Esoteric Texts
The Fourth Book of Occult Philosophy
Also Known As Fourth Book of Occult Philosophy Short form. The atlas files this entry under a longer name and readers reach for the shorter one.
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A practical supplement falsely attributed to Agrippa, offering concrete instructions on the making of spirits appear, the consecration of tools, geomancy, and the natures of angelic and infernal spirits. It is more operational than Agrippa authentic three books and served as a hands on companion for practitioners. Its authorship was disputed even in its own day.
Facts
Origins
Era of Composition Era of CompositionPrinted as Agrippa's fourth book. Johann Weyer, who had been Agrippa's pupil, denounced it as a forgery, and it has been treated as spurious ever since. 1Tradition: The grimoire tradition Attributed Author / Compiler Scholarship
First PublishedFirst printed in the years following Agrippa's 1535 death, appended almost immediately to editions of his genuine three books, which is how the two came to be read and printed together despite the fourth book's disputed origin. 2 Transmission
Manuscript TraditionNo manuscript in Agrippa's own hand survives for it, unlike portions of his genuine three books, a further point scholars weigh alongside Johann Weyer's own denunciation in judging it spurious. 1 Text
Literary FormGrimoire / manual of magical operations 1 Scholarship and Forensics
Scholarly NotePublished after Agrippa's death under his name, the text is now generally judged spurious by scholars, its overtly demonic conjurations sitting at odds with the philosophical caution of Agrippa's own authenticated Three Books. 1 Learn More
The Spurious Sequel
The so-called Fourth Book of Occult Philosophy is a practical supplement falsely attributed to Agrippa and first printed some decades after his death (from about the 1550s). Where Agrippa's genuine three books are largely theoretical, the Fourth Book is operational, giving concrete instructions for making spirits appear, consecrating tools, and the natures of angelic and infernal spirits, and it is usually printed together with several other short practical texts, the Heptameron ascribed to Peter of Abano, the Isagoge of Georg Pictorius, and treatises on geomancy and the notory art.
Agrippa's own pupil Johann Weyer flatly denied that his master wrote it, and modern scholarship agrees: it is pseudo-Agrippa, trading on the fame of the Occulta philosophia to lend authority to a body of conjuring material Agrippa himself had treated more cautiously. Its interest is as evidence of how quickly, and how profitably, a famous magical author's name could be borrowed to authorise texts he had nothing to do with, a pattern pervasive in the grimoire tradition.
What the Sequel Actually Contains
The Fourth Book is short, and most of its bulk in the editions that circulated is made up of other people's texts bound in with it. What travels under the title is typically a package: the Fourth Book proper, on the making of spirit seals and the practice of evocation; the Heptameron attributed to Pietro d'Abano, on the angels and conjurations of the days of the week; a treatise on geomancy; and shorter pieces on the ecclesiastical and magical orders.
The Fourth Book's own contribution is operative in a way the genuine three books are not. Agrippa describes and theorises; this text tells the reader what to do, and it supplies the missing practical layer that a reader of the Three Books might otherwise go looking for. That is precisely why it was written and attached to his name.
It was denounced as spurious almost at once, most sharply by Johann Weyer, who had been Agrippa's pupil and had an interest in defending his teacher's reputation. Weyer's judgement is the earliest and the best informed, and modern scholarship has not overturned it. The attribution nonetheless stuck, and later occultists generally used the package as a single work.
The package also gave later occultism one of its most reproduced items, the table of the ecclesiastical and magical orders, which sets angelic hierarchies against their supposed opposites and has been reprinted for four centuries.
Cross-Tradition Connections
Associated With
Attributed To
Why this is corrected. Published under Agrippa's name after his death and rejected as his by his own pupil Johann Weyer. It is conventionally cited as Pseudo-Agrippa.
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