Divinity Atlas

Sacred Correspondences
Tarot

King of Coins

Minor Arcana

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Rider-Waite-Smith
Visconti-Sforza
Tarot de Marseille
Thoth

The King of Coins is the outward, commanding mastery of Earth, the suit's wealth directed into the world. In Pamela Colman Smith's drawing he sits on a throne adorned with bulls and grapevines, a coin in one hand and a scepter in the other, his robe embroidered with fruit and his realm prosperous behind him. As a person he is a shrewd and generous provider: successful, disciplined, and steady in business and home alike. Upright he means abundance, security, leadership, and enterprise well managed; reversed he warns of greed, stubbornness, corruption, or wealth clung to for its own sake.

Facts
Identity
Arcana
Minor, court 1
Suit
Coins 1
Element
Earth 1
Rank
King 1
Across the Decks
Rider-Waite-SmithSourced to the subject's own account
King of Pentacles 2
MarseilleSourced to the subject's own account
Roi de Deniers 3
ThothSourced to the subject's own account
Knight of Disks 4
Reading Keys
UprightSourced to the subject's own account
Abundance, security, discipline, leadership 2
ReversedSourced to the subject's own account
Materialism, stubbornness, poor judgment 2
Attributions
Golden Dawn TitleSourced to the subject's own account
The Lord of the Wide and Fertile Land 5
AstrologySourced to the subject's own account
20 Aries - 20 Taurus 5
Elemental PairingSourced to the subject's own account
Fire of Earth 5
Learn More
The Card and Its Imagery

Within Waite's four-rank court, the King of Coins heads the earth suit; in the Golden Dawn's Knight, Queen, Prince, Princess scheme the Thoth deck follows, the equivalent figure is the mounted Knight of Disks, assigned the elemental pairing Fire of Earth, material mastery expressed at its most active and forceful rather than earth's more settled Queen or Princess registers. His full Golden Dawn title, the Lord of the Wide and Fertile Land, and his astrological span, the final ten degrees of Aries through the first twenty of Taurus, frame the onset of Taurus's fixed earth, the sign the system most closely associates with settled material abundance.

Pamela Colman Smith's picture, a king enthroned amid carved bulls and grapevines, a coin in one hand and a scepter in the other, his robe embroidered with fruit, is a considerably richer composition than the Marseille Roi de Deniers, a static heraldic figure holding the suit emblem with no throne carving, vines or embroidery at all; the bulls specifically tie the image to Taurus more directly than any of the other three kings' thrones tie their figures to a single sign.

Crowley's Thoth card keeps the name Knight of Disks, showing him mounted and armored in a chariot drawn by a bull rather than seated, consistent with the deck's general shift of each suit's senior figure from a stationary ruler to an active, riding force.

Reading the Card

Upright the King of Coins is read as abundance, security and disciplined leadership in material affairs; reversed, as materialism, stubbornness, or judgment clouded by attachment to wealth itself.

As a person card, he is conventionally read as a shrewd, generous provider, and readers commonly distinguish him from the Knight of Coins on the axis the Golden Dawn's structure formalizes, his Fire of Earth a mastery already achieved and stabilized, the Knight's Air of Earth a more methodical force still building toward the same result; where the Knight is read as steady but still working, the King is read as steady because the work is largely done.

Waite's own printed meaning, valour, realizing intelligence, business and normal intellectual aptitude, sometimes mathematical gifts, is a more specifically intellectual reading than the practical, provider-focused emphasis most contemporary practice now gives the card, and the shift toward reading him as a grounded businessman rather than a mathematically gifted one reflects the general twentieth-century move toward reading court cards for temperament rather than for specific aptitudes.

The bull imagery on his throne, unique among the four kings for tying the card so directly to one zodiacal sign, is frequently cited by readers as evidence that Smith, even while working from a shared court structure across the suits, individualized each king's setting well beyond what the Golden Dawn's shared elemental titles alone would require.

Cross-Tradition Connections

Associated With

Sources
1. The Game of Tarot: From Ferrara to Salt Lake City
Michael Dummett, Duckworth, 1980Part I, on the standard patterns and the regional trump ordersView the Source
2. The Pictorial Key to the Tarot
Arthur Edward Waite, William Rider & Son, 1910The Pictorial Key to the Tarot, on the cards and their meaningsView the Source
3. Le Tarot de Marseille
Paul Marteau, B.-P. Grimaud, 1930Le Tarot de Marseille, on the card titles of the standard pattern
4. The Book of Thoth
Aleister Crowley, Samuel Weiser Inc, 1944The Book of Thoth, on the titles of the seventy-eight cardsView the Source
5. The Golden Dawn: The Original Account of the Teachings, Rites, and Ceremonies of the Hermetic Order of the Golden Dawn, 6th edition
Israel Regardie, Llewellyn, 1989Book T and the tables of correspondenceView the Source
Pamela Colman Smith: The Untold Story
Stuart R. Kaplan, with Mary K. Greer, Elizabeth Foley O'Connor and Melinda Boyd Parsons, U.S. Games Systems, 2018Catalogue of the 1909 Rider deck drawings, s.v. King of CoinsView the Source
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