Younger Futhark Runes
Bjarkan
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Origin 1200 to 1300
Rune 13 of the sixteen-rune Younger Futhark, the reduced row used across Viking-age Scandinavia and on the great majority of surviving runestones; sound value b. The Norwegian poem calls the birch greenest of leaved shrubs and, unexpectedly, notes Loki was fortunate in his deceit; the Icelandic poem instead stays with the tree itself, a leafy twig, a small tree and youthful wood.
Facts
Origins
Origin Period1200 to 1300 2Tradition: Norwegian Rune Poem Origin Period1400 to 1500 2Tradition: Icelandic Rune Poem Origin Period700 to 1200 CE 1Tradition: Younger Futhark inscriptions in Scandinavia Place of OriginScandinavia, where the reduced sixteen-rune row replaced the Elder Futhark through the eighth century and became the script of the Viking age 1 Place of OriginThe two poems that give the runes their names are Norwegian and Icelandic, so the names come from the western Norse area rather than from Sweden and Denmark, where most surviving runestones stand 3 Origin of the NameOld Norse bjarkan, the birch, an inflected form of the word bjork. It is cognate with the Old English beorc. 2 Attributions
Associated Sound Contested Use
Contested or Appropriated Modern UseThis sixteen-rune row, and not the Elder Futhark, is the base from which Guido von List built the eighteen-character Armanen set in 1902, claiming it from the eighteen spells of the Havamal. The Armanen characters and their readings were taken up in Nazi Germany and remain in far-right use. They are a modern construction and no Armanen reading is attested for this rune. 4 Attestation
Meaning in the Attesting SourceThe birch; Norwegian poem unexpectedly invokes Loki's fortunate deceit, Icelandic poem stays with the tree itself 2 Learn More
Bjarkan Across the Norwegian and Icelandic Poems
Bjarkan's two stanzas open on the same botanical image, the birch as greenest of leaved shrubs in the Norwegian poem's phrasing, matching the Old English Beorc stanza's own admiration for the tree's vigorous growth, but the Norwegian poem then takes a genuinely surprising turn, closing with a line noting that Loki was fortunate in his deceit, an allusion to the trickster god of Norse mythology whose schemes, in the wider mythological corpus, sometimes succeeded and sometimes brought disaster on the gods, most catastrophically in his role in Baldr's death, a connection between a modest tree and one of Norse mythology's most consequential and morally ambiguous figures that the stanza offers without explanation.
The Icelandic poem takes the more restrained route, staying entirely with the tree itself across its whole stanza, a leafy twig, a small tree and youthful wood, an image of modest, unassuming growth with none of the Norwegian poem's mythological detour. Dickins' 1915 edition notes the Loki reference as one of the more genuinely puzzling allusions in either poem, since no other surviving source directly connects Loki to the birch or to bjarkan specifically, leaving the association's original logic, whatever it was, effectively lost to the modern reader.
Bjarkan and the Sixteen-Rune Reduction
Bjarkan is the thirteenth of the sixteen Younger Futhark runes, descending from Berkano, the Elder Futhark's own eighteenth rune, its core meaning of the birch tree carried forward closely, matching the same stability the Old English Beorc shows relative to its own Elder Futhark ancestor, botanical images generally surviving reinterpretation better across every runic tradition this survey has covered than more abstract concepts such as Ur's dross or drizzle.
Barnes' handbook notes Bjarkan's sound value b as absorbing, like several of the row's other consonants, both the voiced b and unvoiced p sounds of Old Norse, a single sign covering a phonetic pair the spoken language kept distinct, the same pattern of deliberate economy already noted for Kaun's k and g, and Tyr's t and d. Bjarkan's position thirteenth of sixteen places it within the row's final third, following Tyr and preceding only Madr, Lögr and Yr before the sixteen rune sequence closes. Barnes notes that Bjarkan's continued botanical reading across every runic tradition surveyed here, alongside Isa's ice and Sol's sun, places it among the small group of Younger Futhark signs whose Elder Futhark meaning needed essentially no reinterpretation at all to remain current for a medieval Norwegian or Icelandic audience centuries later.
Cross-Tradition Connections
Attested In
Contained In
One of the sixteen characters of the Younger Futhark.
Derived From
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