Divinity Atlas

Sacred Correspondences
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Southeast

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Southeast blends the growth of east with the warmth of south. In the Later Heaven Bagua it holds the trigram Xun, the Gentle, wind and wood, an image of gradual, penetrating influence that shapes things by persistence rather than force. Its element is wood and its season late spring into early summer, the time of flourishing. Its life area is wealth and abundance, prosperity understood as the ripening fruit of steady growth. Symbolically the wind is soft power, gentle penetration, and the accumulation of fortune through patient, pervasive effort.

Facts
Meaning
Symbolic Meaning
In the Later Heaven Bagua, southeast holds the trigram Xun, the Gentle, wind and wood, an image of gradual, penetrating influence that shapes things by persistence rather than force. Its associated life area in feng shui practice is wealth and abundance. 1Tradition: Later Heaven Bagua (I Ching)
Correspondences
Element Correspondence
Wood 3Tradition: Chinese five-phase (wuxing)
Guardian Figure
Agni 4Tradition: Hinduism (Dikpalas)
Season Correspondence
Late spring, the transition to summer 3
Orientation
Compass Bearing
135 2
Learn More
Southeast, the Intercardinal Quarter

Southeast, a bearing of 135 degrees, holds the trigram Xun, the gentle, wind and wood, in the Later Heaven arrangement, and in Chinese practice it is associated with growth, with gradual influence and, in the popular eight-aspiration scheme used in feng shui, with wealth. In Hindu Vastu the southeast is Agneya, the quarter of Agni, fire, and is the prescribed place for the kitchen and for the hearth, a rule still widely followed in domestic building in India. The correspondence of southeast with fire is one of the clearer cases of a practical reason underlying a symbolic one: in much of the subcontinent the southeast receives strong morning sun and the prevailing wind carries smoke away from the rest of the house. Directional systems of this kind commonly combine an observed convenience with a cosmological justification, and separating the two is not always possible.

In Hindu Vastu Shastra, the dikpala of the southeast is Agni, the Vedic god of fire, and the quarter is accordingly favoured for the kitchen and for anything involving heat or transformation, on the reasoning that placing the cooking fire under fire's own guardian direction avoids conflict between the room's function and its ruling element. In Chinese Bagua cosmology, the corresponding trigram is Xun, the Wind, carrying the Wood phase and associated in Feng Shui applied to interior space with wealth and abundance, an association that has made the southeast corner of a home or office one of the most commonly manipulated quarters in popular Feng Shui practice, hung with symbolic objects intended to attract prosperity. The two traditions' southeast associations, fire and wind respectively, are independent and not equivalent.

The Southeast in Vastu and in the Later Heaven Order

In Vastu Shastra the southeast belongs to Agni, fire, and the consequence is practical rather than decorative: the kitchen is placed in that corner, and where a plan cannot manage it the tradition offers the northwest as the second choice. Anything involving heat, from the hearth to, in modern adaptations of the rules, the electrical supply, is drawn toward the same quarter. The dikpala scheme that produces this places Indra in the east, Yama in the south, Nirriti in the southwest, Varuna in the west, Vayu in the northwest, Kubera in the north and Ishana in the northeast, with Agni holding the southeast between Indra and Yama.

The Chinese Later Heaven arrangement puts the trigram Xun in the southeast, whose attributes are wind and wood and whose season is the turn from late spring into early summer. Xun belongs to the Wood phase, not to Fire, so on this bearing the two systems assign incompatible elements. Neither is wrong within its own scheme, and the disagreement is a reminder that these are separate cosmologies rather than regional dialects of one.

The Greek wind rose named this quarter for Eurus, and the Tower of the Winds in Athens carries a figure for it among its eight sides. That building is the clearest surviving evidence that an eight-point division of the horizon, complete with personified quarters, was in use in the Mediterranean well before the medieval compass rose reached the same number by a different route.

Cross-Tradition Connections

Associated With

Dui, Bagua Trigrams

In the Earlier Heaven arrangement of the eight trigrams, Dui the Joyous stands in the southeast. The Later Heaven arrangement puts Xun there. The two schemes are not variants of one tradition to be reconciled; they answer different questions and are used for different purposes.

On the twenty-four Mountain ring of the luopan the fifteen degrees centred on due southeast is the mountain Xun, named for the trigram the Later Heaven arrangement sets there. A mountain is a fifteen degree band, not a point, which is why feng shui readings are sensitive to a few degrees of bearing.

Sources
1. The I Ching, or Book of Changes
Richard Wilhelm (trans.); Cary F. Baynes (English trans.), Princeton University Press, 1980the trigram Xun, the gentleView the Source
2. The American Practical Navigator (Bowditch)
Nathaniel Bowditch; National Geospatial-Intelligence Agency, National Geospatial-Intelligence Agency (NGA), 2019The compass rose (32-point system)View the Source
3. A Dictionary of Chinese Symbols: Hidden Symbols in Chinese Life and Thought
Wolfram Eberhard, Routledge, 1986s.v. "eight trigrams" (Xun)View the Source
4. Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005s.v. Agni, and the placing of the hearthView the Source
Fathoming the Cosmos and Ordering the World: The Yijing (I Ching, or Classic of Changes) and Its Evolution in China
Richard J. Smith, University of Virginia Press, 2008View the Source
The Living Earth Manual of Feng-Shui: Chinese Geomancy
Stephen Skinner, Arkana/Penguin, 1982View the Source
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