Rose sits under Venus and Water in the Western table for love and beauty. Two much older devotional uses run alongside that reading and owe it nothing, one Christian, one Islamic, and both treat the flower as sacred rather than romantic.
In Sufi poetry and practice the rose is a recurring image of divine beauty and longing, standing not for romantic love between people but for the soul's longing toward the divine, a symbolic use running through centuries of Persian and Arabic devotional verse. Rose water itself is sprinkled at shrines and over graves in Islamic practice, and is used in the ritual care of the Prophet's mosque at Medina, a use closer to sanctification than to scent for its own sake.
Christian Marian devotion reads the same flower in a different key: the rose without thorns is a standing image of Mary's purity, understood as the one rose untouched by the thorn of original sin, a theological reading with no equivalent in the flower's use as a love-incense.
Both readings depend on the same production chain that supplies the perfume trade. Rosa damascena, the damask rose, is grown at industrial scale in Bulgaria's Rose Valley and in Turkey and Iran, and its oil, attar or otto of rose, is extracted by steam distillation, a Persian-rooted technique refined over centuries; a kilogram of oil can take several tonnes of petals, so devotion and perfumery have always drawn on the same scarce harvest.