Rimonim are the pair of ornaments set on the upper ends of the two staves of a Torah scroll when it is not being read. The name means pomegranates, and the earliest forms are round or fruit shaped, though the towered architectural type with tiers, arches and little bells became the dominant one across most of Europe. The bells are functional as well as decorative: they announce the scroll as it is carried through the synagogue, and a congregation stands at the sound. Where a crown is used instead, it covers both staves at once; where rimonim are used, there are always two, and in many eastern and North African communities they are set on top of a rigid case rather than over a dressed scroll.
Facts
Disputed
Scholarly NoteThe pair kept in the cathedral of Palma de Mallorca is generally taken to be the earliest surviving European rimonim, and specialists differ over whether they were made in Majorca or in Sicily 1 Rimonim, the ornamental finials placed on the wooden rollers of a Torah scroll, survive from the medieval period in forms scholars attribute to specific regional silversmithing workshops based on their decorative style and metalworking technique. The Encyclopaedia Judaica, second edition, edited by Michael Berenbaum and Fred Skolnik (2007), records that art historians of medieval Jewish silver argue for both a Majorcan and a Sicilian workshop origin for certain surviving examples, each attribution built from comparing the finials' decorative motifs and construction against other securely attributed metalwork from each region. The method is art-historical and technical, comparing surviving stylistic and metallurgical features against documented regional workshop output, since the finials themselves typically carry no maker's mark naming their origin. Because the comparative material from both regions shows genuine stylistic overlap in this period, and no signed parallel has settled the question, both attributions remain argued in the current literature. Origins
Origin of the NameRimonim means pomegranates, after the fruit shape of the earliest recorded forms 1Tradition: Judaism Origin RegionIberia before the expulsions of 1492 and 1497, and thereafter the Sephardi communities of Morocco, Salonica, Livorno, Amsterdam and London 1Tradition: Judaism Practice
Liturgical and Scriptural RoleThe bells hung on them sound as the scroll is carried through the synagogue, and the congregation stands 1Tradition: Judaism Attributions
TraditionJudaism, with a distinct Iberian and Sephardi silverwork tradition 1 Identity
Also Known As Category of Sacred ObjectA pair of ornaments set on the projecting ends of the two staves of a Torah scroll 1Tradition: Judaism Use
Who May Handle ItAdherents of the tradition 1 ConsecrationBlessed before use, without a rite of consecration 1 Learn More
Bells on the Staves
A Torah scroll has two wooden rollers, the trees of life, and the ends that project above the parchment are where the ornaments go. Rimonim are the pair that sit on those ends when the scroll is dressed. The name means pomegranates and the earliest recorded forms follow the fruit, but the type that spread most widely across Europe and the Mediterranean is architectural: a shaft carrying tiers of open arcading, sometimes several storeys of it, topped with a finial, and hung about with small bells on wire loops. When the scroll is lifted and carried through the synagogue the bells sound, and the congregation stands to that sound before it sees the scroll.
The ornaments are a family rather than a fixed set. A crown covers both staves at once and is used instead of rimonim in many communities; a breastplate hangs on the front of a dressed scroll in Ashkenazi practice; a pointer, the yad, is used to follow the text without touching the parchment. In North African, Middle Eastern and Italian communities the scroll is kept in a rigid case rather than dressed in a mantle, and the rimonim are then set on top of the case, so the same object serves two quite different systems of housing the same text. Almost all of this metalwork is donated, and dedicatory inscriptions on it name donors, dates and occasions, which makes synagogue silver a documentary record as well as a liturgical one.
What Survived 1492
Jewish life in Iberia was long, large and, in its material culture, almost entirely erased. Castile and Aragon expelled their Jews in 1492 and Portugal followed in 1497. Synagogues were converted or destroyed, and the portable silver either went with the exiles, was melted, or passed into other hands. As a result, Iberian Jewish metalwork made before the expulsions barely exists in situ, and the identification of what does survive is contested. A pair of rimonim kept in the cathedral of Palma de Mallorca is generally taken to be the oldest surviving European example, and specialists differ over whether they were made in Majorca or in Sicily, which is a question about the origin of the earliest known object in a whole category.
The tradition itself did not stop, it moved. Exiles rebuilt communities in Morocco and across the Maghreb, in Salonica and the Ottoman lands, and later in Livorno, Amsterdam, London and the Americas, and Sephardi synagogue silver in those places carries the Iberian inheritance forward in its forms and in its naming. The atlas already holds figures of the same world: Moses de Leon, associated with the appearance of the Zohar in thirteenth century Castile, and Abraham Abulafia, whose ecstatic Kabbalah belongs to the same peninsula and the same century. The silver and the books come out of one society, and only one of the two survived the expulsion in quantity.
Cross-Tradition Connections
Associated With
Where a tik is used, the finials are set on top of the closed case rather than on the bare staves.
Belongs to Tradition
Rimonim are set on the staves of a Torah scroll when it is not being read.
Composed Of
Silver, Metals Rimonim are worked in silver, frequently parcel gilt, and commonly hung with small bells.
Sources
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