Divinity Atlas

Sacred Correspondences
Human Design Crosses

Juxtaposition Cross of Extremes (15/10)

Juxtaposition Cross

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Juxtaposition Cross of Extremes is a Juxtaposition Incarnation Cross built on Gate 15 and Gate 10. Gate 15, Embracing Extremes (Hexagram 15, Modesty), sits in the G or Identity centre and is read as a love of humanity broad enough to embrace extremes, with no fixed rhythm; Gate 10, Love Of Self (Hexagram 10, Treading), sits in the G or Identity centre and is read as conduct that stays true to one's own nature rather than to expectation. Juxtaposition Crosses stand apart from the other two families, tied only to the four line one profile, and are read as the most fixed direction the system names. The hexagrams are ancient; grouping them into one incarnation cross is the modern system's own construction.

Facts
Cross
AngleSourced to the subject's own account
Juxtaposition 1
ThemeSourced to the subject's own account
Extremes 1
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Extremes, Fixed Rather Than Corrected

The Juxtaposition Cross of Extremes carries the same pair as the Left Angle Cross of Prevention, Gate 15 and Gate 10, read here inside the fixed Juxtaposition family instead. Human Design reads Gate 15, from Hexagram 15, Modesty, as a love of humanity broad enough to embrace extremes, now the more exposed gate, and Gate 10, from Hexagram 10, Treading, as conduct that stays true to one's own nature rather than to expectation. Juxtaposition Crosses stand apart from the Right Angle and Left Angle families entirely, tied only to the four line one profile, and are read as the most fixed direction the system names.

Its design half is Gate 17 and Gate 18. Gate 17 sits in the Ajna and is read as the forming of opinions, logical viewpoints seeking to be organised and offered to others; elsewhere it pairs with Gate 62 in the channel of Acceptance. Gate 18 sits in the Spleen and is read as a corrective instinct, an alertness to what is flawed and could be set right; it pairs with Gate 58 in the channel of Judgment.

Where the Left Angle reading of these same four gates serves something handed back by circumstance, the Juxtaposition reading holds the pair as fixed rather than assigned, tolerance for extremity bound tightly to a single profile while a questioning mind answers to a corrective instinct beneath it. The hexagrams are old texts; grouping them into one incarnation cross is the modern system's own construction.

Extremes, Modesty Ahead and the Same Four Quarters

This article records tradition as it has been passed down and reported. Its sources are not yet part of the atlas's verified catalogue.

The Juxtaposition Cross of Extremes is named here for Gate 15 and Gate 10. Its first article reads Gate 15 as a love of humanity broad enough to embrace extremes, now the more exposed gate, and Gate 10 as conduct that stays true to its own nature rather than to expectation. What it does not trace is where the four gates sit on the wheel itself, the Human Design mandala's division of its sixty four gates into four Quarters, and by that measure this cross draws one gate from each of the four.

Gate 15, the personality gate here, falls in the Quarter of Civilization, purpose fulfilled through form. Gate 10, its personality partner, falls in the Quarter of Mutation, purpose fulfilled through transformation. Behind them, Gate 17 falls in the Quarter of Initiation, purpose fulfilled through mind, and Gate 18 falls in the Quarter of Duality, purpose fulfilled through bonding.

So the embraced extreme and the conduct true to its own nature the first article reads on this cross's surface answer to the arcs of form and transformation, while the forming opinion and the corrective instinct beneath them answer to the arcs of mind and bonding, the same two design gates the Juxtaposition Cross of Opinions and the Juxtaposition Cross of Correction each carry as a personality half. The same pair, exchanged, is this cross's own reversal, the Juxtaposition Cross of Behavior, and, held instead in the Left Angle family, the Cross of Prevention, and in the Right Angle family, the Cross of the Vessel of Love. Four gates, four different Quarters, no pair sharing an arc: this cross draws its whole reading from every corner of the wheel's own purpose rather than concentrated in one.

Cross-Tradition Connections

Design Earth Gate

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Design Sun Gate

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Personality Earth Gate

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Personality Sun Gate

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Sources
1. The Human Design System
Ra Uru Hu (Alan Robert Krakower), Human Design America, 1992View the Source
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