Divinity Atlas

Sacred Correspondences
Plants

Ash

Trees

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Ash, a tree, is ruled by the Sun in Culpeper's herbalism, warming, vitalising, and heart-strengthening. The ash is the world-tree of the North, the great Yggdrasil whose roots and crown bind the nine worlds together, and from an ash the god Odin fashioned Ask, the first man. Its straight, tough, springy wood armed the spear and the arrow-shaft of Norse and Greek alike, so that it stands for the warrior and for the axis of the cosmos. Culpeper used the keys and bark to open the liver and spleen, to slim the body, and against the biting of adders, which the ash was said to abhor. A child passed through a split ash was cured of rupture, and its wood was carried to ward off serpents and drowning. A tree of the cosmic axis and of strength, sacred to the Sun and to Odin.

Facts
Attributions
Ruling Planet
Sun 1Tradition: Culpeper
Ruling Deity
Odin: the ash Yggdrasil is the world tree binding the nine worlds in Norse cosmology, and Odin shaped the first man, Ask, from an ash tree. 2Tradition: Norse mythology
Temperament
Warming, vitalising, and heart-strengthening 1
Traditional Ailments
Keys and bark used to open the liver and spleen 1
Origins
Botanical Identification
Fraxinus, family Oleaceae, the olive family 4
Origin of the Name
Old English aesc, a Germanic tree-word that also named the rune for the letter and supplied the wood for spear shafts. 5
Origin Region
Europe and western Asia 4
Correspondences
Element Correspondence
Fire 3Tradition: Cunningham
Meaning
Themes
Protection, prosperity, and health 3Tradition: Cunningham
Learn More
The World-Tree of the North

The ash, Fraxinus excelsior, is a tall, tough, straight-grained tree, and in Norse cosmology it is the frame of the cosmos itself: Yggdrasil, the world-tree that binds the nine worlds, is named an ash in the Prose Edda, its roots and branches holding heaven, earth and the underworld together, with a well of wisdom beneath it and Odin hanging on it to win the runes. The same tradition makes the ash the origin of humanity, the first man, Askr, whose name simply means ash, was made from a piece of ash-wood found on the shore by the gods, as the first woman Embla was made from another tree.

European ash populations now face a genuine modern crisis: ash dieback, a fungal disease caused by Hymenoscyphus fraxineus and first identified spreading through Europe in the early 1990s before reaching Britain around 2012, has killed a large proportion of the continent's ash trees and is expected to kill the great majority of those remaining, a disaster on a scale that threatens to remove the very tree that stood, in Norse cosmology, at the centre of the world. Conservationists now watch for a small proportion of naturally resistant trees in the hope of eventually breeding a disease-tolerant ash back into the landscape.

The Spear, and the Sun

The ash's cosmic role rests on the real qualities of its timber, which is exceptionally strong, straight and shock-absorbing, the standard wood for spear-shafts, tool handles and, later, oars and aircraft frames. Odin's spear Gungnir and the ash-spears of Homeric heroes reflect this: the weapon-tree and the world-tree are the same tree seen two ways. Culpeper, working in the quite separate framework of astrological herbalism, assigns the ash to the Sun, and used its keys and bark in his remedies. The through-line from a tough, useful, fast-growing hardwood to a cosmic axis and a source of humankind is the familiar pattern, a genuinely important tree gathering the largest meanings a culture had to give.

That same shock-absorbing strength keeps ash in demand today for specialised sporting equipment: it remains the traditional wood for the hurley used in Irish hurling and was for generations the standard timber for baseball bats and tennis rackets before other materials largely replaced it, a modern sporting afterlife of exactly the mechanical toughness that once made the wood fit for spear-shafts and a cosmic axis alike. Ash timber's reputation for combining strength with flexibility rather than rigidity is precisely why it resists the sudden shock of a swung bat or a thrown spear alike without shattering, a single mechanical property running unbroken from Homeric battle to the modern sports field.

Cross-Tradition Connections

Namesake Of

The Ash sign of the modern Celtic tree calendar is named for the ash; the calendar itself is a twentieth-century construction popularised from Robert Graves, as Hutton documents.

Ritually Used In

Source A Modern HerbalMaud Grieve

Used in Practice

Source A Modern HerbalMaud Grieve
Sources
1. The English Physitian: or an Astrologo-Physical Discourse of the Vulgar Herbs of this Nation
Nicholas Culpeper, Peter Cole, London, 1652View the Source
2. The Prose Edda
Snorri Sturluson, The American-Scandinavian Foundation, 1916on Yggdrasil the world-ash and Askr the first manView the Source
2. The Prose Edda
Snorri Sturluson, The American-Scandinavian Foundation, 1916Gylfaginning, on Yggdrasil the world-ash and the making of AskView the Source
3. Cunningham's Encyclopedia of Magical Herbs
Scott Cunningham, Llewellyn Publications, 1985View the Source
4. Plants of the World Online
Royal Botanic Gardens, Kew, Royal Botanic Gardens, KewView the Source
5. The Oxford English Dictionary, 3rd edition
Oxford University Press, Oxford University Pressash, n.1View the Source
Complete Herbal
Nicholas Culpeper, Foulsham, 1880Complete Herbal (1653), on the AshView the Source
Complete Herbal
Nicholas Culpeper, Foulsham, 1880Complete Herbal (1653), ash under the SunView the Source
A Modern Herbal
Maud Grieve, Dover Publications, 1931View the Source
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