Divinity Atlas

Sacred Correspondences
Alphabet Letters

Siddham Au 𑖍

Siddham Letters

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Origin The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE.

Au is the fourteenth letter of the Siddham order and the last of the vowels, a diphthong and always long. It stands to o as ai stands to e, one further degree on the strengthening ladder the grammarians call vrddhi, so the four long vowels at the end of the series form two matched pairs rather than a list. With this letter the vowel section of the syllabary closes and the consonants begin, and the two sections are learned and recited as distinct halves. In the study of the script that grew up in Japan under the name shittan, the arrangement of the table was itself part of what was being taught. In metre it is always heavy, as are the three long vowels that stand with it at the end of the vowel series.

Facts
Origins
Origin Period
The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE. 3Tradition: Indian epigraphy
Place of Origin
Northern India 3Tradition: Indian epigraphy
Origin of the Name
Named by its own sound. Siddham letter names are the sound itself, as in the other Brahmic syllabaries, rather than borrowed words as in the Greek and Semitic alphabets. 1Tradition: Sanskrit phonetics of the grammarians
Sense of the Name
the diphthong au, always long; the fourteenth letter and the last of the vowels 4Tradition: The Siddham syllabary in its traditional order
Identity
Script Type
Independent vowel letter of a Brahmi-derived abugida, written where a word begins with the vowel; a dependent sign is used where it follows a consonant 1
Position
Fourteenth letter of the Siddham order and the last of the vowels 1Tradition: Sanskrit phonetics of the grammarians
Attributions
Associated Sound
Always long; the second strengthening grade of u, standing to o as ai stands to e 2Tradition: Sanskrit phonetics of the grammarians
Attestation
Meaning in the Attesting Source
Preserved in East Asia after the script had ceased to be written in India, and studied in Japan as shittan, the discipline of Sanskrit letter study transmitted through Chinese Buddhist translation. 5Tradition: East Asian esoteric Buddhism
Learn More
Au: The Siddham Letter

Au is the second strengthening grade of u, the counterpart of ai on the other side of the vowel system, and with it the vowel section of the syllabary closes. The four long vowels that end the series therefore form two matched pairs rather than a list of remainders: e and ai built up from i, o and au built up from u, each pair one step and then two.

In the vocabulary the vowel is not common, but where it occurs it is doing recognisable work. The second grade marks words derived from other words, so a term beginning with this vowel is usually a derivative naming something belonging to, descended from or characteristic of whatever its base names. Reading Sanskrit is in large part the habit of noticing such signals, and this letter is one of the loudest of them.

In metre it counts as heavy, like every long vowel. On the page it follows the ordinary rule: written in full only where a word opens on it, and elsewhere as a mark attached to the preceding consonant. With this letter the reciter of the table crosses from the vowels to the consonants, and the two sections are learned, counted and named as distinct halves of one order.

The independent letter is rare in running text and most readers meet it first in the chart rather than on a page. The dependent mark is another matter, and turns up wherever the second strengthening grade is used, which in a text discussing schools, doctrines and derived qualities is frequently. The two forms of one vowel can have very different frequencies.

The Marks That Are Not Letters

Forty-seven letters do not account for everything written in Siddham. A set of marks sits alongside them, none of which is counted among the letters and all of which are needed to write the language. Two are sounds in their own right. The nasal mark, written above the syllable, indicates a nasal quality carried by the vowel; the mark written after it, a pair of dots, indicates a breath released at the end of a word. Both appear constantly, and both are essential to the seed syllables of East Asian esoteric Buddhism, where a great many of the syllables are a letter plus one of these marks rather than a bare letter.

A third mark does the opposite job. It cancels the vowel that a consonant sign automatically carries, so that the consonant can close a syllable with nothing after it. Without it an abugida cannot write a word ending in a consonant at all, and Sanskrit has a great many.

The distinction between letters and marks matters for anything that counts. A reference work listing the Siddham characters may be counting the letters of the traditional order, or the letters plus the dependent vowel signs, or everything an encoding needs in order to reproduce a manuscript. The three numbers are different and each is right for its question. What the tradition itself names as the syllabary is the forty-seven.

Cross-Tradition Connections

Belongs to Tradition

Shingon, Denominations

Shingon writes Sanskrit in Siddham and has done since the school was founded, keeping the script in use in Japan long after it had ceased to be written in India. The letters are studied as a set under the name shittan, and the contemplative practices attached to particular syllables are transmitted by initiation.

Tendai, Denominations

Tendai, the other Japanese school carrying an esoteric transmission, keeps the same letters in liturgical and inscriptional use. Siddham on a Japanese grave marker or a ritual implement may belong to either school, and the letters themselves are common to both.

Source The Princeton Dictionary of BuddhismRobert E. Buswell Jr. and Donald S. Lopez Jr.

Derived From

Siddham continues the Brahmi order letter for letter. The descent runs through the late Brahmi of the Gupta period and the Siddhamatrka hand that grows out of it, so this is a lineage rather than a direct copy of the older shape.

Originates in Language

Sanskrit, Languages

The letter is named by its own Sanskrit sound and holds the place the Sanskrit phoneticians gave that sound in their analysis. Siddham was made to write this language, and the East Asian schools that preserved the script preserved it as a way of writing Sanskrit rather than adapting it to a local tongue.

Source The World's Writing SystemsPeter T. Daniels and William Bright (eds.)

Related To

The same letter of the same order in Devanagari. The two scripts are separate descendants of the same late Brahmi stock rather than one being taken from the other, which is why the sound value and the position agree while the shapes do not.

Sources
1. The World's Writing Systems
Peter T. Daniels and William Bright (eds.), Oxford University Press, 1996View the Source
2. Sanskrit Grammar, Including Both the Classical Language and the Older Dialects of Veda and Brahmana
William Dwight Whitney, Breitkopf and Hartel, 1889View the Source
3. Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the Other Indo-Aryan Languages
Richard Salomon, Oxford University Press, 1998View the Source
4. The Unicode Standard
The Unicode Consortium, The Unicode ConsortiumView the Source
5. The Princeton Dictionary of Buddhism
Robert E. Buswell Jr. and Donald S. Lopez Jr., Princeton University Press, 2014View the Source
The Weaving of Mantra: Kukai and the Construction of Esoteric Buddhist Discourse
Ryuichi Abe, Columbia University Press, 1999View the Source
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