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Muspelheim
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Origin Snorri's Prose Edda is effectively the sole source that describes Muspell as a place at all, naming it bright, hot and impassable to outsiders and giving Surt his flaming sword; the older Poetic Edda mentions Muspell's sons only as agents riding to Ragnarok, in Voluspa and Lokasenna, without ever describing the realm itself.
The primordial realm of fire in Norse cosmology, a burning land ruled by the fire giant Surtr. Its heat, meeting the ice of Niflheim, gave rise to the first living beings at the dawn of creation. At the end of the world its fire is destined to consume the cosmos.
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Origins
Held ByThe realm of the fire giant Surtr, whose flame at the end of the world is destined to consume the whole cosmos. 1 Origin PeriodSnorri's Prose Edda is effectively the sole source that describes Muspell as a place at all, naming it bright, hot and impassable to outsiders and giving Surt his flaming sword; the older Poetic Edda mentions Muspell's sons only as agents riding to Ragnarok, in Voluspa and Lokasenna, without ever describing the realm itself. 1 Status
Status Within the Tradition Tradition
Scriptural BasisSnorri's Gylfaginning describes it as guarded at its border by the fire giant Surtr, who wields a flaming sword and will lead the sons of Muspell against the gods at Ragnarok. 1 Disputed
Origin of the NameThe element Muspell is of disputed origin, most often connected to the Old High German muspilli, itself obscure in sense. 2 The Prose Edda supplies no etymology for the name, and scholars have proposed several derivations for Old High German muspilli without reaching agreement, including glosses of world's end and destroyer of the world. The connection to Old Norse Muspell is generally accepted; the deeper root is not. Attestation
Meaning in the Attesting SourceA burning land ruled by the fire giant Surtr 1 Meaning in the Attesting SourceIn Snorri, a region of fire in the south from which Surtr will come 1Tradition: The Prose Edda of Snorri Sturluson Meaning in the Attesting SourceThe Eddic poems use the word chiefly of the sons of Muspell, not a place 1Tradition: The Prose Edda of Snorri Sturluson Structure
StructureMuspelheim is guarded at its border by the fire giant Surtr, who stands watch with a flaming sword and is destined to carry it against the gods at Ragnarok, per the Prose Edda's Gylfaginning. 1 Learn More
The Primordial Fire in the South
Muspelheim is the realm of fire in Norse cosmology, one of the two primordial worlds present at the very beginning of things, and it plays a role at both the creation and the destruction of the cosmos. In the Eddic account of origins, before the gods and before the ordered worlds, there existed only the fiery, glowing region of Muspelheim in the south and the frozen, misty Niflheim in the north, separated by the yawning void of Ginnungagap. Where the heat of the one met the ice of the other, the ice melted and quickened into the first living being, the giant Ymir, from whose body the world would be made, so that all creation begins from the meeting of fire and cold.
Muspelheim is guarded at its border by the fire-giant Surtr, sword in hand, and it is home to the "sons of Muspell," fiery beings who play no part in the ordinary dealings of gods and men but are held in reserve for the end. At Ragnarok they will ride out, Bifrost will shatter beneath them, and Surtr will fling fire across the nine worlds and burn them. Muspelheim thus frames the Norse cosmos: the fire whose warmth helped kindle the first life is the same fire that is destined, at the last, to consume the world.
A Fire Older Than the Word for It
Muspelheim exists before anything else except its opposite. The account begins with Ginnungagap, the yawning void, with ice and mist to the north and fire to the south, and creation happens where the two meet and the ice begins to drip. Nothing made it and nobody rules it except Surtr, who stands at its border with a flaming sword and who will come at the end to burn the world.
The word itself is the puzzle. Muspell appears in Old High German and Old Saxon Christian poetry before it appears in Norse, in contexts about the end of the world by fire, and the ninth century German poem called Muspilli takes its modern name from the term. Whether Norse borrowed a Christian apocalyptic word for its own fire realm, or whether both drew on something older, is argued and unresolved. It is one of the clearest cases where the Norse material can be shown to be in contact with Christian writing rather than sealed off from it.
The structural point is that this cosmology is not a creation from nothing. It begins with a polarity and a gap, and everything else is what happens when the two sides touch. Fire is not evil in it. It is one of the two conditions the world requires, and it is also the condition that will end it.
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