Scripture Portions
Bala Kanda
Also Known As The Book of Childhood
Ramayana
Citation Formats
General Reference
APA Style
BibTeX
The Book of Childhood opens Valmiki's poem with the frame of its own composition, the birth of Rama and his brothers in Ayodhya, the boyhood mission with the sage Vishvamitra against the demons, and the winning of Sita by the breaking of Shiva's bow. Scholars regard parts of it as later than the core books.
Facts
Origins
Era of CompositionThe Ramayana's core narrative likely took shape c. 500 to 100 BCE; most critical scholars regard Bala Kanda, along with Uttara Kanda, as a later addition to the original five-book poem 2 Attributed Author / CompilerMost critical scholars regard Bala Kanda as added to an originally five-book poem, citing its different style, its introduction of material, such as Rama's full divinity, treated inconsistently elsewhere in the core narrative [critical] 2 Attributed Author / CompilerThe sage Valmiki, traditionally revered as the adi-kavi, the first poet, who both composed the epic and appears within it [traditional] 1 Identity
Position in the Canon Status
Canonical StatusSmriti (remembered) 3Tradition: Hinduism Structure
StructureThe first of the Ramayana's seven kandas, covering Rama's birth, youth and marriage to Sita 1 Learn More
A Prince Born of a Sacrifice, and a Bow No One Else Could Lift
Bala Kanda, the Book of Youth, opens with the childless King Dasharatha of Ayodhya performing a great sacrifice that grants him four sons by his three queens, Rama, born to Kausalya and understood from birth as an incarnation of the god Vishnu sent to rid the world of the demon king Ravana; Bharata, born to Kaikeyi; and the twins Lakshmana and Shatrughna, born to Sumitra.
The sage Vishwamitra soon takes the young Rama and his devoted brother Lakshmana away from the palace to protect his forest sacrifice from demonic interference, and Rama kills the demoness Tataka and other disruptive rakshasas along the way, his first demonstrations of the extraordinary strength his divine nature carries. The book's central set piece is the swayamvara of Sita, adopted daughter of King Janaka of Mithila, found as an infant in a furrow while Janaka was ploughing a ritual field, whose hand is offered to whichever suitor can string and bend an immense bow belonging to the god Shiva; Rama not only strings it but breaks it in the attempt, winning Sita's hand, and the book closes with a joyful multiple wedding as Rama's three brothers also marry Sita's sister and cousins, uniting the two royal houses. Vishwamitra also imparts to Rama and Lakshmana a set of powerful sacred weapons and their invocations during the forest mission, knowledge that becomes decisive far later, in the war against Ravana, tying this early book's events directly to the epic's eventual climax.
The Book Scholars Read as Added Later
Bala Kanda is one of the two books, along with the epic's final Uttara Kanda, that most critical scholars regard as later additions to what was likely an originally five-book poem running from Ayodhya Kanda through Yuddha Kanda, a judgment based on differences in style and vocabulary, on this book's explicit, sustained framing of Rama as a full divine incarnation of Vishnu, a status the core narrative books tend to treat more ambiguously, letting Rama act and grieve as fully human for most of the story, and on narrative details that sit awkwardly alongside the core books' own account of certain events. This does not mean the book is a late fabrication with no old material behind it, since much of its content, including the swayamvara contest and Vishwamitra's forest mission, likely draws on older story elements that were shaped into their current framing form when the book was composed or expanded to introduce the epic's core narrative more fully.
The tradition's own account of authorship is more layered than a single human poet: Valmiki, revered as the adi-kavi or first poet of Sanskrit verse, is said to have received the poem's meter directly from the god Brahma after witnessing a hunter kill one of a pair of mating birds, his spontaneous grief crystallizing into the first shloka, the poetic meter the entire epic subsequently follows.
Cross-Tradition Connections
Contained In
Originates in Language
Sources
Reader Challenges (0 open reader challenges)
No disputes yet. Spotted an error or a better source? Open the first one.
Sign in to dispute this or suggest a correction.
View At A Past Year
The atlas records no dated fact of its own for this entry, so there is no other year to choose.