Divinity Atlas

Sacred Correspondences
Human Design Channels

Channel of Discovery

G/Identity and Sacral

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Origin 1987

Joins the Sacral to the G or Identity centre, carrying Gate 29 and Gate 46. The hexagrams are the twenty-ninth, The Abysmal, water, the doubled danger through which one goes by keeping faith and moving; and the forty-sixth, Pushing Upward, on gradual ascent through effort that meets no resistance. Human Design reads the pair as saying yes and discovering where the commitment leads, and it warns that the yes should come from the body rather than the mind. That distinction between response and decision is the system's central practical claim.

Facts
Origins
Origin Period
1987 2Tradition: Human Design (Ra Uru Hu, 1987)
Origin Period
Channel of Discovery, connecting Gate 29 and Gate 46, is one of the thirty-six channels of the Human Design system, synthesized in 1987 out of the I Ching, the chakra teaching, Kabbalah and astrology. 2
Contested Use
Contested or Appropriated Modern Use
The I Ching of China, the chakra teaching of India, Kabbalah and astrology are drawn on here inside a scheme assembled in 1987 and offered as an instrument of psychological counselling. The four traditions it draws on are old; the arrangement that joins them is not, and none of them produced it. 2
Correspondences
Gate PairSourced to the subject's own account
Gate 29 and Gate 46 1
Connects CentersSourced to the subject's own account
Sacral to G/Identity 1
I Ching CorrespondenceSourced to the subject's own account
Hexagram 29 (The Abysmal) and Hexagram 46 (Pushing Upward) 1
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The Channel in the Human Design Bodygraph

The Channel of Discovery (29-46) is one of the thirty-six channels of the Human Design bodygraph, a system originated in 1987 by Ra Uru Hu and described here as a modern esoteric framework rather than an ancient tradition. A channel is a defined pathway joining the Sacral centre and the G/Identity centre, and it is completed by two gates: Gate 29 ("Committed Perseverance") and Gate 46 ("Love Of The Body"), whose numbers come from the King Wen sequence of the I Ching. The channel idea and its Tree-of-Life-style pathways, the gates' I Ching numbering, and the centres' chakra roots were combined for the first time in the 1980s; the channel is part of that composite, presented as the system's own model, not as verified fact.

In the system's own account, the Sacral centre carries life force and work energy, read as the body's own generator and its yes or no gut response, and the G/Identity centre carries a sense of self, direction and love, read as the seat of identity in the model; the channel is read as a direct circuit between those two functions whenever both gates are defined in the same chart.

The same two numbers appear elsewhere in this atlas as Gene Keys 29 and 46, Richard Rudd's later, contemplative reading of the identical hexagram pair. Gene Key 29 runs from the Shadow of Half Heartedness through the Gift of Commitment to the Siddhi of Devotion; Gene Key 46 runs from Seriousness through Delight to Ecstasy. Rudd's system drops the bodygraph and its channels entirely, so this particular pairing is a Human Design structure only, with no equivalent in his contemplative method.

The Two Hexagrams Behind the Gates

The Channel of Discovery joins the Sacral centre to the G/Identity centre through Gates 29 and 46, and both of those numbers are borrowed. They are positions in the King Wen sequence of the I Ching, the Chinese divinatory classic whose sixty-four hexagrams Human Design maps one to one onto the sixty-four gates of its bodygraph. Read as I Ching rather than as Human Design, the two numbers name two independent oracle texts.

Hexagram 29, The Abysmal (Kan). Water doubled, the ravine repeated. It is danger met twice over, and the counsel of water itself: sincerity that keeps flowing, filling every hollow on its way, passing through without being changed.

Hexagram 46, Pushing Upward (Sheng). Wood growing upward within the earth. It is unforced ascent, effort that rises step by step the way a tree does, invisible at first and then established.

The I Ching itself never sets these two hexagrams in a pair. Each stands alone in the sequence, consulted about a changing situation and answered in counsel that passes. The pairing is a construction of Ra Uru Hu's system, published from 1987, which fixes each hexagram to a position in a birth chart and reads the joined pair as a lasting trait of the person. The correspondence of number is real, and both hexagrams can be followed into their own entries in this atlas; the pairing, and the character read out of it, belong to the modern system alone.

Cross-Tradition Connections

Corresponds To

Channel of Discovery bridges Hexagram 29, The Abysmal, and Hexagram 46, Pushing Upward, per its own iching-correspondence fact; this edge names the 46 side.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Channel of Discovery bridges Hexagram 29, The Abysmal, and Hexagram 46, Pushing Upward, per its own iching-correspondence fact; this edge names the 29 side.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Disciplines That Use This

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Sources
1. The Human Design System
Ra Uru Hu (Alan Robert Krakower), Human Design America, 1992The channels of the bodygraph
Quote, The channels of the bodygraph
The pairing of two hexagram numbers into a channel, the centres it connects and the meaning assigned to it are all Ra Uru Hu's construction, dating from 1987 and published in 1992. None of it is present in the Chinese source.
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2. Über den Tellerrand, ein Blick ins Human Design System (HDS)
Petra Stute, Virineya Würgler and Johnny Würgler, Springer, Journal für Gynäkologische Endokrinologie/Schweiz 24 (2021), pp. 50-51, 2021p. 50: the four systems synthesised, and the use made of the synthesisView the Source
The I Ching, or Book of Changes
Richard Wilhelm (trans.); Cary F. Baynes (English trans.), Princeton University Press, 1980The hexagram at each end of the channel
Quote, The hexagram at each end of the channel
The classical judgement and image of the two hexagrams whose numbers the channel carries, given here to keep the ancient text distinct from the modern reading placed on it.
View the Source
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