Figures
Kunthunatha
Also Known As Kunthunath (Hindi) Hindi form of the Sanskrit name.
Tirthankaras
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Kunthunatha is the seventeenth Tirthankara of Jainism, venerated as a liberated soul and omniscient teacher; his emblem is the goat. Like Shantinatha and Aranatha, he is counted in Jain tradition as both a Tirthankara and a chakravartin (universal emperor) who abandoned earthly dominion for the path of liberation.
Facts
Identity
PositionSeventeenth of the twenty-four Tirthankaras of the present half-cycle 1Tradition: Jainism The sequence of twenty-four is fixed and identical in the Digambara and Svetambara canons. SymbolThe lanchana, the emblem carved beneath the figure on images and shrines. Digambara and Svetambara give the same emblem here. Veneration
Shrine or Burial PlaceAttained final liberation, moksha, atop Sammeta Shikharji (Parasnath Hill) in present day Jharkhand, the site honored as the liberation place of most tirthankaras and one of Jainism's most important pilgrimage destinations. 1 Attestation
HistoricityLegendary: known from narrative tradition, not the historical record 1 Earlier Tirthankaras belong to the cosmological scheme, not to history. Critical scholarship accepts only Parshvanatha and Mahavira as historical. Jainism holds all 24 Tirthankaras of this half-cycle to be historical teachers Traditions Revering This Figure Status
Status Within the TraditionCounted as the seventeenth of the twenty-four Jain Tirthankaras of the present cosmic half-cycle, traditionally said to have also ruled as a chakravartin universal monarch before renouncing the throne to pursue spiritual liberation. 1 Origins
Place of OriginHastinapura, as Jain tradition places him 2 Life
Office HeldJain tradition counts him not only a Tirthankara but a chakravartin, a universal emperor, who renounced his earthly dominion for the path of liberation. 1 Manner of DeathAttained liberation (moksha) 2Tradition: Jainism Position Profile
Key TextThe Kalpa Sutra's Jina-caritra section is the traditional Svetambara account of his life and lineage as the seventeenth Tirthankara of the present age. 3 Practice
LineageJain tradition holds that as the seventeenth Tirthankara he was also, within the same lifetime, a chakravartin, a universal monarch ruling the entire known world, one of only a small number of Tirthankaras the tradition credits with achieving both spiritual and temporal sovereignty at once. 1 Learn More
The Seventeenth Ford-Maker
Kunthunatha is the seventeenth Tirthankara of the present age, venerated as a liberated soul and omniscient teacher. His emblem is the goat. Like Shantinatha before him and Aranatha after, he is counted in Jain tradition as both a Tirthankara and a chakravartin, a universal emperor who abandoned earthly dominion for the path of liberation, so that three ford-makers in unbroken sequence are remembered as having renounced world-sovereignty.
Tradition places him in the sacred antiquity of the avasarpini, before documented history, and holds that he attained final liberation at Sammeta Shikhar (Shikharji). Beyond his emblem, his dual status as ford-maker and emperor, and the traditional life-events, the sources preserve little narrative particular to him.
A chakravartin, in Jain cosmology, is a universal monarch said to rule all six continents of the traditional world-system by virtue of possessing fourteen precious jewels and nine treasures, a station of maximal worldly power that the tradition sets up specifically in order to be renounced. That Kunthunatha, Shantinatha and Aranatha occupy this station in unbroken sequence before turning to asceticism is presented in Jain texts as making their eventual renunciation a more pointed demonstration of dharma's claim over even the highest worldly achievement available.
Another Emperor Who Set Down His Crown
Kunthunatha, the seventeenth Tirthankara, is another of the small number of figures in the sequence credited by Jain tradition with having also held the exalted status of a Chakravartin, a universal ruler over the known world, before renouncing that position in favour of spiritual liberation, placing him alongside Shantinatha as an example of the tradition's recurring theme that the highest worldly power is itself something to be set aside on the path to liberation. This dual role, temporal sovereign and later spiritual teacher, gives Kunthunatha somewhat more developed narrative material within Jain hagiographic literature than figures who held only the Tirthankara role, since his story has to account for both a reign and a renunciation of that reign.
As with the broader sequence of Tirthankaras earlier than Parshvanatha and Mahavira, however, this material belongs to the internal cosmological chronology of Jain tradition, situated in an age far outside anything historians have independent means to verify, and scholars generally treat the Chakravartin narratives attached to figures like Kunthunatha as part of the tradition's doctrinal emphasis on renunciation's supreme value rather than as claims open to the kind of historical corroboration available for the tradition's latest and most firmly attested teacher.
Cross-Tradition Connections
Associated With
This source names Kunthunatha directly: "own record for "Small Image of Kunthunatha, the Seventeenth Tirthankara," a brass sculpture from India, 17th to 18th century."
Belongs to Tradition
Depicted In
The Brooklyn Museum's own title for this brass sculpture names Kunthunatha as the seventeenth Tirthankara depicted.
Instance Of
Number 17 of the twenty-four Tirthankaras of the present half-cycle.
Succeeded By
Aranatha follows Kunthunatha in the sequence of twenty-four, at position 18.
Successor Of
Kunthunatha follows Shantinatha in the sequence of twenty-four, at position 17.
Sources
1. The Jains
1. The Jains
Paul Dundas, Routledge, 2002Kunthunatha as both Tirthankara and chakravartinView the Source 2. The Jaina Path of Purification
Padmanabh S. Jaini, University of California Press, 1979The universe of ford-makersView the Source 3. Kalpa Sutra
Attributed to Bhadrabahu, F.A. Brockhaus, 1879Emblem (goat) and traditional life-eventsView the Source Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005View the Source Small Image of Kunthunatha, Brooklyn Museum (34.738)
Brooklyn MuseumDepicted In: Small Image of Kunthunatha, the Seventeenth Tirthankara (Brooklyn Museum), Brooklyn Museum 34.738View the Source Reader Challenges (0 open reader challenges)
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