When Jacob leaves Laban's household without telling him, Rachel takes her father's teraphim, his household gods, and hides them. Laban pursues, overtakes the caravan, and searches the tents. She has put them in the camel's saddle and is sitting on it, and she tells her father she cannot rise because she is menstruating. He searches everywhere else and finds nothing.
The scene is doing several things at once. It is comedy at the expense of gods that can be sat on and not noticed. It is also a legal puzzle, because the text does not say why she wanted them. One long standing proposal, argued from second millennium family law documents recovered in northern Mesopotamia, is that possession of the household figures carried a claim on the estate, which would make the theft an inheritance move rather than a devotional one. The proposal has been questioned as much as it has been repeated, and the text itself offers no motive.
There is a shadow over it. Jacob, not knowing what she has done, tells Laban that whoever has the gods shall not live. He is unwittingly cursing his own wife, and she dies in childbirth two chapters later on the road to Ephrath. The narrator does not connect the two, and the reader is left to.
Jacob sets a pillar over the grave, and the text notes that it was still there when the account was written, which is the kind of remark that turns a story into a place.