Divinity Atlas

Sacred Correspondences
Scripture Portions

Jaijawanti

Also Known As Jaijaivanti (Punjabi)Original Term Rag Jaijawanti (Sant Bhasha)
Guru Granth Sahib

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The last of the rag sections and the only one added after Guru Arjan's compilation of 1604. It contains the work of a single hand, Guru Tegh Bahadur, the ninth Guru, whose compositions were inserted throughout the volume when the final recension was prepared, and whose hymns in this measure closed the rag sequence at its end rather than being fitted into an existing section. The addition of a thirty-first rag is the clearest visible trace of the second stage of the canon.

Facts
Disputed
Point in Dispute
Whether the Ragmala, the verse listing of rags that stands at the very end of the volume after the rag sections close, is part of the Guru Granth Sahib 4
One position holds the Ragmala to be an integral part of the scripture, present in the Kartarpur manuscript and printed in every standard copy, and reads it accordingly. Another holds it to be a scribal addition rather than the word of the Gurus, and some congregations do not recite it when completing a reading of the volume. The question has been argued within the Panth since the nineteenth century and is not settled.
Origins
Language
Sant Bhasha (Gurmukhi script) 2Tradition: Sikhism
Language Detail
Sant Bhasha, the composite devotional register of northern India, with Punjabi, Braj, Sanskritic, Persian and Arabic elements in proportions that vary from hymn to hymn; written throughout in Gurmukhi script 2Tradition: Sikhism
Structure
Structure
Contains the compositions of Guru Tegh Bahadur alone 3Tradition: Sikhism
Identity
Parent WorkSourced to the subject's own account
Guru Granth Sahib 1
Position in the CanonSourced to the subject's own account
Rag section 31 of 31, in the fixed order that every copy of the Guru Granth Sahib follows 1Tradition: Sikhism
Form
Musical Mode
A measure added to the Granth at its final recension, and the last rag heading in the volume 3Tradition: Sikhism
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The Thirty-First Rag

Jaijawanti is the last of the rag sections and the only one added after Guru Arjan's compilation of 1604. It contains the work of a single hand: Guru Tegh Bahadur, the ninth Guru, executed at Delhi in 1675.

His compositions were incorporated into the volume at the final recension, and they went in the way the scheme required, inserted at their place in the order of the succession within each rag section where a section already existed. Where they were set in a measure the volume had no section for, a new heading was created, and it stands here at the end of the rag sequence.

That is the whole visible trace of the second stage of the canon: a thirty-first heading, at the end, in one voice. The rest of the ninth Guru's work is distributed invisibly through the volume, indistinguishable in arrangement from what was there before, marked only by the number in its headings.

The character of the compositions is consistent and distinct. They are compressed, unillusioned, and preoccupied with the shortness of a life and the emptiness of what people spend it on, written by a man who had reason to think about both. His couplets, gathered elsewhere in the volume, are among the most widely quoted lines in the tradition.

A Book That Is a Person

The final fact about the Guru Granth Sahib is the one that governs every other. In 1708, Guru Gobind Singh ended the succession of human Gurus and invested the scripture itself with that authority. The volume is the Guru, and has been for more than three centuries.

What follows is not a set of respectful customs added to a book. It is the treatment appropriate to a living Guru: installed on a raised seat under a canopy rather than shelved, attended, fanned with a whisk as a sovereign is attended, taken at night to a room of its own and brought out in the morning. Those in its presence uncover their feet and cover their heads. Its pages are called limbs. Marriages are conducted by circling it. Community decisions are taken before it.

For a reference work this sets an obligation and a boundary, and both are worth stating for the reader rather than being quietly observed. The obligation is accuracy, because errors of fact about the structure, the compilation and the history of the volume are errors about a Guru. The boundary is that the atlas describes and does not perform: it does not reproduce the text, does not paraphrase hymns closely enough to substitute for them, and does not set out the tradition's practices as procedures a reader can follow.

The thirty-one rag sections recorded here are a description of how a volume is arranged. They are not the volume, and no catalogue entry is.

Cross-Tradition Connections

Contained In

Source Guru Granth SahibCompiled by Guru Arjan, 1604; final recension attributed to Guru Gobind Singh, 1706the holders' own account

Originates in Language

Punjabi, Languages

The Granth's register is composite. Punjabi is the base and the script is Gurmukhi, but Braj, Sanskritic, Persian and Arabic vocabulary run through it.

Source SikhismW. H. McLeod
Sources
1. Guru Granth Sahib
Compiled by Guru Arjan, 1604; final recension attributed to Guru Gobind Singh, 1706, Shiromani Gurdwara Parbandhak Committee, 1604the holders' own accountView the Source
2. Sikhism
W. H. McLeod, Penguin Books, 1997View the Source
3. The Encyclopaedia of Sikhism
Harbans Singh (editor-in-chief), Punjabi University, Patiala, 1998View the Source
4. Historical Dictionary of Sikhism, 3rd edition
Louis E. Fenech and W. H. McLeod, Rowman and Littlefield, 2014View the Source
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