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A Beatles Album Becomes an Apocalyptic Blueprint

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A Beatles Album Becomes an Apocalyptic Blueprint

This article records tradition as it has been passed down and reported. Its sources are not yet part of the atlas's verified catalogue.

Charles Manson led the communal group known as the Manson Family, formed in California in the late 1960s. From 1968 he taught his followers an apocalyptic belief he called Helter Skelter, a term borrowed from a song on the Beatles' White Album that he read as a coded prophecy. He taught that an imminent race war was approaching, and that after it began his Family would emerge from hiding to rule over whichever side survived.

By the summer of 1969 the race war Manson had predicted had not begun on its own, and he moved from prophecy to direction. In August 1969 he sent followers to the home of Sharon Tate, where they murdered her and four others, and to the home of Leno and Rosemary LaBianca the following night. Both sets of killings were staged to look like the work of Black militants, an attempt to trigger by force the conflict his teaching had failed to start by itself.

No race war followed the murders. The apocalyptic reading of a rock album that Manson had built into a doctrine for his followers produced seven real deaths rather than the war it had promised, a prophecy whose failure to arrive on schedule became, in Manson's own direction, the reason to act rather than the reason to stop.

The record of the Manson Family's belief and the murders it produced is documented as history throughout, a closed criminal case with a fixed set of facts about a doctrine and the killings it led to, described here as an episode of the historical record rather than as anything to be revisited as instruction or as a figure to be admired.

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Article On

Source Helter Skelter: The True Story of the Manson MurdersVincent Bugliosi with Curt Gentry
Sources
Helter Skelter: The True Story of the Manson Murders
Vincent Bugliosi with Curt Gentry, W. W. Norton and Company, New York, 1974
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