Divinity Atlas

Sacred Correspondences
Tarot

Page of Cups

Minor Arcana

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Rider-Waite-Smith
Visconti-Sforza
Tarot de Marseille
Thoth

The Page of Cups is the earthy, apprentice aspect of Water, the student and messenger of the suit. In the Rider-Waite-Smith image a young person in a flowered tunic stands by the sea, gazing in surprise at a fish that has popped its head out of the cup in his hand. As a person the Page is gentle, imaginative, sensitive, and open-hearted; as a message he brings surprising feelings, creative inspiration, or tender news. Upright he means intuition, sweetness, artistic beginnings, and emotional openness; reversed he warns of moodiness, emotional immaturity, escapism, or feelings that overwhelm.

Facts
Identity
Arcana
Minor, court 1
Suit
Cups 1
Element
Water 1
Rank
Page 1
Across the Decks
Rider-Waite-SmithSourced to the subject's own account
Page of Cups 2
MarseilleSourced to the subject's own account
Valet de Coupes 3
ThothSourced to the subject's own account
Princess of Cups 4
Attributions
Golden Dawn TitleSourced to the subject's own account
The Princess of the Waters 5
Elemental PairingSourced to the subject's own account
Earth of Water 5
Reading Keys
UprightSourced to the subject's own account
Emotional sensitivity, intuition, creative beginnings 2
ReversedSourced to the subject's own account
Emotional immaturity, insecurity, escapism 2
Learn More
The Card and Its Imagery

Within Waite's four-rank court, the Page is the water suit's junior figure; in the Golden Dawn's Knight, Queen, Prince, Princess restructuring the Thoth deck follows, the equivalent rank is the Princess of Cups, assigned the elemental pairing Earth of Water, feeling given the most grounded and least active of the suit's four expressions. Unlike the King, Queen and Knight, whose Golden Dawn equivalents each rule a thirty-degree zodiacal span, the Princess ranks carry no decanic attribution at all; Book T instead completes the suit's elemental matrix through them, earth crossed with each of the four elements across the deck's sixteen court cards, water's contribution to that matrix being feeling grounded into a concrete, apprentice form.

Pamela Colman Smith's picture, a young figure in a flowered tunic standing by the sea, gazing in evident surprise at a fish that has popped its head from the cup in his hand, has no equivalent in the Tarot de Marseille, whose Valet de Coupes is a static heraldic figure holding a cup with no sea, fish or expression of surprise at all; the fish itself, alive and looking back, is one of the more startling single details Smith gave any court card in the deck.

Crowley's Thoth card keeps the Golden Dawn name Princess of Cups, rendering her holding a cup from which a turtle emerges rather than Smith's fish, a comparable image of unexpected life surfacing from stillness, worked in Harris's more overtly emblematic style.

Reading the Card

Upright the Page of Cups is read as emotional sensitivity, intuition and the earliest stirrings of a creative or feeling-led beginning; reversed, as emotional immaturity, insecurity, or an escapism that avoids feeling rather than exploring it.

As a court card the Page carries the deck's double reading, standing for a person, generally young or young in this particular capacity, or for an influence entering a situation rather than any specific individual; readers commonly use the fish popping from the cup as the visual key to which reading applies, a surprising message arriving from feeling itself rather than from circumstance.

Waite's own printed meaning, a studious youth, one who gives news, is generally messenger imagery, close to how Page cards function across all four suits in his system; the more purely dispositional reading, sensitivity and openness as a personality trait rather than as a message received, is a later broadening consistent with how court cards generally have been reinterpreted across the twentieth century.

Because the Princess ranks carry no zodiacal decan of their own, unlike the King, Queen and Knight above them, some commentators read this as reinforcing the Page's traditional status as the least fixed, most provisional of the court, feeling still finding its form rather than already given one.

Cross-Tradition Connections

Associated With

Sources
1. The Game of Tarot: From Ferrara to Salt Lake City
Michael Dummett, Duckworth, 1980Part I, on the standard patterns and the regional trump ordersView the Source
2. The Pictorial Key to the Tarot
Arthur Edward Waite, William Rider & Son, 1910The Pictorial Key to the Tarot, on the cards and their meaningsView the Source
3. Le Tarot de Marseille
Paul Marteau, B.-P. Grimaud, 1930Le Tarot de Marseille, on the card titles of the standard pattern
4. The Book of Thoth
Aleister Crowley, Samuel Weiser Inc, 1944The Book of Thoth, on the titles of the seventy-eight cardsView the Source
5. The Golden Dawn: The Original Account of the Teachings, Rites, and Ceremonies of the Hermetic Order of the Golden Dawn, 6th edition
Israel Regardie, Llewellyn, 1989Book T and the tables of correspondenceView the Source
Pamela Colman Smith: The Untold Story
Stuart R. Kaplan, with Mary K. Greer, Elizabeth Foley O'Connor and Melinda Boyd Parsons, U.S. Games Systems, 2018Catalogue of the 1909 Rider deck drawings, s.v. Page of CupsView the Source
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