As a divinatory line, six at the second place of The Wanderer reads within the hexagram's overall concern with some small attainment and progress for the stranger who is firm and correct as he travels. The line occupies a place proper to its own nature in the classical doctrine that odd places favour a firm, yang line and even places favour a yielding, yin line. It is also one of the two central lines of the hexagram, the place classical reading treats as the most balanced regardless of the line's own character. Its own text, that the wanderer at his lodging, carrying his means of travel with him and gaining the fidelity of a youthful servant, is the particular fortune assigned to this one stage of the situation, not to the hexagram as a whole.
The second line corresponds by classical convention with the fifth line, and the two do not correspond here, since both lines share the same character. Read together with the trigram it belongs to, Gen in the lower position of the figure, the line marks the situation settling into its own character, still wholly inside the lower trigram, one stage in the six stage movement the hexagram traces from its first line to its last.
A change at this line, from yin to its opposite, is the mechanism the tradition uses to move from one hexagram to another. Flipping the second line of The Wanderer turns Gen into Xun while the other trigram, Li, stays as it is, which yields The Wanderer's changing partner, The Cauldron (King Wen 50), the hexagram this line is recorded as transforming into.