds to roughly the fourth to the sixth centuries.

The gloss layer

The ivy attached to this letter belongs to the manuscript tradition, several centuries later than the inscriptions, and the seasonal schemes in modern circulation are later still. The atlas records the three layers as three separate things rather than as one continuous tradition.

Cross-Tradition Connections

Attributed To

The Auraicept sets out this letter's place in the ogham system and its mythic origin under Ogma.

Source Auraicept na n-Eces: The Scholars' PrimerGeorge Calder (ed.)

Originates in Language

Old Irish, Languages
Source A Guide to OgamDamian McManus

Related To

What is not known, and what would settle it. The tree-calendar sign Ivy (Gort) shares its plant with the Ogham few Gort (ivy).

Sources
1. A Guide to Ogam
Damian McManus, An Sagart, 1991On the letter names and the briatharogaimView the Source
Auraicept na n-Eces: The Scholars' Primer
George Calder (ed.), John Grant, 1917In Lebor Ogaim, the letter lists and word-oghamsView the Source
The White Goddess: A Historical Grammar of Poetic Myth
Robert Graves, Faber and Faber, 1948Cited for the 1948 tree calendar, not as evidence of ancient practiceView the Source

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