Divinity Atlas

Sacred Correspondences
I Ching Hexagrams

The Receptive

KWEN
Also Known As Receptive
Kun

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Origin 1000 BCE to 350 BCE

King Wen hexagram 2, The Receptive (Kun), is the Earth doubled over the Earth, six broken yin lines, the perfect complement to the Creative. It represents the receptive, yielding, devoted power of earth, which receives the initiating force of heaven and gives it form, carrying and nourishing all things. Its Judgment promises sublime success through the perseverance of a mare, an image of strength joined to gentle devotion; it counsels that if the superior person undertakes something and tries to lead, they go astray, but if they follow, they find guidance; the southwest, where one gains friends, furthers, and quiet perseverance brings good fortune. Its Image counsels the superior person to carry the outer world with the breadth of their nature, as the earth in its generosity bears all things. As a reading it favors receptivity, service, and devoted support, teaching one to follow rather than force and to accomplish through yielding strength.

Facts
Origins
Origin Period
1000 BCE to 350 BCE 1Tradition: Zhou Yi, the Western Zhou divination core
Origin Period
1924 to 1950 2Tradition: Wilhelm-Baynes I Ching (1950)
Origin Period
400 BCE to 100 BCE 3Tradition: Zhou Yi and the Ten Wings
Origin Period
This hexagram's dating spans three distinct historical layers: the divinatory judgment text of the Zhouyi core, composed in the early Western Zhou around 1000 BCE and recovered in the Mawangdui silk manuscripts; the Ten Wings commentary tradition that gave the hexagrams their later philosophical reading, compiled across the Warring States and Han periods by around 400 BCE; and the English title used here, coined in Richard Wilhelm's 1924 German translation and carried into English by Cary Baynes. 2
Attributed Author / Compiler
By tradition: the hexagram statements to King Wen of Zhou, the line statements to the Duke of Zhou, and the Ten Wings to Confucius. 3Tradition: Zhou Yi and the Ten Wings
Attributed Author / Compiler
No named author. The core is a Western Zhou compilation with no compiler on record, and the ascription of the Ten Wings to Confucius was already being questioned inside the Chinese tradition by the eleventh century and is defended by no current scholarship. 3
Language
Classical Chinese 4
Attestation
Meaning in the Attesting Source
The line texts read as ordinary Bronze Age matter: frost underfoot, a bag tied shut, a field, and at the top dragons fighting in the wilderness with yellow and black blood. Nothing in them ranks this figure below the first, and none of it is gentle. 4Tradition: Zhou Yi, the Western Zhou divination core
Meaning in the Attesting Source
The Receptive: success through the perseverance of a mare; one who tries to lead goes astray, one who follows finds guidance. The devoted and yielding reading that reaches English readers is Wilhelm reading the text through the later Confucian commentators. 5Tradition: Wilhelm-Baynes I Ching (1950)
Identity
King Wen Number
1
Native Name
Kun 1
Attributions
Trigram Pairing
Earth over Earth 1
Order
Position in the Sequence
2Tradition: King Wen sequence, the received order
Position in the Sequence
64 2Tradition: Xiantian (Earlier Heaven) arrangement of Shao Yong
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The Pair That Generates Everything Else

The second hexagram is six broken lines, the exact inverse of the first, and the relationship between the two is the structural foundation of the entire book. Every other hexagram is a mixture; these two are the poles the mixtures are made from.

Its judgement, in Wilhelm's rendering, promises success through the perseverance of a mare, counsels that one who tries to lead will go astray and one who follows will find guidance, and gives directions, the southwest furthers, the northeast means losing friends. Those compass directions are among the clearest signs of the text's origins: they are practical instructions to somebody about to make a journey, not metaphors, and they belong to the oldest divinatory stratum.

The mare is worth pausing on. It is not a passive animal. A mare is strong, and the image is of strength that carries rather than strength that initiates, which is a considerably more interesting proposition than the word "receptive" suggests in English. Translations that render the hexagram's name as Yielding, Responding, or simply Earth, all catch something Wilhelm's Receptive does not.

Like the first hexagram this one carries an extra statement, "use six", applying when all six lines change and the figure becomes its opposite. Wilhelm reads it as lasting perseverance furthering. What that instruction is actually for is not stated in the text and has been disputed since the Han period.

The convention of reading this hexagram as the complement of the first rather than as its inferior is worth defending. Nothing in the line texts ranks them, and the sequence puts them together precisely because neither functions without the other.

The Trouble with Reading Yin as Feminine

The second hexagram attracts more interpretive baggage than any other, and most of it is imported.

The received English presentation, receptive, devoted, yielding, maternal, and by easy extension feminine, comes to most readers through Wilhelm, and Wilhelm was reading the text through the later Confucian commentarial tradition and through the assumptions of a European scholar writing in the 1920s. The correspondence of yin with the feminine is genuinely present in Chinese thought, but the moral weighting that arrives with it in English translation, in which the hexagram becomes a lesson about the virtue of not leading, is considerably heavier in the translation than in the source.

Legge's 1882 version, which is stiffer and less quotable, is in some respects more careful here because he translates the core text and the commentaries separately and marks which is which. Later translators working from the excavated manuscripts have gone further, treating the line texts as records of ordinary Bronze Age concerns: frost underfoot, a bag tied shut, a field, a dragon fighting in the wilderness with yellow and black blood.

That last line, the sixth, is worth citing against any reading of this hexagram as gentle. Dragons fighting in the open country until their blood runs yellow and black is not an image of devoted service. It is what happens when the yielding principle is pushed to its limit, and the text puts it at the top of the figure without comment or consolation. Readers who have only met this hexagram through its keywords are usually surprised to find it there.

Cross-Tradition Connections

Corresponds To

Channel of The Beat bridges Hexagram 2, The Receptive, and Hexagram 14, Great Possession, per its own iching-correspondence fact; this edge names the 2 side.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Gene Key 2, From Dislocation to Unity, corresponds to Hexagram 2, The Receptive, per its own iching-correspondence fact.

Human Design Gate 2, Receptive Direction, corresponds to Hexagram 2, The Receptive, per its own iching-correspondence fact.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Disciplines That Use This

I Ching, Disciplines

The sixty four hexagrams of the Zhou Yi.

Source Zhouyi: The Book of ChangesRichard Rutt (trans.)

Originates in Language

Source Zhouyi: The Book of ChangesRichard Rutt (trans.)

Reached by Changing Lines

Sources
1. I Ching: The Classic of Changes, translated with an introduction and commentary, the first English translation of the newly discovered second-century BC Mawangdui texts
Edward L. Shaughnessy (trans.), Ballantine Books, 1996On the dating and composition of the Zhou Yi core
2. Fathoming the Cosmos and Ordering the World: The Yijing (I Ching, or Classic of Changes) and Its Evolution in China
Richard J. Smith, University of Virginia Press, 2008On Shao Yong's xiantian ordering of the sixty-four hexagramsView the Source
3. The Five "Confucian" Classics
Michael Nylan, Yale University Press, 2001On the authorship question and the critique of the traditional ascriptionsView the Source
4. Zhouyi: The Book of Changes
Richard Rutt (trans.), Curzon Press, 1996On the line texts of hexagram 2 read as omen materialView the Source
5. The I Ching, or Book of Changes
Richard Wilhelm (trans.); Cary F. Baynes (English trans.), Princeton University Press, 1980Hexagram 2, the Judgement, the mare, and the compass directionsView the Source
The Sacred Books of the East, Volume XVI: The Yi King
James Legge (trans.), Clarendon Press, Oxford, 1882Legge's rendering of the second hexagramView the Source

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