Divinity Atlas

Sacred Correspondences
Figures

Chandraprabha

Also Known As Chandraprabhu (Hindi) Common variant of Chandraprabha.
Tirthankaras

Citation Formats

General Reference

APA Style

BibTeX

Chandraprabha is the eighth Tirthankara of Jainism, his name meaning "moon-bright"; his emblem is the crescent moon and his images are shown with a fair, moon-white complexion. He is widely venerated, and temples dedicated to him are numerous; Jains honour him as an omniscient ford-maker of the present cosmic age.

Facts
Attestation
Historicity
Legendary: known from narrative tradition, not the historical record 1
Earlier Tirthankaras belong to the cosmological scheme, not to history. Critical scholarship accepts only Parshvanatha and Mahavira as historical. Jainism holds all 24 Tirthankaras of this half-cycle to be historical teachers
Veneration Today
Actively venerated in a living tradition 1
Temples dedicated to Chandraprabha, marked by his crescent moon emblem, remain numerous across the Jain community and continue to draw active devotion today.
Position Profile
Key Text
The Kalpa Sutra's Jina-caritra section is the traditional Svetambara account of his life and lineage as the eighth Tirthankara of the present age. 3
Identity
Position
Eighth of the twenty-four Tirthankaras of the present half-cycle 1Tradition: Jainism
The sequence of twenty-four is fixed and identical in the Digambara and Svetambara canons.
Symbol
Crescent moon 1Tradition: Jainism
The lanchana, the emblem carved beneath the figure on images and shrines. Digambara and Svetambara give the same emblem here.
Gender
Male 1
Origins
Place of Origin
Chandrapuri, as Jain tradition places him 2
Veneration
Shrine or Burial Place
Attained final liberation, moksha, atop Sammeta Shikharji (Parasnath Hill) in present day Jharkhand, the site honored as the liberation place of most tirthankaras and one of Jainism's most important pilgrimage destinations. 1
Status
Status Within the Tradition
Counted as the eighth of the twenty-four Jain Tirthankaras venerated in the present cosmic half-cycle, whose teaching is traditionally placed at a transition point in Jain cosmological chronology. 1
Cult
Attributes and Iconography
Jain iconography identifies him by the crescent moon, his distinguishing emblem, and depicts him in the pale white color tradition assigns him among the twenty four Tirthankaras. 1
Life
Manner of Death
Attained liberation (moksha) 2Tradition: Jainism
Practice
Lineage
Jain tradition names his father as King Mahasena and his mother as Queen Lakshmana, ruling at Chandrapuri, and counts him as the eighth of the twenty four Tirthankaras of the present cosmic age. 3
Learn More
The Eighth Ford-Maker

Chandraprabha is the eighth Tirthankara of the present age, his name meaning "moon-bright." His emblem is the crescent moon, and Jain images accordingly render him with a fair, moon-white complexion. He is among the more widely venerated of the ford-makers, and temples dedicated to him are numerous across the Jain world; the great temple-city of the Chandragiri and Vindhyagiri hills and many later shrines carry his name.

Jains honour him as a fully liberated, omniscient ford-maker of the current avasarpini and hold that he attained final liberation at Sammeta Shikhar (Shikharji). As with the ford-makers before the historical Parshva, his place is in Jain sacred history rather than in the documented past; his distinguishing marks are his emblem, his white complexion, and the popularity of his cult.

Because Chandraprabha's cult remains unusually active, epigraphic and inscriptional evidence for his worship, donor records at Jain temple sites and inscribed images bearing his name and moon emblem, extends further back and further forward in documented history than it does for several of the more obscure ford-makers, even though the figure himself belongs, like the others of this span, to the tradition's sacred antiquity rather than to a datable human life. The popularity of his cult is thus itself the clearest historically traceable fact about him, distinct from anything claimed about his own lifetime.

Devotion That Does Not Wait on the Historical Question

Whatever conclusion scholarship reaches about the historicity of the earlier Tirthankaras, Chandraprabha among them, Jain devotional and temple practice treats the question as largely beside the point of ongoing religious life. Images and shrines dedicated to the twenty four Tirthankaras as a complete set are a standard feature of Jain temple architecture, and Chandraprabha is venerated within that set through his own distinctive iconographic emblem and, in traditional accounts, an association with the moon reflected in his name, without that veneration depending on a claim that could be checked against independent historical evidence the way a claim about a specific dated ruler could be. This is a useful distinction to keep in mind across all twenty four figures: the scholarly question of which Tirthankaras can be placed within a datable historical framework, generally understood to be only the last two of the twenty four, is a separate matter from the question of a figure's ongoing religious significance within a living tradition, which does not require historical verification to function as it has for many centuries. Recognising both registers, a scholarly one asking what can be independently established, and a devotional one describing what the tradition holds to be true and meaningful, avoids treating either the historicity debate or the religious practice as if it disproved or ignored the other.

Cross-Tradition Connections

Belongs to Tradition

Jainism, Religions
Source Encyclopedia of ReligionMircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.)

Depicted In

The Art Institute of Chicago's own title for this twelfth-century sculpture names Chandraprabha as the Tirthankara depicted, standing in meditation.

Instance Of

Number 8 of the twenty-four Tirthankaras of the present half-cycle.

Succeeded By

Pushpadanta, Figures

Pushpadanta follows Chandraprabha in the sequence of twenty-four, at position 9.

Successor Of

Chandraprabha follows Suparshvanatha in the sequence of twenty-four, at position 8.

Sources
1. The Jains
Paul Dundas, Routledge, 2002Chandraprabha and the crescent-moon emblemView the Source
1. The Jains
Paul Dundas, Routledge, 2002The twenty-four TirthankarasView the Source
2. The Jaina Path of Purification
Padmanabh S. Jaini, University of California Press, 1979The universe of ford-makersView the Source
3. Kalpa Sutra
Attributed to Bhadrabahu, F.A. Brockhaus, 1879Traditional life-events and popular venerationView the Source
Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005View the Source
Jaina Tirthankara Chandraprabha Standing in Meditation, Art Institute of Chicago (1996.699)
Art Institute of ChicagoDepicted In: Jaina Tirthankara Chandraprabha Standing in Meditation (Art Institute of Chicago), Art Institute of Chicago 1996.699View the Source
Comments (0)
No comments yet. Be the first to share a thought.
Reader Challenges (0 open reader challenges)
No disputes yet. Spotted an error or a better source? Open the first one.

View At A Past Year

The atlas records no dated fact of its own for this entry, so there is no other year to choose.