Avestan Nye 𐬦

The sound is a palatal nasal, the body of the tongue pressed against the hard palate, close to what Spanish writes with a tilde and French with gn. The nasal letters form a block of eight, running from the velar nasal at the back of the mouth to the bilabial at the lips, with the palatal and the positionally restricted signs among them. Eight signs for the nasals is an unusual provision, and it exists because the recitation distinguished all eight. It stands thirty-ninth in the alphabet as a whole and twenty-third of the thirty-eight consonants, between Avestan Ne and Avestan Nne. Nothing in that placement was handed down.

The sequence was arranged by whoever assembled the alphabet, and it records their view of how the sounds of the language stand in relation to one another. The people who drew up this alphabet were not recording a language they spoke. Avestan had ceased to be anybody's mother tongue centuries before, and what they had in front of them was a recitation preserved by priests who had learned it by ear. The letters record that recitation, sound by sound, at the level of detail the reciters maintained. Avestan is written from right to left, a direction inherited along with the letterforms. What was not inherited is the practice of writing every vowel, and that single departure is what makes the script legible to somebody who does not already know the word in front of them.

A palatal nasal is a sound the parent hand had no separate provision for. Writing it out is one of the many small corrections that together make up the difference between the two scripts. The gap between the words and the writing is the central fact about this alphabet, and it runs in both directions. The Avesta is far older than the script, and every surviving manuscript is far younger, so the script sits between two long stretches of transmission and belongs wholly to neither.

The Zoroastrian communities that carried these manuscripts, in Iran and in western India, are small, and the copying was sustained by priestly families rather than by any large institution. That the texts survive at all is a consequence of that continuity. In the digital record the letter is encoded at U+10B26 AVESTAN LETTER NYE. The block covers the letters together with a small set of punctuation marks used in the manuscripts. Standardising it settled, for digital purposes at least, a question the printed editions had answered in several different ways, which is how many letters the alphabet has. The practical test of the alphabet is whether a reciter reading from it produces what the tradition received, and by that test the fineness of its distinctions is not ornament. Each of the signs that looks redundant from outside answers to something a reciter kept apart.