Divinity Atlas

Sacred Correspondences
Mythical Creatures

Azure Dragon

Also Known As Qing Long (Chinese) · Ch'ing-lung (Chinese) The Wade-Giles romanisation. · Azure Dragon of the East The form used in the lunar lodge tables. · Seiryu (Japanese) The Japanese reading of the same two characters.Original Term Qinglong (Chinese)
Dragons and Serpents

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The Azure Dragon, Qinglong, is the emblem of the eastern quarter of the Chinese sky, one of the Four Symbols that divide the twenty-eight lunar lodges into four palaces of seven. He belongs to the east, to spring, to the phase Wood and to the colour blue green, and his body is traced across the sky from the Horn lodge at Spica through the Heart at Antares to the Winnowing Basket in Sagittarius. The scheme is old: a lacquered clothes chest from the tomb of Marquis Yi of Zeng, buried in the fifth century BCE, already carries the twenty-eight names with a dragon and a tiger on either side. In later use he guards the eastern wall of a tomb, the eastern side of a city and the left hand of a site read for feng shui, and he is not the same figure as the imperial five clawed dragon of the throne, though the two are often confused.

Facts
Attestation
Historicity
Legendary: known from narrative tradition, not the historical record 1
Meaning in the Attesting Source
Science and Civilisation in China identifies the Azure Dragon, Qinglong, as the emblem of the eastern quarter of the Chinese sky, tracing his body across the Horn, Heart and Winnowing Basket lodges. 1
Origins
Origin of the Name
Qinglong is read literally as blue green dragon, using a single Chinese colour term, qing, that spans blue and green without distinguishing them, which is why the name is rendered in English sometimes as the Azure Dragon and sometimes as the Green Dragon. 1Tradition: Science and Civilisation in China, Volume 3
Function
Domain / Function
Domain of the eastern quarter of the Chinese sky, spring, the phase Wood and the colour blue-green, his body traced through the Horn, Heart and Winnowing Basket lunar lodges, guarding the eastern wall of tombs and cities. 1
Cult
Attributes and Iconography
Painted blue-green and traced across the sky through the Horn, Heart and Winnowing Basket lodges, he guards the eastern wall of a tomb, a city or a site read for feng shui. 1
Learn More
Seven Lodges from the Horn to the Winnowing Basket

The dragon is not a picture laid over the sky but a way of holding seven star groups in order. Its lodges run Horn, Neck, Root, Room, Heart, Tail and Winnowing Basket, and the names read down the animal from the head: the Horn at Spica, the Neck and the Root behind it, the Room and the Heart at the body, with Antares as the great red star of the Heart, then the Tail curving into what is now Scorpius, and finally the Winnowing Basket in Sagittarius.

Chinese astronomy divided the sky by these twenty eight lodges rather than by twelve zodiac signs, and the divisions are unequal because each is defined by a determinative star and the arc from it to the next. That makes the system a coordinate frame for tracking the moon and the planets, not a decorative scheme, and the four animals are the four groups of seven that the frame falls into.

The seasonal association follows from what is visible. The rising of the Horn in the evening sky belongs to spring, when the eastern palace comes up, and the correspondence of the quarter to spring, to the phase Wood and to the blue green colour is built out from that.

A well known reading connects the dragon lines of the first hexagram of the Book of Changes, the dragon hidden, the dragon appearing in the field, the dragon flying in the heavens, to the constellation's seasonal appearance and passage overhead. It is a proposal that has been argued for a century and remains a reading rather than a demonstration.

The Left Hand of a Site

Once the four animals held the four quarters of the sky they were used to hold the four sides of anything else. Han period tombs put the dragon on the eastern wall, the tiger on the western, the bird on the southern and the tortoise on the northern, so that the burial chamber reproduced the heavens and the body inside it lay at the centre of a properly oriented world. The same four appear on the round eaves tiles of Han buildings, one animal to each of the four directions of a compound.

In siting practice the scheme becomes a rule about ground. Facing out from a building, the azure dragon is the left hand side, which is the east, and the white tiger the right; the vermilion bird is the open ground in front and the dark tortoise the higher ground behind. A good site has the dragon side slightly higher and longer than the tiger side, and manuals discuss what to do when it is not.

Two distinctions are worth keeping. The azure dragon is not the five clawed imperial dragon of robes and thrones, which is a symbol of the emperor's person and a much later regulated emblem; the two are constantly conflated in popular writing. And the scheme travelled. The same four guardians appear in Korean tomb painting, in the painted chambers of early Japanese tombs, and in the gate names of the Japanese capital, where the southern gate of the palace enclosure carried the vermilion bird's name and the eastern quarter the dragon's.

Cross-Tradition Connections

Associated With

Chinese astrology reads the moon against the twenty-eight lodges these four divide.

East, Directions

The eastern quarter of the sky.

Feng Shui, Disciplines

Feng shui reads a site by the four positions, dragon on the left, tiger on the right, tortoise behind, bird in front.

Spring, Seasons
Taoism, Religions

Wood, the phase of the east and of spring.

Wu Xing, Disciplines

Each of the four carries one of the five phases.

Belongs to Tradition

Contains

One of the seven lunar lodges of this palace.

One of the seven lunar lodges of this palace.

One of the seven lunar lodges of this palace.

One of the seven lunar lodges of this palace.

One of the seven lunar lodges of this palace.

One of the seven lunar lodges of this palace.

One of the seven lunar lodges of this palace.

Originated In

China, Regions

Related To

One of the Four Symbols, the emblems of the four quarters of the Chinese sky, which divide the twenty-eight lunar lodges seven each.

One of the Four Symbols, the emblems of the four quarters of the Chinese sky, which divide the twenty-eight lunar lodges seven each.

One of the Four Symbols, the emblems of the four quarters of the Chinese sky, which divide the twenty-eight lunar lodges seven each.

One of the Four Symbols, the emblems of the four quarters of the Chinese sky, which divide the twenty-eight lunar lodges seven each.

One of the Four Symbols, the emblems of the four quarters of the Chinese sky, which divide the twenty-eight lunar lodges seven each.

One of the Four Symbols, the emblems of the four quarters of the Chinese sky, which divide the twenty-eight lunar lodges seven each.

Sources
1. Science and Civilisation in China, Volume 3: Mathematics and the Sciences of the Heavens and the Earth
Joseph Needham, Cambridge University Press, 1959Vol. 3, on the four-quarter scheme and its colour termsView the Source
The Living Earth Manual of Feng-Shui: Chinese Geomancy
Stephen Skinner, Arkana/Penguin, 1982View the Source
The I Ching, or Book of Changes
Richard Wilhelm (trans.); Cary F. Baynes (English trans.), Princeton University Press, 1980View the Source
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