Alphabet Letters
Tibetan Tsa ཙ
Tibetan Letters
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Origin Devised in the seventh century CE, in the reign of Songtsen Gampo, on the model of an Indian Brahmi-derived script
Tsa is the seventeenth of the thirty consonants and opens the fifth line. It writes a voiceless unaspirated dental affricate, the ts of English cats, and its shape is that of ca with a small added mark, the tsa phru, which is how the three affricates tsa, tsha and dza are all built from the palatal letters ca, cha and ja. The device is a Tibetan addition rather than an Indian inheritance: the sounds are ones Tibetan has and Sanskrit does not, so the seventh-century adapters extended the inherited shapes rather than importing new ones. Tsa is a root letter with no prefix, suffix, superscript or subscript role.
Facts
Origins
Origin PeriodDevised in the seventh century CE, in the reign of Songtsen Gampo, on the model of an Indian Brahmi-derived script 3Tradition: The Tibetan imperial period Place of OriginTibet, at the imperial court of Songtsen Gampo, modeled on an Indian Brahmi-derived script encountered through contact with India 3 Origin of the NameThe letter has no name beyond its own sound, unlike the Semitic alphabets where each letter is named for a word, matching the already-live convention on Ka (856), the first of the thirty. 2 Sense of the NameThe syllable tsa itself, the voiceless unaspirated dental affricate that opens the fifth line. 2 Identity
Script TypeConsonant sign of an abugida; it carries the inherent vowel a unless a vowel sign is written above or below it 1Tradition: Brahmic writing PositionSeventeenth of the thirty consonants, and first of the affricate line tsa tsha dza 2Tradition: The Tibetan alphabet How the Letter JoinsA root letter only: it never serves as a prefix, a suffix, a superscript or a subscript 2Tradition: Tibetan orthography Attributions
Associated SoundVoiceless unaspirated dental affricate, the ts of cats 2Tradition: Classical Tibetan and modern Lhasa pronunciation Attestation
Meaning in the Attesting SourceThe shapes of tsa, tsha and dza are those of ca, cha and ja carrying a small added mark, the tsa phru, a Tibetan extension rather than an Indian inheritance 1Tradition: The Tibetan alphabet Learn More
Tsa and the Tsa Phru
Tsa is the seventeenth of the thirty consonants and opens the fifth line. It writes a voiceless unaspirated dental affricate, the ts of English cats, and in modern Lhasa speech it carries high tone. It is a root letter with no prefix, suffix, superscript or subscript role.
Its shape is the shape of ca, the palatal letter that opens the second line, carrying a small added mark called the tsa phru. The same mark on cha gives tsha, and on ja gives dza, so the three affricates of the fifth line are three palatal letters wearing one diacritic.
That is a Tibetan device and not an Indic inheritance. Sanskrit has no ts, so the inherited alphabet supplied no letter for it, and the sounds are ones Tibetan uses constantly. Rather than invent three unrelated shapes or borrow from elsewhere, whoever adapted the script extended what was already there, taking the nearest inherited series and marking it. The economy is characteristic: the script solves its problems by modifying its own letters rather than by acquiring new ones, which is also what the reversed letters do for the retroflexes and what subjoined ha does for the voiced aspirates.
Three letters of the thirty are therefore Tibetan additions in shape as well as in sound.
What the Adapters Added
A script borrowed for a language it was not designed for either fails or is altered, and the Tibetan alphabet is a record of the alterations that were judged necessary in the seventh century and afterwards.
Some of the work was subtraction. The voiced aspirates of the Indic order were dropped because Tibetan does not have them, and so was the whole retroflex line, which is why thirty letters stand where the inherited arrangement would give more.
The rest was addition, and it took two forms. Inside the recitation, the affricates tsa, tsha and dza were built from the palatal letters with an added mark, and letters were provided for zha, za and the weak small a, none of which the inherited order supplies in that position. Outside the recitation, an apparatus was assembled for writing Sanskrit exactly: reversed forms for the retroflexes, subjoined ha for the voiced aspirates, and devices for the long vowels Tibetan does not distinguish.
The division between the two is deliberate and has held for thirteen centuries. What Tibetan needs for Tibetan is in the alphabet a child recites. What Tibetan needs for Sanskrit sits beside the alphabet and is taught separately. A page can therefore be read at a glance for whether it is handling native vocabulary or transliterated Indic material, which is a genuine convenience in a literature built largely on translation.
Cross-Tradition Connections
Derived From
Tsa is the shape of ca carrying the small added mark called the tsa phru. The three affricates tsa, tsha and dza are a Tibetan extension of the inherited palatal letters rather than an Indic inheritance, because they write sounds Tibetan has and Sanskrit does not.
Related To
Tsa's own shape is that of Ca with the added tsa phru mark, a Tibetan extension rather than an Indian inheritance, per its own description.
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