Divinity Atlas

Sacred Correspondences
Screen Works

Milpirri: Winds of Change

screenwork

Citation Formats

General Reference

APA Style

BibTeX

A 2014 television documentary, 54 minutes, co-directed by Stewart Carter of Tracks Dance Company and Wanta Steve Jampijinpa Patrick, an initiated Warlpiri law man, following preparation for the biennial Milpirri festival at the remote community of Lajamanu in the Tanami Desert.

Facts
Production
Release YearSourced to the subject's own account
2014 1
Director
Stewart Carter and Wanta Jampijinpa Patrick 2
Country of Origin
Australia 2
Format
Television Documentary 2
Subject Matter
Religious Subject MatterSourced to the subject's own account
Preparation for the biennial Milpirri festival, a public bicultural performance built to keep Warlpiri ceremonial law alive for young people growing up between two worlds. No guruwari design is drawn or reproduced; the film documents the public festival itself rather than closed ceremony or restricted designs. 1
Learn More
A Dance Company and a Warlpiri Law Man Filmed the Same Festival

Milpirri began in 2005 out of a relationship that by then already ran back seventeen years. Since 1988 the Melbourne based Tracks Dance Company had worked with the remote Warlpiri community of Lajamanu in the Tanami Desert, and Milpirri became their joint answer to a hard question, how a community keeps its ceremonial law alive for young people growing up between two worlds.

Milpirri: Winds of Change, a fifty four minute television documentary, was co-directed by Stewart Carter of Tracks Dance and Wanta Steve Jampijinpa Patrick, an initiated Warlpiri law man who has led Milpirri from the community side since it began. It follows preparation for the biennial festival, in which more than one hundred and fifty Lajamanu residents, from children to elders, dance in front of banners representing the community's clans, staged deliberately as a bicultural event bringing Yapa, Warlpiri people, and Kardiya, non Warlpiri people, onto the same ground. It was released in 2014.

The film documents a public festival built for exactly this kind of outside audience, not a closed ceremony. Guruwari, the design patterns whose right to be made and shown belongs to specific people and the ceremonies they come from, are not drawn or reproduced here or in the film; what both record is that Milpirri exists, why the community built it, and what it is trying to hold onto.

Because the direction itself is shared between an outside dance company and a Warlpiri law man rather than made by either side alone, the film stands as a collaborative outside record rather than the tradition speaking only in its own voice.

Cross-Tradition Connections

Belongs to Tradition

Warlpiri Religion, Religions

Co-directed by an outside dance company alongside an initiated Warlpiri law man: a collaborative outside record of a public festival, not the tradition speaking only in its own voice.

Sources
Comments (0)
No comments yet. Be the first to share a thought.
Reader Challenges (0 open reader challenges)
No disputes yet. Spotted an error or a better source? Open the first one.

View At A Past Year

Choose a year to see this entry's facts and connections as the atlas records them at that moment: what it held then, what it held instead, and what it had not yet adopted. Choose Present for the current record.