A vakh is four lines long, unadorned, and built out of whatever was to hand in a fourteenth century Kashmiri household: a loose thread, a leaking boat towed by a rope of untwisted straw, unbaked clay, a shawl on the loom, food that is eaten or not eaten. Lalleshwari's vakhs are the earliest substantial body of composition in Kashmiri that anyone can point to, and they were transmitted orally for centuries before they were collected, which means the text as it stands is a tradition rather than a manuscript.
Their doctrine is Kashmir Shaivism, the non dualist system in which the world is not an illusion to be escaped but the self expression of a single consciousness. Lalla puts it without any technical vocabulary at all. The reader is told to stop looking outside, to recognise that the search and the sought are the same, and repeatedly and impatiently that ritual, pilgrimage, fasting and scripture are useless if that recognition has not happened.
The verses are also, in places, personal in a way that religious poetry of the period rarely is. She describes a marriage in which she was starved and humiliated, and the famous line about the small stone in the large dish of rice comes out of that household. The result is a body of work in which a metaphysics and a life are not separable, which is a large part of why the lines are still in ordinary circulation in Kashmiri speech.