Alphabet Letters
Devanagari Nna ण
Devanagari Letters
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Origin Devanagari forms settle between roughly the seventh and the tenth centuries CE, descending from Brahmi through the Gupta and Nagari hands
Nna is the fifteenth consonant of the varnamala, the retroflex nasal and the closing member of the third varga. In classical Sanskrit most of its occurrences are produced by rule rather than inherited: a dental n is converted into this retroflex nasal when certain retroflex or r-like sounds occur earlier in the same word, a change the grammarians state with great precision and which applies across word joins in compounds. That makes the letter unusually visible in a written text, since it marks a place where a rule of the language has operated, and reading it back to the underlying dental is part of the analysis a student of the grammar is trained to perform.
Facts
Disputed
Origin PeriodWhere the retroflex series came from is unsettled: one camp derives it from contact with Dravidian, the other from sound change internal to Indo-Aryan 1Tradition: Historical linguistics of South Asia The World's Writing Systems, edited by Peter T. Daniels and William Bright with contributions from specialists in Indo-Aryan and Dravidian historical linguistics, Oxford University Press, 1996, sets out two competing accounts of how Sanskrit's retroflex consonants arose, camps that remain both currently held. The contact account points to retroflexion attested across unrelated South Asian language families and to its presence in Dravidian from the earliest reconstructable stage, treating language contact as the cause. The internal account instead derives most Sanskrit retroflexes by regular sound-change rules from earlier consonant clusters, with no appeal to contact at all, and some scholars argue for a combination of internal development reinforced by contact. The volume's comparative historical linguistic method cannot produce decisive evidence either way because the relevant contact period is prehistoric for both families and the Indus script, which might otherwise bear on the question, remains undeciphered. This atlas names the camps and does not choose between them. Attributions
Associated SoundRetroflex nasal. In classical Sanskrit most occurrences are produced by a rule converting the dental nasal after certain retroflex or r-like sounds in the same word 2Tradition: Sanskrit phonetics of the grammarians Origins
Origin PeriodDevanagari forms settle between roughly the seventh and the tenth centuries CE, descending from Brahmi through the Gupta and Nagari hands 3Tradition: Indian epigraphy Place of OriginNorthern India 3Tradition: Indian epigraphy Origin of the NameNamed by its own sound plus the inherent short a. Devanagari letter names carry no word meaning, unlike the Greek and Semitic names 1Tradition: Sanskrit phonetics of the grammarians Sense of the NameThe retroflex nasal that closes the third varga; in classical Sanskrit it mostly arises by rule from a dental n near a retroflex or r-like sound. 2 Identity
Script TypeConsonant sign of a Brahmi-derived abugida; it carries the inherent short a unless a dependent vowel sign is written 1 PositionFifteenth consonant of the varnamala, the nasal closing the retroflex class 1Tradition: Sanskrit phonetics of the grammarians Attestation
Meaning in the Attesting SourceCounted among the matrika, the fifty little mothers of the letter-garland; the count belongs to the series, not to this letter alone 4Tradition: Hindu Tantra, the garland of letters A property of the fifty-letter series. Individual schools assign further correspondences that differ between traditions and are not adopted here. Learn More
Nna: The Retroflex Nasal, Mostly Produced by Rule
Nna is the fifteenth consonant of the varnamala, the retroflex nasal and the closing member of the third varga. In classical Sanskrit most of its occurrences are produced by a rule rather than inherited in the word: a dental n is converted into this retroflex nasal when certain retroflex or r-like sounds occur earlier in the same word, and the conversion applies across the boundaries inside a compound as well as within a simple word. The grammarians state the rule and its conditions with a precision that has made it a standard example in modern discussions of how Panini's system works, since the conditions involve intervening sounds that block or permit the change and the interactions are far from trivial. The practical consequence for a reader is that the letter marks a place where a rule has operated.
Seeing it in a written form is information about the shape of the underlying word, and reading it back to the dental is part of the analysis a student of the grammar is trained to perform. That gives the letter a different standing from most of its neighbours: it is not simply a sound the language happens to contain but a visible trace of the language's own machinery. The rule that produces the sound carries its own name in the grammatical tradition and is among the most discussed single rules in the Ashtadhyayi, because the conditions under which an intervening sound blocks the change are intricate and interact with one another. Modern work on Panini has formalised it repeatedly, and it is a standard test case for any account of how his system of rules is meant to operate.
A Letter That Records a Rule
It is unusual for a writing system to carry, in an ordinary letter, the output of a phonological process that the tradition also describes explicitly, and the retroflex nasal is one of the clearest cases in Devanagari. The dental nasal is the basic sound; the retroflex nasal is very largely what the dental becomes in a defined environment; and both have their own letters in the table, so the written form shows the result while the grammar states the cause. The retroflex sibilant behaves the same way, arising by a comparable rule from the dental sibilant, so two of the retroflex letters are in this position. This is one reason the varnamala repays being read as a system rather than as a list of signs.
A reader who knows the rules can look at a written Sanskrit word and reconstruct what its parts were before combination, which is exactly what a reciter or a commentator has to do. A reader who has only memorised the letters cannot. The atlas records for this letter its place in the table, its articulation, and the rule that produces most of its occurrences, all of which are attested in the grammatical literature. It assigns no numerical or symbolic value, because Sanskrit does not assign individual letters such values, and it records the letter's membership of the fifty-letter garland counted in the Tantric traditions without adopting any school's further attributions.
Cross-Tradition Connections
Derived From
Devanagari Nna descends from the Brahmi sign of the same value, through the Gupta and Nagari hands of northern India. The two alphabets align letter for letter because both are laid out in the varnamala order, the arrangement the Sanskrit phoneticians fixed by place of articulation.
Related To
Devanagari Nna and the Gurmukhi letter Ṇana answer to the same sound and to the same slot of the varnamala. Gurmukhi descends from Sharada rather than from the Nagari line, so the agreement is inherited from a shared Brahmi ancestor rather than borrowed from Devanagari.
?ana and the Devanagari letter Nna answer to the same sound and to the same slot of the varnamala. Gurmukhi descends from Sharada rather than from the Nagari line, so the agreement is inherited from a shared Brahmi ancestor rather than borrowed from Devanagari.
Ranjana Nna and Devanagari Nna hold the same position in the inherited varnamala and write the same sound, as separate northern Brahmi descendants rather than as variants of one script. Devanagari is the relative most readers know, so the two charts can be read against each other.
The same letter of the same order in Devanagari. The two scripts are separate descendants of the same late Brahmi stock rather than one being taken from the other, which is why the sound value and the position agree while the shapes do not.
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