Alphabet Letters
Siddham Vocalic R 𑖆
Siddham Letters
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Origin The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE.
Vocalic R is the seventh letter of the Siddham order and the first of four vowels that are liquids carrying a syllable on their own, with no other vowel beside them. The sound is a retroflex r held as the nucleus of a syllable, and its dependent form is written as a curl beneath the consonant. Sanskrit words built on this vowel are common, including the word for the seer and the name of the Rigveda, so the letter is no curiosity of the table. Modern Indian readings render it as ri or ru, against the classical description of a single vowel sound, and transliteration practice differs for that reason rather than because the letter itself is unclear.
Facts
Origins
Origin PeriodThe Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE. 3Tradition: Indian epigraphy Place of OriginNorthern India 3Tradition: Indian epigraphy Origin of the NameNamed by its own sound. Siddham letter names are the sound itself, as in the other Brahmic syllabaries, rather than borrowed words as in the Greek and Semitic alphabets. 1Tradition: Sanskrit phonetics of the grammarians Sense of the Namethe vocalic r; the seventh letter and the first of the liquid vowels 4Tradition: The Siddham syllabary in its traditional order Identity
Script TypeIndependent vowel letter of a Brahmi-derived abugida, written where a word begins with the vowel; a dependent sign is used where it follows a consonant 1 PositionSeventh letter of the Siddham order and the first of the liquid vowels 1Tradition: Sanskrit phonetics of the grammarians Attributions
Associated SoundA vocalic r, retroflex, carrying a syllable on its own with no other vowel beside it 2Tradition: Sanskrit phonetics of the grammarians Attestation
Meaning in the Attesting SourcePreserved in East Asia after the script had ceased to be written in India, and studied in Japan as shittan, the discipline of Sanskrit letter study transmitted through Chinese Buddhist translation. 5Tradition: East Asian esoteric Buddhism Learn More
Vocalic R: The Siddham Letter
The vocalic r is a vowel that sounds like a consonant, and the Indian analysis is unambiguous that it is the former. It carries a syllable on its own, it takes the same short and long pairing as the other vowels, and it sits among them in the table rather than among the liquids. Its dependent form is a curl written beneath the consonant, sharing the space under the line with the u marks and with subjoined consonants.
The letter is not marginal. A substantial group of common Sanskrit nouns is built on stems ending in this vowel, including the kinship terms and a large class of agent nouns, and their inflection is one of the first paradigms a student of the language meets. The vowel also stands in the root behind the word for a seer and behind the name of the oldest of the Vedic collections, so the sign is met early and often in any text with a Vedic frame of reference.
Its pronunciation is where the tradition and modern practice part company. The classical description is of a single vowel sound, an r held as the nucleus of a syllable. Modern readings across India render it as ri or as ru depending on region, and transliteration conventions follow one or the other, which is why the same word turns up in Latin letters in more than one spelling. The Siddham letter is indifferent to all of this. It writes the vowel, and the reading is supplied by whoever is reading.
Transliteration, and What the Latin Alphabet Cannot Carry
Writing Sanskrit in Latin letters requires either diacritics or compromises, and the choice reaches into how the language is understood by people who meet it in translation. The script has three sibilants where the Latin alphabet has one s. It has two full series of stops, one made at the teeth and one with the tongue curled back, where Latin has one t and one d. It has four vowels that carry a syllable on their own with no Latin equivalent at all, and a set of voiced aspirates that Latin writes with an added h in a way that invites exactly the wrong reading.
Where the diacritics are dropped, and outside specialist publishing they usually are, the distinctions disappear. Words that differ in the language become identical on the page, the aspirated dental is read as the sound in the English word think, and the retroflex series vanishes into the dental one. A reader working from that has no way of recovering what was written.
The Siddham letters have none of these problems, because each distinction has a character of its own and no character does double duty. The East Asian tradition made that argument in practice rather than in theory: it transcribed mantras into Chinese characters for approximate reading, and it also kept the Siddham original, because only the second could be read back. This atlas uses plain Latin spellings without diacritics, for readability, and the letter pages are where the distinctions those spellings lose are recorded.
Cross-Tradition Connections
Belongs to Tradition
Shingon writes Sanskrit in Siddham and has done since the school was founded, keeping the script in use in Japan long after it had ceased to be written in India. The letters are studied as a set under the name shittan, and the contemplative practices attached to particular syllables are transmitted by initiation.
Tendai, the other Japanese school carrying an esoteric transmission, keeps the same letters in liturgical and inscriptional use. Siddham on a Japanese grave marker or a ritual implement may belong to either school, and the letters themselves are common to both.
Derived From
Siddham continues the Brahmi order letter for letter. The descent runs through the late Brahmi of the Gupta period and the Siddhamatrka hand that grows out of it, so this is a lineage rather than a direct copy of the older shape.
Originates in Language
The letter is named by its own Sanskrit sound and holds the place the Sanskrit phoneticians gave that sound in their analysis. Siddham was made to write this language, and the East Asian schools that preserved the script preserved it as a way of writing Sanskrit rather than adapting it to a local tongue.
Related To
The same letter of the same order in Devanagari. The two scripts are separate descendants of the same late Brahmi stock rather than one being taken from the other, which is why the sound value and the position agree while the shapes do not.
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