This article records tradition as it has been passed down and reported. Its sources are not yet part of the atlas's verified catalogue.
Resins gathers eleven of the atlas's incense resins, the classic solar and warm burned aromatics of temple, church and magical practice, spanning traditions from the Mediterranean to Mesoamerica to South Asia.
Frankincense and Myrrh are the archetypal pairing, both resins burned together and separately across the ancient Near East and the Christian liturgical world since; frankincense is read as solar and uplifting, myrrh as cooler and sorrowful, consecrating mourning and the dead rather than celebration, though some Hermetic systems assign myrrh to Saturn rather than the Moon. Guggul is their South Asian counterpart, the gum resin of a close relative of the myrrh tree and the base of dhoop, the compounded incense of Hindu worship, now critically endangered from overharvesting. Copal fills the same role in Mesoamerica, the sacred incense of the Maya and Aztec whose rising smoke was read as carrying prayers to the gods, still central to Mexican folk and curandero practice today.
The remaining resins are valued for narrower properties. Benzoin and Labdanum are both fixatives, warm and long lasting, the second substituting historically for costly ambergris; Dammar is prized instead for a neutral, blending smoke rather than any strong character of its own. Dragon's Blood is burned to amplify other workings rather than to stand alone. Camphor is distinguished by burning away completely, leaving no ash, which is exactly why the Hindu arati flame is a camphor flame, its disappearance read as the self dissolving into the divine. Mastic and Pine close the group as everyday aromatics, one associated with concentration and study, the other a staple of winter and woodland rites.