Divinity Atlas

Sacred Correspondences
Tarot

Queen of Wands

Minor Arcana

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Rider-Waite-Smith
Visconti-Sforza
Tarot de Marseille
Thoth

The Queen of Wands is the inward, nurturing mastery of Fire, the suit's power held with warmth and poise. In Pamela Colman Smith's drawing she sits enthroned between carved lions and sunflowers, a wand in one hand and a sunflower in the other, a black cat at her feet. As a person she is confident, magnetic, warm, and creatively vital, at home in herself and generous with her fire. Upright she means self-assurance, charisma, determination, and joyful independence; reversed she warns of jealousy, insecurity, domineering behaviour, or fire turned to temperament.

Facts
Identity
Arcana
Minor, court 1
Suit
Wands 1
Element
Fire 1
Rank
Queen 1
Across the Decks
Rider-Waite-SmithSourced to the subject's own account
Queen of Wands 2
MarseilleSourced to the subject's own account
Reine de Batons 3
ThothSourced to the subject's own account
Queen of Wands 4
Reading Keys
UprightSourced to the subject's own account
Confidence, warmth, independence, vibrancy 2
ReversedSourced to the subject's own account
Jealousy, insecurity, demanding nature 2
Attributions
Golden Dawn TitleSourced to the subject's own account
The Queen of the Thrones of Flame 5
AstrologySourced to the subject's own account
20 Pisces - 20 Aries 5
Elemental PairingSourced to the subject's own account
Water of Fire 5
Learn More
The Card and Its Imagery

Within Waite's four-rank court, the Queen of Wands is the fire suit's inward, nurturing mastery; the Golden Dawn's structure that the Thoth deck follows keeps her rank and largely her name, assigning the elemental pairing Water of Fire, will and confidence held and stabilized rather than fire's more active Knight or Prince expressions. Her full Golden Dawn title, the Queen of the Thrones of Flame, and her astrological span, the final ten degrees of Pisces through the first twenty of Aries, place her at the threshold where cardinal fire begins, framing Aries's onset rather than sitting inside any one sign.

Pamela Colman Smith's picture, a queen enthroned between carved lions and sunflowers, a wand in one hand and a sunflower in the other, a black cat seated at her feet, is considerably more particular in its symbolism than the Marseille Reine de Batons, a static heraldic figure holding the suit emblem with no throne carving, flowers or animal companion at all; the sunflower and the black cat are Rider-Waite-Smith additions with no older precedent in the pattern.

The Thoth deck is one of relatively few court cards where Crowley and Harris keep the exact name Queen of Wands rather than substituting a Golden Dawn title; Harris's rendering keeps the leonine and solar motifs Smith established but reworks them into her characteristic geometric idiom.

Reading the Card

Upright the Queen of Wands is read as confidence, warmth and a magnetic, self-possessed independence; reversed, as jealousy, insecurity, or the same fire turned demanding and difficult to satisfy.

As a person card, she is conventionally read as someone at ease in herself and generous with her own energy, and readers commonly distinguish her from the King of Wands on the axis the Golden Dawn's structure formalizes, her Water of Fire a warmth that holds and stabilizes, his Fire of Fire a will directed outward into leadership and enterprise; where he sets a course for others, she is more often read as radiating a confidence others are drawn toward without needing to be led anywhere in particular.

Waite's own printed meaning, she is attractive, chaste, loving, honourable, though also, if the card is ill-dignified, jealous and even deceitful, keeps a moral vocabulary current practice has generally replaced with more purely psychological language, confidence and insecurity rather than virtue and its absence.

The black cat at her feet is one of the more frequently discussed single details among her symbolism, generally read as marking an intuitive, slightly untamed quality beneath her composure, a detail with no equivalent in either the Marseille card or the Golden Dawn's own textual description of the rank.

Cross-Tradition Connections

Associated With

Sources
1. The Game of Tarot: From Ferrara to Salt Lake City
Michael Dummett, Duckworth, 1980Part I, on the standard patterns and the regional trump ordersView the Source
2. The Pictorial Key to the Tarot
Arthur Edward Waite, William Rider & Son, 1910The Pictorial Key to the Tarot, on the cards and their meaningsView the Source
3. Le Tarot de Marseille
Paul Marteau, B.-P. Grimaud, 1930Le Tarot de Marseille, on the card titles of the standard pattern
4. The Book of Thoth
Aleister Crowley, Samuel Weiser Inc, 1944The Book of Thoth, on the titles of the seventy-eight cardsView the Source
5. The Golden Dawn: The Original Account of the Teachings, Rites, and Ceremonies of the Hermetic Order of the Golden Dawn, 6th edition
Israel Regardie, Llewellyn, 1989Book T and the tables of correspondenceView the Source
Pamela Colman Smith: The Untold Story
Stuart R. Kaplan, with Mary K. Greer, Elizabeth Foley O'Connor and Melinda Boyd Parsons, U.S. Games Systems, 2018Catalogue of the 1909 Rider deck drawings, s.v. Queen of WandsView the Source
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