Divinity Atlas

Sacred Correspondences
Deities

Kali

KAH-lee
Also Known As Dakshina Kali (Sanskrit) The atlas already held this goddess under another name and did not answer to the name the ten are listed under.
Hindu Deities

Citation Formats

General Reference

APA Style

BibTeX

Kali is the Goddess as time and death, black or dark blue, garlanded with severed heads, skirted with arms, tongue out, standing on the body of Shiva. She emerges in the Devi Mahatmya from the forehead of the angry Goddess and drinks the blood of Raktabija before it can touch the ground. To her devotees the terror is the point and not an embarrassment: she destroys the ego and the fear of death, and is addressed as Ma, mother. Her worship is strongest in Bengal, Assam and Kerala, with Kalighat and Dakshineswar as its great centres and Ramakrishna and the poet Ramprasad Sen as its best-known voices. Colonial writing made her an emblem of Indian savagery, a reading her devotees do not recognise.

Facts
Cult
Principal Cult Centre
Kalighat and Dakshineswar in Kolkata 1
Attributes and Iconography
Black or dark blue, with her tongue out 1
Attributes and Iconography
Holding a sword and a severed head, standing on Shiva 1
Attributes and Iconography
Wearing a garland of severed heads and a girdle of arms 1
Worship and Practice
Kali is worshipped widely in Bengal, where the autumn festival of Kali Puja follows Durga Puja, and animal sacrifice historically accompanied her temple worship at sites such as Kalighat in Kolkata. 1
Function
Domain / Function
Death 1
Domain / Function
Fate and time 1
Domain / Function
Protection and guardianship 1
Domain / Function
Destruction and dissolution 1
Identity
Gender
Female 1
Origins
Origin of the Name
Kali's name is the feminine form of kala, time, and by extension death; later Tantric literature reads her name as declaring that she devours time itself. 1
Attributions
Mythic Association
The Devi Mahatmya recounts Kali springing from the fury of Durga to destroy the demons Chanda and Munda and then the demon Raktabija, whose spilled blood bred new demons until Kali drank it before it touched the ground. 1
Attestation
Era of Attestation
550 to 2026 CE 1
Veneration Today
Actively venerated in a living tradition 1
Historicity
Legendary: known from narrative tradition, not the historical record 1
Belief
Theology
Monistic: one ultimate reality behind all appearance 1
Learn More
The Terror Is Not a Misunderstanding

Kali is black or dark blue, her tongue out, garlanded with severed heads and skirted with severed arms, standing on the white body of Shiva with her foot on his chest. Nothing about this iconography is a misreading in need of correction. Her devotees see what is there, and they call her Ma, mother.

She appears in the Devi Mahatmya from the forehead of the enraged Goddess, and her decisive act is against Raktabija, a demon each of whose fallen blood-drops becomes a new demon on touching the ground. The problem is one of multiplication, and the solution is that Kali drinks the blood before it lands and eats the copies as they come. She solves by consumption what could not be solved by force.

The theology that grew around her in Bengal takes the horror as instructive rather than incidental. Time devours everything, including the worshipper; the severed heads are read as the ego, the standing on Shiva as the priority of energy over inert consciousness, and the cremation ground as the one place where nothing can be pretended. Ramprasad Sen in the eighteenth century wrote songs to her that argue, complain and accuse, addressing her as a mother who does not answer, and they are still sung. Ramakrishna in the nineteenth century served her image at Dakshineswar and reported direct experience of her, and his account carried her into the modern Hindu mainstream and, through Vivekananda, abroad.

Colonial writing made her the emblem of everything it wanted to say about Indian religion: bloodthirsty, obscene, primitive. The thuggee literature attached her name to organised murder. Her devotees do not recognise this figure, and the atlas notes it as a fact about nineteenth-century British writing rather than about the goddess.

Her worship is strongest in Bengal, Assam and Kerala. Kalighat and Dakshineswar in Kolkata are its great centres, and Kali Puja falls on the new-moon night of Diwali.

Tantra, the Left Hand, and What Is Not Published

Kali is worshipped in ordinary temple fashion by very large numbers of people who have nothing to do with Tantra, and she is also central to Tantric practice, and the two should not be collapsed.

Tantric traditions are commonly sorted into dakshinachara, the right-hand path, and vamachara, the left-hand path. The right-hand path uses conventional offerings and is continuous with mainstream temple worship. The left-hand path uses the five substances known as the panchamakara, whose names begin with the syllable ma, including wine, meat, fish and ritual sexual union, and it locates practice in places, times and materials that Brahmanical purity rules exclude. The doctrinal claim is that what is forbidden is not thereby powerless, and that a practitioner who has genuinely passed beyond attraction and revulsion is not bound by either. Whether the substances are used literally or substituted symbolically differs by lineage, and lineages disagree sharply about it.

Kali is also the first of the Mahavidyas, the ten great wisdom goddesses, a group including Tara, Chhinnamasta, who holds her own severed head and drinks her own blood, and Dhumavati, a widow, alone, inauspicious, riding a crow. The set is deliberately assembled from figures that a respectable pantheon would not include, and that is the point of it.

Two cautions. First, this material is initiatory: it is transmitted by a guru to a particular student, much of it is not published, and popular English accounts of it are frequently unreliable, drawing on nineteenth-century sources whose informants were telling outsiders what outsiders wanted to hear. Second, the modern Western use of the word tantra to mean a school of sexual technique bears almost no relation to any of this. Alexis Sanderson, David Gordon White and Hugh Urban have written on how that transformation happened.

Correspondences & Relations

Archetypes

Pantheons

Cross-Tradition Connections

Associated With

Blood, Body Parts
Source Encyclopedia of ReligionMircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.)

This source names Kali directly: "or Mahadevi, closely associated with Kali and Durga and counted among the seven Matrikas, the only one who is a Shakti of the great Goddess rather than of a male deity."

Chaturdashi, Tithis

This source names Kali directly: "is Shiva (Rudra) in fierce form, or Kali."

This source names Kali directly: "The left field shows the youthful Kali standing astride two aspects of Shiva, one corpse-like and the other engaged with the goddess in a scene reading as the union of consciousness and energy; the..."

This source names Kali directly: "Art Studio lithograph diptych of Kali and Tara, the first of five sheets depicting the Ten Mahavidyas produced by the studio around 1885 to 1895, describing Kali at left and Tara at right, each with..."

Kali Yuga, Ages

This source names Kali directly: "Kali Yuga is the fourth and final age in the classical Hindu cycle of four world ages, the yugas, following Satya, Treta and Dvapara and traditionally held to be the present age."

This source names Kali directly: "Museum's own collection record for its Kalighat painting of Kali, accession IM.2:73-1917, giving its medium, dimensions, date and its provenance through J."

This source names Kali directly: "The sourced Wikipedia account of Kalighat painting, a style that developed around the Kali temple at Kalighat, Kolkata, in the mid-nineteenth century on mill-made paper, used here to corroborate the..."

This source names Kali directly: "The Kali-Santarana Upanishad is a primary scriptural text, a minor Upanishad outside the classical group treated by the great commentators and generally placed late."

Source Kali-Santarana UpanishadAnonymous
Kalki, Figures

This source names Kali directly: "appear at the end of the current age, Kali Yuga, to destroy corruption and restore dharma, closing one cosmic cycle and opening the next."

Source Encyclopedia of HinduismDenise Cush, Catherine Robinson and Michael York (eds.)
Klim, Mantras

Klim is the seed of attraction and desire associated with Kali in Shakta practice.

This source names Kali directly: "by Shiva (Rudra) in fierce form, or Kali."

Source Muhurta ChintamaniRama Daivajna

This source names Kali directly: "in the present, degenerate age (Kali Yuga), and it is unusual among Tantras for its extended treatment of social and legal topics, including inheritance, marriage and the status of widows, alongside..."

This source names Kali directly: "dance drama performed in the Bhadrakali temples of central Kerala, staging the myth in which the demon Darika, granted by Brahma that no man could kill him, is instead cut down by the goddess Kali..."

Source Mudiyettu (Wikipedia)Wikipedia contributors

This source names Kali directly: "Useful here for the Darika-Kali myth detail, the kalam floor drawing, performance districts and the ninth or tenth century dating estimate."

Source Mudiyettu (Wikipedia)Wikipedia contributors

This source names Kali directly: "practice of the Camargue Sara-la-Kali pilgrimage is not this chapter's subject and is not claimed on its authority."

Source Romani Pentecostalism: Gypsies and Charismatic ChristianityDavid Thurfjell and Adrian Marsh, editors (includes Regis Laurent, "On the Genesis of Gypsy Pentecostalism in Brittany")
Shakti, Deities

Kali is understood in Shaktism as the Goddess as time and death, one of the named forms in which the one Shakti is worshipped, alongside Parvati, Lakshmi, Saraswati and Durga.

Source Encyclopedia of HinduismDenise Cush, Catherine Robinson and Michael York (eds.)

This source names Kali directly: "poetry addressed to the goddesses Kali and Uma, written by a specialist in Bengali Hindu religious literature and combining careful translation with contextual analysis of the poems' theological and..."

Belongs to Tradition

Counted as the first of the ten Mahavidyas, the set of ten forms of the supreme Goddess in Shakta tantra.

Depicted In

Confirmed card in the deck (Kali); full 44-name card list cross-checked against the atlas Deity register.

Principal Cult Centres

Source The Sakta PithasD. C. Sircar

Related To

Tara and Kali are so alike in form that the texts separate them on small details, and the two head every version of the list.

Sacred to This Deity

Kolkata, Cities

The Kalighat temple, which gives the city its name, is counted among the shakta pithas.

Same Figure, Narrative Entry

Kali, Figures

Sibling Of

Bagalamukhi, Deities

Both are counted among the ten Mahavidyas: this one is the first of the ten Mahavidyas and the other is the eighth of the ten Mahavidyas.

Bagalamukhi, Deities

Both are counted among the ten Mahavidyas: this one is the eighth of the ten Mahavidyas and the other is the first of the ten Mahavidyas.

Bhairavi, Deities

Both are counted among the ten Mahavidyas: this one is the fifth of the ten Mahavidyas and the other is the first of the ten Mahavidyas.

Bhairavi, Deities

Both are counted among the ten Mahavidyas: this one is the first of the ten Mahavidyas and the other is the fifth of the ten Mahavidyas.

Bhuvaneshvari, Deities

Both are counted among the ten Mahavidyas: this one is the first of the ten Mahavidyas and the other is the fourth of the ten Mahavidyas.

Bhuvaneshvari, Deities

Both are counted among the ten Mahavidyas: this one is the fourth of the ten Mahavidyas and the other is the first of the ten Mahavidyas.

Chhinnamasta, Deities

Both are counted among the ten Mahavidyas: this one is the first of the ten Mahavidyas and the other is the sixth of the ten Mahavidyas.

Chhinnamasta, Deities

Both are counted among the ten Mahavidyas: this one is the sixth of the ten Mahavidyas and the other is the first of the ten Mahavidyas.

Dhumavati, Deities

Both are counted among the ten Mahavidyas: this one is the seventh of the ten Mahavidyas and the other is the first of the ten Mahavidyas.

Dhumavati, Deities

Both are counted among the ten Mahavidyas: this one is the first of the ten Mahavidyas and the other is the seventh of the ten Mahavidyas.

Kamala, Deities

Both are counted among the ten Mahavidyas: this one is the first of the ten Mahavidyas and the other is the tenth of the ten Mahavidyas.

Kamala, Deities

Both are counted among the ten Mahavidyas: this one is the tenth of the ten Mahavidyas and the other is the first of the ten Mahavidyas.

Both are counted among the ten Mahavidyas: this one is the third of the ten Mahavidyas, listed as Shodashi or Tripura Sundari and the other is the first of the ten Mahavidyas.

Both are counted among the ten Mahavidyas: this one is the first of the ten Mahavidyas and the other is the third of the ten Mahavidyas, listed as Shodashi or Tripura Sundari.

Matangi, Deities

Both are counted among the ten Mahavidyas: this one is the first of the ten Mahavidyas and the other is the ninth of the ten Mahavidyas.

Matangi, Deities

Both are counted among the ten Mahavidyas: this one is the ninth of the ten Mahavidyas and the other is the first of the ten Mahavidyas.

Both are counted among the ten Mahavidyas: this one is the first of the ten Mahavidyas and the other is the second of the ten Mahavidyas.

Both are counted among the ten Mahavidyas: this one is the second of the ten Mahavidyas and the other is the first of the ten Mahavidyas.

Worshipped In

Hinduism, Religions
Source Encyclopedia of ReligionMircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.)
Sources
1. Hindu Goddesses: Visions of the Divine Feminine in the Hindu Religious Tradition
David R. Kinsley, University of California Press, 1988View the Source
Devi Mahatmya (Durga Saptashati)
AnonymousThe Raktabija episode
Quote, The Raktabija episode
Kali emerges from the forehead of the angry Goddess and drinks the blood of Raktabija before it can reach the ground, solving by consumption a problem of multiplication that force could not solve.
The Serpent Power
Sir John Woodroffe (Arthur Avalon), Ganesh & Co, 1919On the Tantric context and its transmission
Quote, On the Tantric context and its transmission
Woodroffe's translations carried Shakta Tantric material into English early. The atlas notes that this literature is initiatory, much of it unpublished, and that popular English accounts of it are frequently unreliable.
View the Source
Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005View the Source
Tantric Visions of the Divine Feminine: The Ten Mahavidyas
David R. Kinsley, University of California Press, 1997View the Source

Take a Related Quiz

Comments (0)
No comments yet. Be the first to share a thought.
Reader Challenges (0 open reader challenges)
No disputes yet. Spotted an error or a better source? Open the first one.

View At A Past Year

The atlas records no dated fact of its own for this entry, so there is no other year to choose.