Divinity Atlas

Sacred Correspondences
Alphabet Letters

Siddham Gha 𑖑

Siddham Letters

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Origin The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE.

Gha is the fourth letter of the velar class of the Siddham syllabary, a voiced aspirated velar stop, breathy voiced. Sanskrit kept the series of voiced aspirates that most of its Indo-European relatives lost, and the fourth slot in every one of the five classes exists to hold it. To an ear trained on languages without the series the difference from the plain voiced stop is slight, and to a Sanskrit reader it is the difference between one word and another. Siddham writes it with a letter of its own rather than with a modifying mark, so the fourfold distinction inside the class stays visible on the page. It stands fourth in the velar class, and the same slot in each of the other four classes holds the corresponding sound at that point of articulation.

Facts
Origins
Origin Period
The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE. 3Tradition: Indian epigraphy
Place of Origin
Northern India 3Tradition: Indian epigraphy
Origin of the Name
Named by its own sound. Siddham letter names are the sound itself, as in the other Brahmic syllabaries, rather than borrowed words as in the Greek and Semitic alphabets. 1Tradition: Sanskrit phonetics of the grammarians
Sense of the Name
the voiced aspirated velar stop; fourth of the velar class 4Tradition: The Siddham syllabary in its traditional order
Identity
Script Type
Consonant sign of a Brahmi-derived abugida; it carries the inherent short a unless a dependent vowel sign is written 1
Position
Eighteenth letter of the Siddham order, fourth of the velar class 1Tradition: Sanskrit phonetics of the grammarians
Attributions
Associated Sound
Voiced aspirated velar stop, breathy voiced 2Tradition: Sanskrit phonetics of the grammarians
Attestation
Meaning in the Attesting Source
Preserved in East Asia after the script had ceased to be written in India, and studied in Japan as shittan, the discipline of Sanskrit letter study transmitted through Chinese Buddhist translation. 5Tradition: East Asian esoteric Buddhism
Learn More
Gha: The Siddham Letter

Gha is a voiced aspirate, breathy voiced, and it fills the fourth slot of the velar class. Every one of the five classes has such a letter, and the four features that define the grid, voicing and aspiration in their four combinations, are complete once it is in place. The fifth slot of each class is the nasal, which is a different kind of sound and closes the group.

To an ear trained on a language without the series, the difference between this letter and the plain voiced stop is very slight. To Sanskrit it is the difference between one word and another, and the language keeps the distinction rigorously. Siddham gives the sound a character of its own rather than writing it as the voiced stop with an added mark, which keeps the fourfold structure of each class legible at a glance and is one reason the Indic tables were copied rather than adapted when they reached East Asia.

In frequency the letter is modest. Its main occurrences are in a limited set of roots and in the words derived from them, and a page may go by without it. What it contributes is structural: it is the letter that makes each class a complete crossing of two features rather than a partial one.

The letter also illustrates something about how the table was received. A tradition copying a syllabary for liturgical use had no obvious reason to keep a sound its own speakers could not produce, and Japanese has nothing resembling a voiced aspirate. It was kept anyway, with a settled Japanese reading attached, because what was being transmitted was the table and not a working alphabet.

What Sanskrit Kept That Its Relatives Lost

The four voiced aspirates in the letter table are one of the strongest pieces of evidence in comparative Indo-European linguistics, and they are there because Sanskrit preserved a set of sounds that almost every related language lost. Greek turned them into voiceless aspirates and then into fricatives. Latin turned them into fricatives at the front of a word and voiced stops elsewhere. Germanic and Slavic merged them with the plain voiced series. Sanskrit kept them distinct, wrote them with letters of their own, and had a grammatical tradition that described them precisely.

That preservation is a large part of why the discovery of Sanskrit by European scholars in the eighteenth and nineteenth centuries reorganised the study of language. A language that keeps distinctions its relatives have merged shows what the merged forms came from, and the letter table, being an inventory of the sound system rather than a spelling convention, made the evidence unusually easy to read.

None of that is why the letter is in the Siddham order. The Indian phoneticians classified the sound because it existed in the language they were describing, centuries before anyone had a notion of a language family. But it is why a table compiled for one purpose turned out to be a document of another, and why a script preserved by Japanese monks for liturgical reasons has a place in the history of a European science.

Cross-Tradition Connections

Belongs to Tradition

Shingon, Denominations

Shingon writes Sanskrit in Siddham and has done since the school was founded, keeping the script in use in Japan long after it had ceased to be written in India. The letters are studied as a set under the name shittan, and the contemplative practices attached to particular syllables are transmitted by initiation.

Tendai, Denominations

Tendai, the other Japanese school carrying an esoteric transmission, keeps the same letters in liturgical and inscriptional use. Siddham on a Japanese grave marker or a ritual implement may belong to either school, and the letters themselves are common to both.

Source The Princeton Dictionary of BuddhismRobert E. Buswell Jr. and Donald S. Lopez Jr.

Derived From

Siddham continues the Brahmi order letter for letter. The descent runs through the late Brahmi of the Gupta period and the Siddhamatrka hand that grows out of it, so this is a lineage rather than a direct copy of the older shape.

Originates in Language

Sanskrit, Languages

The letter is named by its own Sanskrit sound and holds the place the Sanskrit phoneticians gave that sound in their analysis. Siddham was made to write this language, and the East Asian schools that preserved the script preserved it as a way of writing Sanskrit rather than adapting it to a local tongue.

Source The World's Writing SystemsPeter T. Daniels and William Bright (eds.)

Related To

The same letter of the same order in Devanagari. The two scripts are separate descendants of the same late Brahmi stock rather than one being taken from the other, which is why the sound value and the position agree while the shapes do not.

Sources
1. The World's Writing Systems
Peter T. Daniels and William Bright (eds.), Oxford University Press, 1996View the Source
2. Sanskrit Grammar, Including Both the Classical Language and the Older Dialects of Veda and Brahmana
William Dwight Whitney, Breitkopf and Hartel, 1889View the Source
3. Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the Other Indo-Aryan Languages
Richard Salomon, Oxford University Press, 1998View the Source
4. The Unicode Standard
The Unicode Consortium, The Unicode ConsortiumView the Source
5. The Princeton Dictionary of Buddhism
Robert E. Buswell Jr. and Donald S. Lopez Jr., Princeton University Press, 2014View the Source
The Weaving of Mantra: Kukai and the Construction of Esoteric Buddhist Discourse
Ryuichi Abe, Columbia University Press, 1999View the Source
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