Alphabet Letters
Devanagari Pa प
Devanagari Letters
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Origin Devanagari forms settle between roughly the seventh and the tenth centuries CE, descending from Brahmi through the Gupta and Nagari hands
Pa is the twenty-first consonant of the varnamala and the head of the fifth and last varga, the labial class, formed by closing the lips. With it the progression that organises the whole consonant table reaches the front of the mouth, having begun at the soft palate with ka and moved forward through palate, roof and teeth. The Sanskrit phoneticians named the class oshthya, from the word for lip, and set the labial vowels u and long u in the same articulatory family. The letter opens a large body of central vocabulary, and its form descends through the Nagari hands from a Brahmi original of the same value.
Facts
Origins
Origin PeriodDevanagari forms settle between roughly the seventh and the tenth centuries CE, descending from Brahmi through the Gupta and Nagari hands 3Tradition: Indian epigraphy Place of OriginNorthern India 3Tradition: Indian epigraphy Origin of the NameNamed by its own sound plus the inherent short a. Devanagari letter names carry no word meaning, unlike the Greek and Semitic names 1Tradition: Sanskrit phonetics of the grammarians Sense of the NameThe voiceless unaspirated labial, heading the fifth and last varga, formed by closing the lips. 2 Identity
Script TypeConsonant sign of a Brahmi-derived abugida; it carries the inherent short a unless a dependent vowel sign is written 1 PositionTwenty-first consonant of the varnamala and first member of the labial class, the fifth and last varga 1Tradition: Sanskrit phonetics of the grammarians Attributions
Associated SoundVoiceless unaspirated labial stop, made by closing the lips; the grammarians call the class oshthya and put the vowels u and long u in the same family 2Tradition: Sanskrit phonetics of the grammarians Attestation
Meaning in the Attesting SourceCounted among the matrika, the fifty little mothers of the letter-garland; the count belongs to the series, not to this letter alone 4Tradition: Hindu Tantra, the garland of letters A property of the fifty-letter series. Individual schools assign further correspondences that differ between traditions and are not adopted here. Learn More
Pa: The Last of the Five Classes
Pa is the twenty-first consonant of the varnamala and the head of the fifth and last varga, the labial class, made by closing the lips. With it the progression that organises the whole consonant table reaches the front of the mouth, having begun at the soft palate with ka and moved forward through the hard palate, the crown behind the teeth ridge, and the teeth themselves.
The Sanskrit phoneticians named the class oshthya, from the word for lip, and set the labial vowels u and long u in the same articulatory family, so that the correspondence between vowels and consonants made at the same point holds here as it does for the velars and the palatals. That correspondence is not decorative. It is used in the rules, most visibly in the rule that turns u into the labial semivowel va when a dissimilar vowel follows, which is the exact counterpart of the rule turning i into ya. The letter opens a large body of central vocabulary in Sanskrit and in the modern languages, and its written form descends through the Nagari and Siddhamatrika hands from a Brahmi original of the same value, a descent traced through the inscriptional record in Richard Salomon's guide to Indian epigraphy. Sanskrit uses the letter as the first element of the name of its own class, since every varga is named after its first member, so the labial class is referred to by a compound formed on this letter. The convention holds for all five classes and is part of what allows a grammatical rule to identify a group of five sounds in a single word.
The Table Read as a Whole
With the fifth class the twenty-five stops are complete, and it is worth reading the arrangement as a single object rather than as five rows learned one after another. Sanskrit closes the vocal tract at five points. At each point, two independent features, whether the vocal folds vibrate during the closure and whether breath is released after it, generate four stops. At each point there is exactly one possible nasal, made by lowering the soft palate so the air escapes through the nose, and that nasal closes the class. Five places times five members gives twenty-five, with nothing left over and no letter that fails to fit.
What follows in the table is described by different criteria: four semivowels that correspond to four of the vowels, and three sibilants with the breath h, grouped as the sounds made with continuous air rather than a closure. The whole of it is an analysis of the sound system of one language, presented in the order that the analysis implies. That is what makes the varnamala a different kind of object from the Greek, Hebrew and Roman alphabets covered elsewhere in this atlas, whose order preserves an inherited Phoenician sequence and carries no phonetic information at all. It is also why a Sanskrit dictionary is alphabetised by articulation and why a grammatical rule can name a class of sounds in two syllables.
Cross-Tradition Connections
Derived From
Devanagari Pa descends from the Brahmi sign of the same value, through the Gupta and Nagari hands of northern India. The two alphabets align letter for letter because both are laid out in the varnamala order, the arrangement the Sanskrit phoneticians fixed by place of articulation.
Related To
Devanagari Pa and the Gurmukhi letter Pappa answer to the same sound and to the same slot of the varnamala. Gurmukhi descends from Sharada rather than from the Nagari line, so the agreement is inherited from a shared Brahmi ancestor rather than borrowed from Devanagari.
Pappa and the Devanagari letter Pa answer to the same sound and to the same slot of the varnamala. Gurmukhi descends from Sharada rather than from the Nagari line, so the agreement is inherited from a shared Brahmi ancestor rather than borrowed from Devanagari.
Ranjana Pa and Devanagari Pa hold the same position in the inherited varnamala and write the same sound, as separate northern Brahmi descendants rather than as variants of one script. Devanagari is the relative most readers know, so the two charts can be read against each other.
The same letter of the same order in Devanagari. The two scripts are separate descendants of the same late Brahmi stock rather than one being taken from the other, which is why the sound value and the position agree while the shapes do not.
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