Divinity Atlas

Sacred Correspondences
Figures

Atisha

Also Known As Dipamkara Shrijnana (Sanskrit) His ordination name, used in the Indian sources.
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Atisha Dipamkara Shrijnana came to Tibet from the Bengali monastic world in the mid eleventh century and is credited with the second spread of Buddhism there after a long collapse. His short Lamp for the Path to Awakening sets out the stages of the path in an order the later Tibetan schools took over wholesale, and the Kadam tradition formed around his students. Tsongkhapa's stages of the path writing is a direct continuation of that text.

Facts
Origins
Founded
Tibetan tradition credits his eleventh century journey from Bengal to Tibet, undertaken at the invitation of the western Tibetan king Yeshe-O, with reviving Buddhist monastic discipline after a period of decline and with founding the Kadam lineage that would later shape the Gelug school. 1
Place of Origin
Bengal; he taught at Vikramashila before travelling to Tibet in 1042 1
Publications
Notable Publication
The Bodhipathapradipa, the Lamp for the Path to Enlightenment, the model for the whole later stages of the path literature 1
Attestation
Historicity
Historically attested 1
Traditions Revering This Figure
Buddhism 1
Life
Lifespan or Floruit
982 to 1054 CE 1
Place of Activity
He died at Nyethang near Lhasa in central Tibet, where a monastery was later built around his relics and remains a pilgrimage site for the Kadam and later Gelug traditions that trace their lineage to him. 1
Identity
Gender
Male 1
Position Profile
Key Text
His short treatise A Lamp for the Path to Awakening set the ordering of the stages of the path that the later Tibetan schools took over wholesale. 1
Practice
Lineage
Tibetan tradition holds he received extensive training in Mahayana and Vajrayana under numerous teachers in India and Sumatra, among them Dharmakirti of Suvarnadvipa, before undertaking his journey to Tibet. 1
Learn More
The Lamp for the Path

Atisha was an established teacher at Vikramashila, one of the great monastic universities of eastern India, when envoys arrived from the kings of western Tibet asking him to come north. The invitation had been pursued for years and at considerable cost, and the tradition tells it as a story of gold raised and a king dying in captivity so that the ransom could be spent on the invitation instead. He agreed to go for three years, arrived in 1042, and never returned to India.

What his hosts wanted was not more texts. They had a great many, translated over two waves, tantric and scholastic, contradictory in places, with no account of how any of it fitted together. What Atisha wrote for them is a short work of some sixty verses, the Lamp for the Path to Enlightenment, and its achievement is organisational. It sorts practitioners into three capacities according to what they are actually aiming at, the better rebirth, personal liberation, and the liberation of everyone, and then assigns each teaching its place in that order, so that the whole inheritance becomes a sequence rather than a heap.

Every later stages of the path text in Tibet, across all the schools and including Tsongkhapa's enormous treatise, is built on that framework. A short book written to answer a practical question from a remote patron turned out to determine the shape of Tibetan Buddhist education for the next thousand years.

Reforming a Transmission That Had Gone Loose

The Tibet Atisha arrived in had been through a long interruption. The imperial patronage that funded the first translations had collapsed in the ninth century, monastic institutions had thinned, and in the gap tantric material had circulated without the training that was supposed to accompany it. The western kings who invited him were explicit about the problem: men were performing rites they had no authorisation for, and were using the vocabulary of transcending morality as a licence.

His response was structural rather than polemical. He insisted on monastic discipline, on taking refuge and cultivating the mind of awakening before any tantric practice, on the necessity of a qualified teacher and an unbroken lineage, and on the ordering of the whole path so that a practitioner could see what he had not yet earned. He was called, later and affectionately, the refuge scholar, because of how much he made of the most elementary commitment.

His principal Tibetan disciple, the layman Dromtonpa, founded the Kadam school on that basis, and the mind training instructions transmitted in that lineage, short verse sequences on exchanging self for other and taking on the suffering of others, spread out of it into every Tibetan school and are now among the most widely practised teachings in Tibetan Buddhism. Atisha died at Nyethang near Lhasa in 1054, seventeen years into a three year visit.

Cross-Tradition Connections

Associated With

This source names Atisha directly: "Wikipedia's article on Atisha, community-edited."

Source Atisha (Wikipedia)Wikipedia contributors

This source names Atisha directly: "collapse, the Indian Buddhist master Atisha arrived in Tibet in 1042 CE at the invitation of Yeshe-O, king of the western Tibetan kingdom of Guge, who sought to restore a purer form of Buddhism to a..."

Source Atisha (Wikipedia)Wikipedia contributors

This source names Atisha directly: "for "Portrait of the Indian Monk Atisha," a distemper and gold on cloth painting from Tibet, early to mid-12th century."

This source names Atisha directly: "within a lineage running back to Atisha."

Source The Seven Points of Mind Training (Lojong)Chekawa Yeshe Dorje

Belongs to Tradition

Buddhism, Religions

Depicted In

The Met's own title for this painting names the subject outright, "Atisha," a direct identification rather than a bare thematic tag.

Related To

Tsongkhapa, Deities

Tsongkhapa's stages of the path writing continues the Lamp for the Path directly.

Transmitted Its Concept To

Tsongkhapa, Deities

The Gelug school draws on the Kadam tradition Atisha founded. Three centuries of intervening Kadam lineage separate them; not a direct personal discipleship.

Source The Princeton Dictionary of BuddhismRobert E. Buswell Jr. and Donald S. Lopez Jr.
Sources
1. The Princeton Dictionary of Buddhism
Robert E. Buswell Jr. and Donald S. Lopez Jr., Princeton University Press, 2014View the Source
Portrait of the Indian Monk Atisha, accession 1993.479 (Metropolitan Museum of Art)
Metropolitan Museum of ArtDepicted In: Portrait of the Indian Monk Atisha (Metropolitan Museum of Art, 1993.479), accession 1993.479View the Source
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