Divinity Atlas

Sacred Correspondences
Younger Futhark Runes

Ísa

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Origin 1200 to 1300

Rune 9 of the sixteen-rune Younger Futhark, the reduced row used across Viking-age Scandinavia and on the great majority of surviving runestones; sound value i. The Norwegian poem calls ice the broad bridge and notes the blind must be led across it; the Icelandic poem instead names ice bark of the rivers, roof of the wave and, starkly, destruction of doomed men, a considerably harder reading of the same substance.

Facts
Origins
Origin Period
1200 to 1300 2Tradition: Norwegian Rune Poem
Origin Period
1400 to 1500 2Tradition: Icelandic Rune Poem
Origin Period
700 to 1200 CE 1Tradition: Younger Futhark inscriptions in Scandinavia
Place of Origin
Scandinavia, where the reduced sixteen-rune row replaced the Elder Futhark through the eighth century and became the script of the Viking age 1
Place of Origin
The two poems that give the runes their names are Norwegian and Icelandic, so the names come from the western Norse area rather than from Sweden and Denmark, where most surviving runestones stand 3
Origin of the Name
Old Norse iss, ice, appearing in the rune-lists in the form isa. It is cognate with the Old English is. 2
Language
Old Norse 1
Attributions
Associated Sound
1
Contested Use
Contested or Appropriated Modern Use
This sixteen-rune row, and not the Elder Futhark, is the base from which Guido von List built the eighteen-character Armanen set in 1902, claiming it from the eighteen spells of the Havamal. The Armanen characters and their readings were taken up in Nazi Germany and remain in far-right use. They are a modern construction and no Armanen reading is attested for this rune. 4
Identity
Position
Rune 9 of 16 1
Aett
Hagall's Aett 1
Attestation
Meaning in the Attesting Source
Ice; Norwegian poem calls it the broad bridge, Icelandic poem calls it destruction of doomed men 2
Learn More
Isa Across the Norwegian and Icelandic Poems

Isa's two stanzas both take ice as their subject but read its danger quite differently in degree: the Norwegian poem calls ice the broad bridge, a genuinely useful image of frozen water making a crossing possible that open water would otherwise prevent, and adds only the gentler caution that the blind must be led across it, hazard present but manageable with care.

The Icelandic poem reads considerably harder, naming ice the bark of rivers and the roof of the wave, vivid images consistent with the Norwegian poem's own bridge like reading, but then closes with destruction of doomed men, a stark, fatalistic line with no equivalent softening in the Norwegian text, ice here read as an active danger to those already marked for death rather than a hazard the merely careless might avoid. This shift from a cautiously useful bridge to an instrument of a doomed man's destruction gives Isa one of the more pronounced differences in tone, rather than in subject, between the two poems, both agreeing on what ice is while disagreeing sharply on how dangerous it should be read as being. Dickins' 1915 edition notes this kind of shift in emotional register, shared subject read at different intensities, as at least as common between the two poems as an outright disagreement on subject such as Ur or Ass show.

Isa and the Sixteen-Rune Reduction

Isa is the ninth of the sixteen Younger Futhark runes, descending from Isa, the Elder Futhark's own eleventh rune, its name and sound value i carried forward essentially unchanged across the reduction, one of the row's simpler and more stable continuities, the physical phenomenon of ice requiring no reinterpretation to remain intelligible across any of the three surviving runic traditions this survey has covered.

Barnes' handbook notes Isa's single vertical stroke letterform as identical, or very nearly so, across the Elder Futhark, the futhorc and the Younger Futhark alike, one of very few Younger Futhark signs that required no adaptation at all from its Elder Futhark ancestor's shape to remain legible within the newer, more economical sixteen sign system. Isa's position ninth of sixteen places it just past the reduced row's midpoint, following the same general sequence of runes, Fe through Naudr, that both the Elder Futhark and the Younger Futhark share in their opening stretch before the two rows diverge more noticeably in their remaining signs. Barnes notes that Isa's consistent reading across every runic tradition surveyed here makes it one of the more reliable anchors for comparative runology generally, a fixed point against which the more drifting readings of runes such as Ur or Ass can be measured and described.

Cross-Tradition Connections

Attested In

Old Norse, Languages
Source Runes: A HandbookMichael P. Barnes

Contained In

One of the sixteen characters of the Younger Futhark.

Derived From

Isa, Runes
Source Runes: A HandbookMichael P. Barnes
Sources
1. Runes: A Handbook
Michael P. Barnes, The Boydell Press, 2012View the Source
2. Runic and Heroic Poems of the Old Teutonic Peoples
Bruce Dickins (ed. and trans.), Cambridge University Press, 1915View the Source
3. Norwegian Runes and Runic Inscriptions
Terje Spurkland; Betsy van der Hoek (trans.), Boydell Press, 2005
4. The Science of the Swastika
Bernard Mees, Central European University Press, 2008

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