Divinity Atlas

Sacred Correspondences
Twenty-Four Mountains

Gui

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Mountain 3 of the twenty-four mountains of the feng shui compass (luopan), the fifteen-degree N3 division: north sector, 7.5 to 22.5 degrees. The ring interleaves the twelve earthly branches, eight of the heavenly stems and four trigrams.

Facts
Structure
Source CharacterSourced to the subject's own account
癸 1
Component KindSourced to the subject's own account
Heavenly Stem 1
Trigram GroupSourced to the subject's own account
Kan (North) 1
Attributions
PolaritySourced to the subject's own account
Yin 1
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Mountain 3, Gui: The Stem On The Ring

Mountain 3 of the twenty-four mountains (luopan) is Gui, one of the eight Heavenly Stems placed on the ring, occupying position N1, north sector, 7.5 to 22.5 degrees. Gui is Yin Water, and its classic image is the dew, the mist, the gentle rain. In Four Pillars astrology, where a person's chart is read from the stem and branch of the year, month, day and hour, a Gui Day Master, the stem governing the day of birth, is described as subtle, pervasive and imaginative, though it may be timid, moody or inclined to withdraw rather than assert.

Ten Heavenly Stems exist in the full sexagenary system, one yang and one yin stem for each of the five elemental phases, but only eight reach the compass ring: the pair for Earth, Wu and Ji, is withheld from the perimeter and reserved to the centre, following the same five-phase logic recorded elsewhere in this atlas under which Earth's own direction is the pivot rather than any one of the eight compass points. Because ten stems and twelve branches do not share a common factor larger than two, a given stem does not return to a given branch until the combination has cycled sixty times, the sexagenary count (jiazi) that names years, months, days and hours across the traditional Chinese calendar; a mountain's own stem or branch name is therefore also, in a different context entirely, a recurring building block of that sixty-term cycle.

Gui's Facing Pair, And Where The Stems Sit In The Ring

Gui sits directly opposite mountain 15, Ding, twelve positions and a hundred and eighty degrees around the ring, the pairing compass school feng shui reads as a sitting-and-facing set for a building or a grave, back toward Gui and front toward Ding. Stephen Skinner's account of the luopan places the stem ring between the branch ring below it and the outer rings above, functioning as a finer division that lets a practitioner distinguish three fifteen-degree mountains within the thirty degrees a single branch alone would otherwise cover undivided; Gui is one of the two stem mountains flanking its sector's branch, sharing the sector's general direction while carrying its own distinct element and, through the Day Master reading, its own distinct temperament.

Because the eight stems on the ring pair up by element, Gui's own element partner sits in the mountain immediately across the same sector from it rather than opposite across the full circle, a closer, same-sector relationship compass school treatments keep distinct from the sitting-facing opposition proper. Compass school practice treats the fifteen-degree seam between one mountain and its neighbour as a genuine hazard rather than a rounding error: a sitting or facing line falling exactly on that boundary, called an empty or straddling line, is read as drawing on the qi of both adjacent mountains at once rather than cleanly on one, and Stephen Skinner's account of the luopan treats avoiding a seam-line reading as one of the instrument's basic disciplines, checked before any of the finer rings above the twenty-four mountains are consulted at all.

Cross-Tradition Connections

Contrasts With

North-northeast is 22.5 degrees, which is where the mountain Gui ENDS on the luopan. The Chinese compass divides the circle into twenty-four bands and the maritime rose into sixteen, so this point falls on a line rather than inside a mountain.

Instance Of

Sources
1. The Living Earth Manual of Feng-Shui: Chinese Geomancy
Stephen Skinner, Arkana/Penguin, 1982View the Source
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