Divinity Atlas

Sacred Correspondences
Alphabet Letters

Devanagari Pha फ

Devanagari Letters

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Origin Devanagari forms settle between roughly the seventh and the tenth centuries CE, descending from Brahmi through the Gupta and Nagari hands

Pha is the twenty-second consonant of the varnamala, the voiceless aspirated labial and the second member of the fifth varga. Like tha, its usual romanisation misleads an English reader, who sees a letter pair that spells an f in English words of Greek origin; the Sanskrit sound is a p released with breath, and the language has no f at all. Modern Hindi and other languages written in Devanagari do have an f, borrowed with vocabulary from Persian and Arabic, and they write it with this letter and a dot beneath, one of several dotted letters added to the script for sounds the classical language did not use.

Facts
Origins
Origin Period
Devanagari forms settle between roughly the seventh and the tenth centuries CE, descending from Brahmi through the Gupta and Nagari hands 3Tradition: Indian epigraphy
Place of Origin
Northern India 3Tradition: Indian epigraphy
Origin of the Name
Named by its own sound plus the inherent short a. Devanagari letter names carry no word meaning, unlike the Greek and Semitic names 1Tradition: Sanskrit phonetics of the grammarians
Sense of the Name
The voiceless aspirated labial; a p released with breath, not the f sound its usual English transliteration suggests. 2
Attestation
Meaning in the Attesting Source
Counted among the matrika, the fifty little mothers of the letter-garland; the count belongs to the series, not to this letter alone 4Tradition: Hindu Tantra, the garland of letters
A property of the fifty-letter series. Individual schools assign further correspondences that differ between traditions and are not adopted here.
Identity
Script Type
Consonant sign of a Brahmi-derived abugida; it carries the inherent short a unless a dependent vowel sign is written 1
Position
Twenty-second consonant of the varnamala, second member of the labial class 1Tradition: Sanskrit phonetics of the grammarians
Attributions
Associated Sound
Voiceless aspirated labial stop. It is a p with breath released after it; classical Sanskrit has no f. With a nukta dot the modern languages use the sign for a borrowed f 2Tradition: Sanskrit phonetics of the grammarians
Learn More
Pha: Another Letter Its Romanisation Misrepresents

Pha is the twenty-second consonant of the varnamala, the voiceless aspirated labial and the second member of the fifth varga. Like tha in the dental class, its usual romanisation misleads an English reader, who sees a letter pair that spells an f in English words of Greek origin. The Sanskrit sound is a p released with breath, and classical Sanskrit has no f at all. The scholarly transliteration systems mark aspiration with a following h precisely because they are marking a feature rather than spelling an English sound, and a reader who knows the convention can reconstruct the Devanagari letter from the Latin without ambiguity.

Modern Hindi and the other languages written with Devanagari do have an f, borrowed with vocabulary from Persian and Arabic, and they write it with this letter and a nukta dot beneath. That is one of several such dotted letters added to the script after the classical period for sounds the varnamala had no place for. Whether the dots are written at all varies by publisher and by speaker, since many speakers do not distinguish the borrowed sound from the native one, and Hindi orthography has been argued over on exactly this point for a century.

The Unicode Standard encodes both a combining nukta and a precomposed character for the dotted form of this letter, so the same Hindi word can be represented in two different sequences of codepoints. Software that compares or searches text has to normalise between them first, and a search that does not will fail to match a word against itself.

Sounds the Table Does Not Have

It is worth being explicit about what a phonetic table of one language does when other languages adopt it. The varnamala is an analysis of Sanskrit, and it is complete for Sanskrit: every consonant of the classical language has a place, and there are no places without a sound. When Hindi, Urdu's Devanagari-written registers, Marathi and the rest came to be written with the script, they brought sounds the analysis did not cover, chiefly from Persian and Arabic, and the script accommodated them by marking the nearest existing letter with a dot rather than by adding rows to the table or reordering it. That decision preserved the classical arrangement intact and kept the shared literacy that lets a reader of one Devanagari language sound out a text in another. It also means that the modern script carries a visible boundary between the classical analysis and everything added since, which is unusual and useful.

For this atlas the consequence is a rule about what to record. Each letter's value is its classical value, stated as the grammarians stated it; the modern dotted variants are recorded as modern additions where they exist; and no letter is given a numerical or symbolic value, because the Sanskrit tradition does not assign individual letters such values in the way Hebrew gematria and Greek isopsephy do.

Cross-Tradition Connections

Derived From

Devanagari Pha descends from the Brahmi sign of the same value, through the Gupta and Nagari hands of northern India. The two alphabets align letter for letter because both are laid out in the varnamala order, the arrangement the Sanskrit phoneticians fixed by place of articulation.

Related To

Devanagari Pha and the Gurmukhi letter Phappha answer to the same sound and to the same slot of the varnamala. Gurmukhi descends from Sharada rather than from the Nagari line, so the agreement is inherited from a shared Brahmi ancestor rather than borrowed from Devanagari.

Phappha and the Devanagari letter Pha answer to the same sound and to the same slot of the varnamala. Gurmukhi descends from Sharada rather than from the Nagari line, so the agreement is inherited from a shared Brahmi ancestor rather than borrowed from Devanagari.

Ranjana Pha and Devanagari Pha hold the same position in the inherited varnamala and write the same sound, as separate northern Brahmi descendants rather than as variants of one script. Devanagari is the relative most readers know, so the two charts can be read against each other.

Source The World's Writing SystemsPeter T. Daniels and William Bright (eds.)

The same letter of the same order in Devanagari. The two scripts are separate descendants of the same late Brahmi stock rather than one being taken from the other, which is why the sound value and the position agree while the shapes do not.

Sources
1. The World's Writing Systems
Peter T. Daniels and William Bright (eds.), Oxford University Press, 1996View the Source
2. Sanskrit Grammar, Including Both the Classical Language and the Older Dialects of Veda and Brahmana
William Dwight Whitney, Breitkopf and Hartel, 1889View the Source
3. Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the Other Indo-Aryan Languages
Richard Salomon, Oxford University Press, 1998View the Source
4. Vac: The Concept of the Word in Selected Hindu Tantras
Andre Padoux, State University of New York Press, 1990View the Source
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