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Sacred Correspondences
Tzolkin Tones

Resonant

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Origin 1987 to 1990

Tone Seven is the seventh of the thirteen numbers of the Tzolkin, the 260-day Maya sacred calendar, and stands at the very center of the thirteen, the mystical midpoint of the count. As the middle number it is the still axis around which the trecena turns. In the traditional count the number simply modifies its day sign, but in the modern Dreamspell system of Jose Arguelles (1987) it is named the Resonant tone, expressing attunement and inspiration: the central, mystic point of reflection where one attunes to spirit and channels inspiration. It is read as the pivotal stage of inner resonance, the reflective center from which the second, ascending half of the cycle takes its direction.

Facts
Origins
Origin Period
1987 to 1990 2Tradition: Dreamspell (José Argüelles, 1987)
Origin Period
250 to 900 CE 1Tradition: Classic Maya inscriptions
Origin Period
600 BCE to 250 CE 1Tradition: Preclassic Mesoamerican inscriptions
Origin Period
Resonant is the seventh of the thirteen Dreamspell tone names, but the coefficient it labels, the plain number seven running through the Tzolkin's thirteen day trecena, is genuinely ancient Maya, attested on Classic Maya monuments from 250 to 900 CE and rooted further back in Preclassic use of the day count. The name Resonant carries none of that antiquity: it is one of the thirteen Galactic Tone names Jose Arguelles coined for his Dreamspell system, announced at the Harmonic Convergence of 1987 and published in worked out form in 1990. 2
Place of Origin
Mesoamerica. Among the Maya, the lowlands of the Yucatan peninsula, Guatemala, Belize and Chiapas, and the Guatemalan highlands. 1
Origin of the Name
In the living Kiche count this coefficient is simply the number seven, wuqub'. Daykeepers reckon by the number itself. 3Tradition: Highland Maya daykeeping in Guatemala
Origin of the Name
The name recorded here, Resonant, is one of the thirteen Galactic Tone names coined by Jose Arguelles for the Dreamspell in 1987. It is an English coinage, not a Maya term, and the Maya count has no names for its coefficients at all. 2Tradition: Dreamspell (José Argüelles, 1987)
Language
Kiche Maya 3
Language
English 2
Identity
Position
7 of 13 1
Meaning
Themes
Attunement, inspiration 1
Status
Standing as a Comparative Category
A standard analytic category in the study of religion 1Tradition: Classic Maya inscriptions
Standing as a Comparative Category
Used, but its validity as a comparative category is disputed 2Tradition: Dreamspell (José Argüelles, 1987)
Status Today
Living tradition, practised today 3
Attestation
Meaning in the Attesting Source
The coefficient is the number seven running against the twenty day signs, and it is the day seven of the thirteen-day trecena the day sign opens. It carries no name. 3Tradition: Highland Maya daykeeping in Guatemala
Contested Use
Contested or Appropriated Modern Use
This page's own title is the Dreamspell tone name Resonant, and the keyword beside it is the Dreamspell keyword. Both belong to a system devised in 1987 and neither is Maya; the Maya coefficient is the bare number seven. 2
Learn More
The Seventh Tone of the Tzolk'in

This is the seventh of the thirteen numbers, or tones, that combine with the twenty day signs to form the 260-day Tzolk'in. In living Maya daykeeping the coefficient is simply the number seven, wuqub', and seven stands at the exact centre of the thirteen, a place of balance and attunement in the rhythm of the trecena. The name recorded here, Resonant, and its keyword of attunement and inspiration belong to the modern Dreamspell system of Jose Arguelles, a New Age overlay from the 1980s that is distinct from the Maya calendar and not part of traditional daykeeping. The daykeepers reckon by the number itself. The authentic element is the coefficient seven and its role in the interlocking of thirteen numbers with twenty day signs that produces the 260 unique days of the sacred count.

The seventh of the thirteen numbers that combine with the twenty day signs to generate the Tzolk'in's 260-day count, marking the midpoint of its trecena, the thirteen-day period within which this is the fourth day counting from the centre in either direction. Seven recurs as a significant number elsewhere in Maya tradition independent of the Tzolk'in specifically, notably in the Popol Vuh's account of the Hero Twins' underworld trials in Xibalba, though scholars caution against assuming every appearance of a small number across different Maya sources reflects one single, unified numerological system rather than separate traditions that happen to share culturally significant numbers.

Sources Time and the Highland MayaBarbara Tedlock with Dreamspell: The Journey of Timeship Earth 2013Jose Arguelles

The Coefficient Seven in the Count

Seven is written as a bar and two dots, and it stands at the centre of the thirteen, with six numbers below it and six above. Seven recurs in Maya narrative in a way the neighbouring numbers do not: the Popol Vuh names Seven Death among the lords of Xibalba, and Seven Macaw is the false sun the Hero Twins bring down.

Those are calendar names. One Death and Seven Death, One Hunahpu and Seven Hunahpu, carry numbers and day signs in exactly the form a Tzolk'in day takes, which is one of the clearest indications that the K'iche' narrative and the day count belong to a single system of thought rather than merely coexisting.

Maya numerals are written with a dot for one and a bar for five, and the coefficient of a day is written in exactly that way in the inscriptions, set beside the day sign in its cartouche. The system is positional and includes a sign for zero, which is why the Long Count can be written as a string of places, but within the 260-day count no number above thirteen ever occurs and the notation stays simple.

The term Resonant, used for this coefficient in contemporary popular literature, is from Jose Arguelles's Dreamspell of 1987. It is a modern coinage; the Popol Vuh names are Maya, and the two should not be run together, since the first is an invention of the twentieth century and the second is a sixteenth-century transcription of an older tradition.

Sources Maya Hieroglyphic Writing: An IntroductionJ. Eric S. Thompson with Dreamspell: The Journey of Timeship Earth 2013Jose Arguelles

Cross-Tradition Connections

Contained In

Tzolkin, Calendars

One of the thirteen numbers the count runs against the twenty day signs.

Originates in Language

Sources
1. The Maya (9th edition)
Michael D. Coe and Stephen Houston, Thames and Hudson, 2015ch. on Maya arithmetic, writing and the calendarView the Source
2. The 2012 Phenomenon: New Age Appropriation of an Ancient Mayan Calendar
Robert K. Sitler, University of California Press (Nova Religio 9:3, pp. 24-38), 2006Dreamspell tone name Resonant: part of Jose Arguelles's 1980s New Age system (The Mayan Factor; Dreamspell), a modern reinterpretation distinct from the traditional Maya day-count.View the Source
3. Time and the Highland Maya
Barbara Tedlock, University of New Mexico Press (revised edition), 1992Coefficient 7 (wuqub') in K'iche' daykeeping; the 13-day trecena and 13x20 pairing that yields the 260-day count of the highland Guatemala ajq'ij.
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