Alphabet Letters
Devanagari Ja ज
Devanagari Letters
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Origin Devanagari forms settle between roughly the seventh and the tenth centuries CE, descending from Brahmi through the Gupta and Nagari hands
Ja is the eighth consonant of the varnamala, the voiced unaspirated palatal and the third member of the second varga. It opens a number of words central to the tradition's vocabulary of practice and knowledge, among them the terms for the repetition of a name or formula and for knowledge in the higher sense, the latter written with a conjunct of the palatal nasal and this letter whose modern pronunciation varies widely across the subcontinent. The letter's position in the table is fixed by voicing: third in its class, voiced but not aspirated, standing to ca as ga stands to ka.
Facts
Origins
Origin PeriodDevanagari forms settle between roughly the seventh and the tenth centuries CE, descending from Brahmi through the Gupta and Nagari hands 3Tradition: Indian epigraphy Place of OriginNorthern India 3Tradition: Indian epigraphy Origin of the NameNamed by its own sound plus the inherent short a. Devanagari letter names carry no word meaning, unlike the Greek and Semitic names 1Tradition: Sanskrit phonetics of the grammarians Sense of the NameThe voiced unaspirated palatal; opens words for the repetition of a name or formula and for knowledge in the higher sense. 2 Attestation
Meaning in the Attesting SourceCounted among the matrika, the fifty little mothers of the letter-garland; the count belongs to the series, not to this letter alone 4Tradition: Hindu Tantra, the garland of letters A property of the fifty-letter series. Individual schools assign further correspondences that differ between traditions and are not adopted here. Identity
Script TypeConsonant sign of a Brahmi-derived abugida; it carries the inherent short a unless a dependent vowel sign is written 1 PositionEighth consonant of the varnamala, third member of the palatal class 1Tradition: Sanskrit phonetics of the grammarians Attributions
Associated SoundVoiced unaspirated palatal. Takes a dot beneath it in the modern languages for a sound borrowed with Persian and Arabic vocabulary 2Tradition: Sanskrit phonetics of the grammarians Learn More
Ja: The Voiced Palatal
Ja is the eighth consonant of the varnamala, the voiced unaspirated palatal and the third member of the second varga, standing to ca exactly as ga stands to ka. It opens a number of terms central to the tradition's vocabulary of practice and knowledge, among them the word for the repetition of a name or formula and, in a conjunct with the palatal nasal, the word for knowledge in its higher sense. Both are carried untranslated into English writing about Indian religion and both have entries elsewhere in this atlas. The letter's written form is one of the more elaborate in the script, and it takes a dot beneath it in the modern languages to write a sound borrowed with Persian and Arabic vocabulary, one of several such dotted letters added to Devanagari after the classical period.
The dotted forms are a good illustration of how an alphabet designed as a closed phonetic analysis of one language accommodates others: rather than reordering the table, the script marks the new sounds as modifications of the nearest existing letters, so the varnamala's structure survives intact and the additions sit visibly outside it. Its position in the table is fully specified by three facts, palatal, voiced and unaspirated, and for a stop in the varnamala that is genuinely the whole of what the letter is. The word histories recorded elsewhere on these pages are facts about words that happen to begin with a given sound, and a reader should not read them back into the sign, which carries no meaning of its own.
The Conjunct That Opens the Word for Knowledge
The best known cluster involving this letter joins it to the palatal nasal, and the resulting conjunct opens the Sanskrit word for knowledge in the sense the philosophical traditions use it. What makes the cluster notable is that its pronunciation varies more widely across the subcontinent than almost any other sequence in the language.
Speakers in the Hindi-speaking north generally say it as gy, speakers of Marathi as dny, and reciters trained in the southern schools as jn with both consonants sounded. All are reading the same two letters, and the divergence is a fact about how the classical sounds were inherited in different regions rather than about the writing. This is a place where the script preserves a distinction that living speech has resolved in incompatible ways, and where a transliteration into Latin letters has to choose. Scholarly systems transliterate the letters rather than any one pronunciation, which is why the same word appears in English books spelled in several ways. This atlas records the letter's place in the varnamala, its articulation and its behaviour in the cluster, and notes the regional variation as variation, without ruling on which realisation is correct.
Cross-Tradition Connections
Derived From
Devanagari Ja descends from the Brahmi sign of the same value, through the Gupta and Nagari hands of northern India. The two alphabets align letter for letter because both are laid out in the varnamala order, the arrangement the Sanskrit phoneticians fixed by place of articulation.
Related To
Devanagari Ja and the Gurmukhi letter Jajja answer to the same sound and to the same slot of the varnamala. Gurmukhi descends from Sharada rather than from the Nagari line, so the agreement is inherited from a shared Brahmi ancestor rather than borrowed from Devanagari.
Jajja and the Devanagari letter Ja answer to the same sound and to the same slot of the varnamala. Gurmukhi descends from Sharada rather than from the Nagari line, so the agreement is inherited from a shared Brahmi ancestor rather than borrowed from Devanagari.
Ranjana Ja and Devanagari Ja hold the same position in the inherited varnamala and write the same sound, as separate northern Brahmi descendants rather than as variants of one script. Devanagari is the relative most readers know, so the two charts can be read against each other.
The same letter of the same order in Devanagari. The two scripts are separate descendants of the same late Brahmi stock rather than one being taken from the other, which is why the sound value and the position agree while the shapes do not.
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